Results
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£53.50Wiener Philharmoniker Fanfare - Richard Strauss - Paul Mealor
Paul Mealor's arrangement for orchestra of the Wiener Philharmoniker Fanfare (Vienna Philharmonic Fanfare) by Richard Strauss was originally commissioned by His Majesty King Charles III for The Coronation. This version for Brass Band was first performed on Saturday 14th September 2024 at St Asaph Cathedral in Wales as part of the North Wales International Music Festival by Foden's Band, conducted by Michael Fowles.
Estimated dispatch 5-14 working days
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£84.99Snow Island - Thierry Deleruyelle
The Swiss canton of Valais is home to a number of wind and brass bands that regularly stand on the podium in Swiss and European competitions. For the general public, the Valais is above all a unique place, between the Rhone Glacier and Lake Geneva, where life is pleasant. The brass players of the five music associations of the villages of Crans-Montana - an internationally renowned "snow island" - were awarded the organisation of the 224 cantonal festival, for which this work was commissioned.
Estimated dispatch 5-14 working days
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£84.99Festivus Americas - Stephen Bulla
Dedicated to the North American Brass Band Association, this is music that is full of energy and dynamic extremes. In form it draws from the overture style, although the themes are self-existing and the piece is programmatic. Working well asa festival opener, it sets a mood of excitement. Following the rhythmic fanfares of the opening, the first theme is presented in the cornets followed by a return to the same rhythmic material. A second theme appears in the horn section and isdeveloped, changing into a darker and sinister form of the same motif. Eventually a Maestoso section is reached, full of sustained block chords in the cornets and trombones, as the rest of the band counters with cascading lines that weavestraight through the brighter instruments.
Estimated dispatch 5-14 working days
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£50.00Sweeney Todd - Malcolm Arnold
Malcolm Arnold's ballet, Sweeney Todd, was first staged in 1959 by The Royal Ballet Company with choreography by John Cranko. The music was later adapted as a concert work and it is from this versionthat this brass band arrangement is made. The original concert suite lasts some 20 minutes, but this version has been shortened to a more manageable eight minutes. The first performance of this arrangement was given on the22nd October 2006 at the Malcolm Arnold Festival, Derngate, Northampton by the Rushden Windmill Band conducted by Richard Graves. Brass Band Grade 4: Advanced Youth and 3rd Section. Duration 8 minutes.
Estimated dispatch 5-14 working days
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£118.99Euphonium Concerto - Edward Gregson
Commissioned by Euphonium Foundation UK. First performed by David Childs and British Brass conducted by Robert Childs at Senzoku Gakuen College of Music, Tokyo, Japan on 16 June 2018. UK premiere by David Childs and Tredegar Band conducted by Ian Porthouse at the Royal Northern College of Music Brass Band Festival, Manchester, on 29 January 2019. Premiere recording by David Childs (euphonium) with the Black Dyke Band, conducted by Nicholas Childs, on the Doyen label (DOYCD 414).
Estimated dispatch 5-14 working days
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£104.99Sinfonietta No. 4 - Etienne Crausaz
This work was composed for the occasion of the 28. Fete Cantonale des Musiques Vaudoises (28th Music Festival of the Canton Vaud), taking place in the Valley of Joux in June 2018. The music begins with a very simple fanfare consisting of five ascending legato notes which constitute the fundamental framework of the piece. This contrasts with the more cantabile sounding theme we hear after. The following Allegro section uses the sequence in a contrapuntal style reminding us of the Renaissance period, but with more modern day harmonies. Two solo cadenzas played by cornet and euphonium initiate the middle section, in which a theme also based on the sequence builds uptowards the climax of the piece. The sequence in the last section is played in time but gives the feeling of a "one to the bar" beat. Shortly before the festive finale, the music heard in the middle part resumes.
