Results
-
£24.50Sospiri - Elgar - Max Stannard
Originally scored for string orchestra, harp and organ, this Adagio was composed by Sir Edward Elgar shortly before the outbreak of the First World War and you can perhaps hear the gathering storm clouds of war in the music which became a bleak adagio that would not be out of place as the slow movement of an Elgar symphony. The work was dedicated to the leader of the London Symphony orchestra W.H. (Billy) Reed.
In Stock: Estimated dispatch 1-3 working days
-
£37.50A Small Christmas Suite - Jonathan Mead
This fresh new Christmas Suite is an upbeat 'festive suite' from the pen of Welsh Composer, Jonathan Mead. It features three well known carols that have been given an overhaul concerts this year. The three movements can be played as one continuous suite, or separated and performed individually if time doesn't permit for the full suite to be performed. The first Movement features a 'jazzed up' version of O Come All Ye Faithful. Movement 2 allows the bands soloists to shine if a stunningly reflective setting of See Amid the Winter's Snow. The final movement sees Silent Night in a way you've never heard before and has all the 'razzmatazz', and big finish that your concert needs. A must for your band and audiences this Christmas Season.
In Stock: Estimated dispatch 1-3 working days
-
£37.50Willy Wonka (Selections From) - Leslie Bricusse & Anthony Newman - Gavin Somerset
Few people have not seen the 1971 film starring Gene Wilder as the eccentric chocolatier, offering tours of his chocolate factory to those lucky enough to find the hidden golden ticket. Whilst initialy a box office failure, the film went on to become a favourite in households across the world, years after its initial release. Now for the first time, your band can enjoy the music from the film in this selection that includes 'Golden Ticket', 'The Candy Man' and of course, the unforgettable 'Pure Imagination'. The music of Leslie Bricusse & Anthony Newley has been a hit for many years and continues to make TV and radio appearances. 'The Candy Man' was perhaps best known when covered by Sammy Davis Jr where it made it to number one in the USA. 'Pure Imagination' has been used countless times in adverts in the media and more recently, recorded by Jamie Callum for his album 'Momentum'. 'Pure Imagination' can also be performed as a stand-alone item. This is truly an all-time classic filled with a feast of musical variety that fits well into just about any concert. A must for all band libraries. To download the Solo Cornet part, please CLICK HERE . To download the Solo Horn part, please CLICK HERE . To download the Solo Euphonium part, please CLICK HERE . To download the playback audio to play along to, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
-
£29.50What's This? - Danny Elfman - Naomi Styles
Tim Burton's Nightmare Before Christmas needs little introduction, as it is regularly hailed of one of the greatest Christmas films of all time. The originality of stop motion animation at a time where many were turning to computer animations, helped the movie on its way to great critical acclaim and financial success. The score for the movie was provided by Danny Elfman (of Simpsons & Batman fame) who also provided the singing voice for the character, Jack. Now, for the first time ever, the energetic and memorable track, 'What's This', is now available for band. The film and soundtrack finds favour with audiences of all ages and is a must for bands looking for something different to inject some life into their Christmas concerts this year. For Christmas 2020, we have made backing tracks of this title for you to download. These can be used either for personal playback use, or to create a virtual performance of the piece with your full band. To download the backing track, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
-
£65.50Windsor Variations - Gavin Somerset
The first major Concert Work/Test Piece by Gavin Somerset for brass band takes the familiar tune, St. George's Windsor (Elvey) and gives us a highly enjoyable opus, full of music with which players & MDs can fully express themselves. Often sang to the harvest hymn, Come, Ye Thankful People Come, Its majesty and motifs make this an enjoyable piece to both play and listen to. The work's primary focus is on melody and music with all sections of the band involved in bringing this piece to life. At harvest time or any other, this is a great new feature work for the brass band repertoire. GET THE PARTS FREE TO REHEARSE AT HOME Whilst Brass Band rehearsals continue to be suspended, we are offering FREE downloads of any of the instrumental parts for this new work*. A downloadable playback of the work is also available for you to play along to with a click track included where deemed appropiate to aid your home practice. To download your free instrumental part, please send us a quick email to [email protected]. Once we have received your request, you shall be emailed your free music. Please allow up to 24hrs for this to arrive. Thank you. To download the playback audio to play along to, please RIGHT CLICK HERE & Save As . *A maximum of 2 parts per email address allowed
In Stock: Estimated dispatch 1-3 working days
-
£24.50
When Christmas Sleeps - Gavin Somerset
This little arrangement is playable by all levels of bands and is a wonderfully harmonised medley of "Silent Night" and "The First Nowell". A perfect addition to the Christmas program and scored well for lower section bands with parts doubled, making this item work well on the concert stage, or out and about carolling. For Christmas 2020, we have made backing tracks of this title for you to download. These can be used either for personal playback use, or to create a virtual performance of the piece with your full band. To download the backing track, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
-
£29.50
Yakety Sax - Randolph & Rich - Neville Buxton
Made famous in its use on the Benny Hill Show, Yakety Sax has long been associated with comedy scenes. Now, arranged for the first time by Neville Buxton as a solo for any Bb instrument, some of that hilarity can now feature in your concerts! There's plenty of room for choreography to add to the spectacle, yet even without, this is one solo item that will have the audience wanting more!
In Stock: Estimated dispatch 1-3 working days
-
£24.50Yes, We Have No Bananas - Frank Silver & Irving Cohn - John Lee
This novelty song is known worldwide following multiple recordings by Billy Jones, Billy Murray, Arthur Hall, Irving Kaufman, and others. Benny Goodman and his Orchestra also recorded the work which has helped keep up the songs popularity since its initial release in 1923. Writer Frank Silver may have been influenced by an actual shortage of Gros Michel bananas in the early 20th century. Now arranged as a trombone solo, this arrangement has two parts; the first being accessible to most soloists with an optional continued section, which is more intricate for more advanced soloists to enjoy. A great audience pleaser and repertoire item.
In Stock: Estimated dispatch 1-3 working days
-
£22.50Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
-
£29.95Adam Zero, Suite from (Brass Band - Score only) - Bliss, Arthur - Childs, Robert
Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30
Estimated dispatch 7-14 working days
View Music