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  • £22.70
  • £68.90

    King All Glorious - G.M. Vail

    Estimated delivery 10-14 days
  • £39.95

    All Glorious - Dorothy Gates

    Estimated delivery 12-14 days
  • £44.95

    CHRISTUS VICTOR (Brass Band Set) - Kenneth Downie

    This is a glorious selection of music to celebrate the supreme victory of Jesus Christ. The predominant theme of 'Crown Him!' comes from the Thomas Kelly hymn 'Look, ye saints! The sight is glorious' which are associated with Henry Smart's tune 'Regent Square'. Also featured are Andre Crouch's song 'Soon and very soon' as well as Dave Bilborough's 'All hail the lamb'. In the final pages of the score, all three tunes come together in a statement of affirmation.

    Estimated delivery 12-14 days
  • £38.00

    SYMPHONY No.2, Finale from (Brass Band) - Mahler, Gustav - Harper, Philip

    One of the most life-affirming pieces of music ever composed, Mahler's 2nd Symphony, subtitled "The Resurrection", was first performed in Berlin in 1895. Mahlers interest in the mysteries of the afterlife is well-known and is a recurring theme throughout all his nine symphonies. Philip Harper has arranged the final passages of the 2nd Symphony, which begins with a profound hymn set to the words of Friedrich Klopstock??" Rise again, yea, thou shalt rise again. The music contains one of Mahler's magical transitionary passages, building in intensity, before the hymn is restated in all its majesty at the moment of glorious resurrection. This arrangement was performed as the finale to Cory Band's winning Brass in Concert programme in 2012. The publisher of this works suggests that it should be playable by 1st. section bands upwards.

    Estimated delivery 12-14 days
  • £38.00

    Finale from Symphony No. 2 (The Resurrection) - Mahler, G - Harper, P

    One of the most life-affirming pieces of music ever composed, Mahler’s 2nd Symphony, subtitled ‘The Resurrection’, was first performed in Berlin in 1895. Mahler’s interest in the mysteries of the afterlife is well-known and is a recurring theme throughout all his nine symphonies. Philip Harper has arranged the final passages of the 2nd Symphony, which begins with a profound hymn set to the words of Friedrich Klopstock— ‘Rise again, yea, thou shalt rise again’.  The music contains one of Mahler’s magical transitionary passages, building in intensity, before the hymn is restated in all its majesty at the moment of glorious resurrection. This arrangement was performed as the finale to Cory Band’s winning Brass in Concert programme in 2012.Listen to Cory BandCourtesy of World of Brass

    In stock: Estimated delivery 1-2 days

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  • £94.99

    Parnassus (Brass Band - Score and Parts) - Van der Roost, Jan

    Since most of the bands competing in the 4th Section of the Dutch National Championships have many young players, this piece is stylistically youthful, especially in the opening and closing sections. An arpeggio pattern appears numerous times in all registers and is the basic musical element of the main melody, alternating with a second theme that has a slightly different melodic character. The middle section is conceived like a chorale, introduced and developed stepwise: firstly with short patterns and gradually in increasingly long snippets, until it's played in its glorious entirety at measure 216. No real solo passages are included but rather small chamber combinations, thus offering the opportunity to various players to display their technical and performance skills. The finale recaptures musical material from the first section of the piece and provides a majestic conclusion.Duration: 11:45

    Estimated delivery 12-14 days

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  • £34.95

    Pyrotechnic Variations on 1812 - Christian Overhead

    Pyrotechnic Variations on 1812 was composed for Brass Band Schoonhoven, and used as part of their programme for Brass in Concert in November 2016.‘Pyrotechnic Variations’ is a modern day twist on Tchaikovsky’s famous ‘1812’ Overture. A heraldic opening introduces some familiar themes, before leading into a frantic virtuosic passage (especially for euphonium!), where quotes can be heard all through the band. This subsides into the central ‘slow’ section (via the unusual route of a bass and drum kit feature). After a whisper quiet reintroduction of the main theme, we build to the ‘canon’ finale – ending in a glorious celebratory style!

    Estimated delivery 3-5 days
  • £25.00

    Autumn Bacchanale (from The Seasons) - Alexander Glazunov

    A lively, joyous item, ideal as a light interlude in any concert and especially appropriate for late season/Christmas themed events with its jaunty, positive sounds. Sue Hopkins has shown great creativity in crafting this arrangement of Glazunov’s ‘Autumn‘ movement, a bacchanale from his ballet The Seasons, hence its fondly referenced title of Autumn Bacchanale.Alexander Glazunov (1865 – 1936) was a Russian composer, music teacher and conductor. He was a child prodigy and was taught privately byRimsky-Korsakov, who said Glazunov’s musical progress did not increase day by day but hour by hour. He began composing at age eleven and wrote his first symphony at age 16 in 1881 and it was premiered one year later.His ballet The Seasonswas first performed by the Imperial Ballet in St Petersburg on 20 February 1900 and was choreographed by Marius Petipa.It was written in one act and four scenes, and this piece represents the moment when all The Seasons take part in a glorious dance while leaves from autumn trees rain upon their merriment.

    In stock: Estimated delivery 1-2 days
  • £16.99

    Parnassus - Jan Van der Roost

    Since most of the bands competing in the 4th Section of the Dutch National Championships have many young players, this piece is stylistically youthful— especially in the opening and closing sections. An arpeggio pattern appears numerous times in all registers and is the basic musical element of the main melody, alternating with a second theme that has a slightly different melodic character. The middle section is conceived like a chorale, introduced and developed stepwise: firstly with short patterns and gradually in increasingly long snippets, until it's played in its glorious entirety at measure 216. No real solo passages are included but rather small chamber combinations, thus offering the opportunity to various players to display their technical and performance skills. The finale recaptures musical material from the first section of the piece and provides a majestic conclusion.

    Estimated delivery 10-14 days

     PDF View Music