Estimated dispatch 5-14 working days
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£102.60Cherubic Hymn of Ukraine - Yakiv Yatsynevych - John Philip Hannevik
Ukraine was invaded on February 24, 2022, and the world again became spectators to a conflict between unequal opponents. Once again we saw lies, injustice and brutality up close.I must admit that a feeling of powerlessness arose when experiencing this, an empty feeling of not being able to do anything useful.One early Monday morning, a few weeks into the conflict, I sat down to listen to Ukrainian music.I hardly knew any Ukrainian music, but I was familiar with the composer Mykola Leontovych, the man who composed "Carol of the Bells". He was a member of the Ukrainian liberation movement, and he was assassinated by a Soviet agent in 1921.One of his contemporary colleagues was the composer, teacher and conductor Yakiv Yatsynevych (1869-1945). He wrote church music and choral music, and I became very taken by his Hymn to the Cherubim, a part of the Orthodox Mass.I could not find any sheet music for this. But I have listened to numerous choral recordings, and I have tried to notate the music as I believe the composer himself has done originally.I chose to do the arrangement for a solo group of 4 players. These players can be placed at a distance from the ensemble, maybe on a gallery or at the back of your concert hall.The arrangement was made for Brottum Brass for their participation in the Oslo Brass Festival in April 2022.The performance in the church this particular night was met with a long-lasting silence after the last note. The warm respect, the moving response and love we felt from the audience is a memory I will carry with me for a long time.In the lyrics to this psalm, one finds the phrase:Let us now lay aside all earthly cares- John Philip Hannevik -
Estimated dispatch 5-14 working days
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£75.00De Profundis - john wallace, Tony George
An original composition for massed brass bands and brass quintet devised by John Wallace, Tony George and Svend McEwan-Brown. A cross-genre production work, including scene setting, lighting and the spoken word reciting associated poems, De Profundis was given its world premiere at the East Neuk Festival on 1 July 2017 at The Bowhouse, performed by The Wallace Collection, Tullis Russell Mills Band and friends.If you would like to perform this work, The Wallace Collection are able to provide production consultancy and supply the brass quintet elements of the production - if you would like to discuss potential performances, please contact them direct on [email protected] NotesDe Profundis is a large scale brass band performance piece created by John Wallace and Tony George, based upon an original idea by Svend McEwan-Brown. It was developed in sessions with members of the Tullis Russell Mills Band, commissioned and premiered at East Neuk Festival 2017 at The Bowhouse, St Monans, on 1st July 2017.It was supported by Creative Scotland, Fife Council, Toby and Kate Anstruther, Shields and Carol Henderson, Donald and Louise MacDonald.This project remembers and celebrates the lives and music of miners. It is designed to give brass bands a performance piece that uses elements of improvisation and participation, to offer the players a stimulating and inspiring experience beyondthe normal run of brass band repertoire.All the music is drawn from two settings of the psalm 'Out of the Deep" (De Profundis).Look and Listen (courtesy of Tullis Russell Mills Band and The Wallace Collection at 2017 East Neuk Festival):More InformationMore details about the De Profundis project is available on a dedicated web-page on The Wallace Collection website.
