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  • £40.00

    Blue Sleeve Step - Harper, P

    This is a big band style number which is modelled on Barrie Gott's brilliant Lightwalk. It begins with a walking bass before horns state the highly whistleable tune for the first time. The full band quickly joins and there is an extended solo break for cornet. A tiptoeing tuba solo precedes the final key change which propels the piece to its infectiously foot-tapping conclusion.2nd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £38.50

    Elan - Harper, P

    Commissioned by the British Federation of Brass Bands and first performed at the Symphony Hall, Birmingham, as part of the European Brass Band Championship Gala Concert and played by the National Youth Brass Band of Great Britain.2nd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    I Want You Back - Perren, Mizell, Gordy, Richards - Harper, P

    Released on the Motown label in 1969, this was the first single of The Jackson 5, featuring 11 year old Michael Jackson on lead vocals.Guaranteed to add some funk to your concerts!2nd Section +Duration 3 mins

    In Stock: Estimated dispatch 1-3 working days

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  • £40.00

    The Spirit of St. Louis - Wainwright, A.

    The winner of the Cory Band Composition Prize 2018, this filmic composition tells the story of the first solo transatlantic flight from 1927Championship sectionDuration 4 minsListen to Cory Band on 'Summon the Heroes'Courtesy of World of Brass

    In Stock: Estimated dispatch 1-3 working days

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  • £38.50

    Thriller - Temperton, R - Harper, P

    It seems like yesterday . . . but it was in 1982 that Michael Jackson's Thriller album was first released. It was this album that catapulted him to super-stardom. This is a stunning arrangement by Philip Harper.2nd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    When a Knight Won His Spurs - Traditional - Thomas, B

    Many people of a certain age will be familiar with When a Knight won his Spurs. A God-fearing Knight battling fearsome dragons and ogres really sticks in the memory, along with the fabulous folk tune.Prefaced by a mysterious opening derived from the melody itself, the tune appears a further three times, linked by a glittering fanfare. The folk feel of the original tune has been retained, and the piece drives along using a dual 3/4 - 6/8 time signature. The first statement of the tune is a conventional harmonisation; the second statement uses more colourful harmonies, and the triumphal final statement follows a dramatic upward key change. Three minutes in length makes it an ideal opener.2nd section +

    In Stock: Estimated dispatch 1-3 working days

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  • £33.00

    Angels from the Realms of Glory - Traditional - Barry, D

    A concert prelude with a big introduction. The first verse is lightly scored and features the middle of the band. The continuing prelude returns back to the main theme featuring trombones and horns. The piece finishes in a full big chord setting.4th section +

    In Stock: Estimated dispatch 1-3 working days

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  • £35.00

    Have Yourself a Merry Little Christmas - Blane, R & Martin, H - Griffiths, D

    This cherished song first appeared in the 1944 MGM musical Meet me in St Louis, when Judy Garland's character sung the song to her five-year old sister to cheer her up. This new arrangement is a sumptuous slow jazz trombone solo, as played by Chris Thomas on Cory's latest Christmas CD4th section +Duration 4 mins

    In Stock: Estimated dispatch 1-3 working days

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  • £38.95

    Unity Series Band Journal - Numbers 550 - 553, February 2026

    550: March - Century of celebration (Stephen Smith)This march follows a traditional pattern and should be accessible for most bands. It was written for the 100th anniversary of Camp Gifford in Loon Lake, Washington, therefore included are well-known songs with references to water as the camp is located on the shores of Deer Lake.551: Going Home (Alan Williams)Richard Jukes' song I'm a soldier bound for Glory (S.A.S.B. 856) displays the confidence of someone with a steadfast faith who is certain that by loving and serving their God they will be accepted into his Kingdom. This assurance results in a joyful song of testimony. Whilst not a direct setting of the five verses, the dance-like rhythm of this cha-cha should reflect the positive and encouraging nature of the lyrics and be full of joy and spirit.552: Whosoever will may come (Noel Jones)This is a two-verse arrangement of the song Whosoever will may come (S.A.S.B. 405), with words written by William John McAlonan and music composed by Alfred Braine. This song is included in the Invitation and Challenge section of the song book. The arrangement should be played in a spirited style.553: March - Sing a praise of celebration (Marcus Venables)This music was written at the request of the Singapore Central Corps Band, who asked that the work be based on two specific meaningful melodies. The first is To the Glory and Praise of God by Robert Redhead, a tune rooted in corporate worship and joyful proclamation, calling God's people to lift their voices in thanksgiving. The other is Home, a beloved Singaporean song that speaks of belonging.

    Estimated dispatch 7-14 working days
  • £42.95

    The Platinum Jubilee March (Brass Band - Score and Parts)

    The Platinum Jubilee March was written to celebrate Her Majesty, Queen Elizabeth II's seventy-year reign as monarch of the United Kingdom. Its premiere was televised live around the world as part of the Queen's Birthday Parade which marked the start of the national Platinum Jubilee celebrations.The Queen's Birthday Parade 2022 saw the First Battalion of the Irish Guards trooping their colour. To reflect this, the march begins in a celebratory style and features a melody based around the opening motif of Let Erin Remember - the regimental slow march of the Irish Guards. In traditional style, the march develops excitement both harmonically and melodically, creating a strong sense of drive before reaching a stately trio. This section has a very regal and noble feel, lending subtle harmonic nods to two of the most quintessentially British composers, Gustav Holst, and Sir William Walton. The march culminates in a bold grandioso, featuring semi-quaver lines that are underpinned by a driving trombone countermelody. A forthright restatement of the introductory fanfare brings the march to a very definite and resolved ending.

    Estimated dispatch 7-14 working days