In Stock: Estimated dispatch 3-5 working days
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£110.00Diversions after Benjamin Britten (Brass Band - Score and Parts)
Suite by Lucy Pankhurst, Simon Dobson, Paul McGhee and Gavin HigginsHaving devised a collective centenary tribute for Michael Tippett at the 2006 RNCM Festival of Brass (Variations on a Theme of Michael Tippett by five eminent composers of brass band music, PHM002), I commissioned this companion piece as a Benjamin Britten tribute for the 2013 festival. In the late 1970s, while researching a book about the English composer, and Britten's first teacher, Frank Bridge (1879 - 1941), I came across a copy of the printed score of Benjamin Britten's Variations on a Theme of Frank Bridge (Op.10) for string orchestra, in which Britten had written descriptive titles for each of the variations suggesting appropriate character traits of his much loved mentor and guide. The character variations are cast in march, song and dance forms.Taking inspiration from Britten's youthful tribute, I invited four award-winning composers, who have all made significant contributions to the brass band medium, to create their own personal reflections on four aspects of Britten's character and music, designed to form a suite of Diversions after Benjamin Britten, but which can also be played separately.Lucy Pankhurst's hauntingly lyrical Prelude: His Depth refers to the emotional and symbolic subtexts that underpin Britten's operas, taking its musical cue from Britten's many arrangements of folk songs. The flugel horn takes a prominent role throughout.Simon Dobson's breathless Scherzo: His Vitality reminds us with its rapid passage work and leaping bass 'groove' that Britten loved tennis and fast cars in his younger days.Paul McGhee's evocative interpretation of the March: His Sympathy represents Benjamin Britten's pacifism, as the composer writes: 'We view the music through the eyes of a pacifist. Whilst war and violence surround us, we do not engage in it and though it continues to happen around us. With the use of muted effects in most of the band throughout the piece, the flugel horn is the lone voice of reason, standing firm against the mechanical and destructive society in which it is forced to live. As the machine of war continues around the lone voice, the voice is gradually dismissed and mocked as the war machine rumbles on into the distance.'In an extended finale, entitled Toccata: His Skill, Gavin Higgins celebrates Benjamin Britten's consummate creativity. For the RNCM Festival of Brass premiere, the four contrasting movements were framed and connected by Britten's Fanfare for St. Edmundsbury for three trumpets, with the trumpet soloists spaced round the hall. I am grateful to the Britten Estate and publishers Boosey & Hawkes for giving permission for the elements of Britten's fanfare to be incorporated in the collective work.- Paul HindmarshDuration: 19.30
Estimated dispatch 7-14 working days
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£45.00
Diversions after Benjamin Britten (Brass Band - Score only)
Suite by Lucy Pankhurst, Simon Dobson, Paul McGhee and Gavin HigginsHaving devised a collective centenary tribute for Michael Tippett at the 2006 RNCM Festival of Brass (Variations on a Theme of Michael Tippett by five eminent composers of brass band music, PHM002), I commissioned this companion piece as a Benjamin Britten tribute for the 2013 festival. In the late 1970s, while researching a book about the English composer, and Britten's first teacher, Frank Bridge (1879 - 1941), I came across a copy of the printed score of Benjamin Britten's Variations on a Theme of Frank Bridge (Op.10) for string orchestra, in which Britten had written descriptive titles for each of the variations suggesting appropriate character traits of his much loved mentor and guide. The character variations are cast in march, song and dance forms.Taking inspiration from Britten's youthful tribute, I invited four award-winning composers, who have all made significant contributions to the brass band medium, to create their own personal reflections on four aspects of Britten's character and music, designed to form a suite of Diversions after Benjamin Britten, but which can also be played separately.Lucy Pankhurst's hauntingly lyrical Prelude: His Depth refers to the emotional and symbolic subtexts that underpin Britten's operas, taking its musical cue from Britten's many arrangements of folk songs. The flugel horn takes a prominent role throughout.Simon Dobson's breathless Scherzo: His Vitality reminds us with its rapid passage work and leaping bass 'groove' that Britten loved tennis and fast cars in his younger days.Paul McGhee's evocative interpretation of the March: His Sympathy represents Benjamin Britten's pacifism, as the composer writes: 'We view the music through the eyes of a pacifist. Whilst war and violence surround us, we do not engage in it and though it continues to happen around us. With the use of muted effects in most of the band throughout the piece, the flugel horn is the lone voice of reason, standing firm against the mechanical and destructive society in which it is forced to live. As the machine of war continues around the lone voice, the voice is gradually dismissed and mocked as the war machine rumbles on into the distance.'In an extended finale, entitled Toccata: His Skill, Gavin Higgins celebrates Benjamin Britten's consummate creativity. For the RNCM Festival of Brass premiere, the four contrasting movements were framed and connected by Britten's Fanfare for St. Edmundsbury for three trumpets, with the trumpet soloists spaced round the hall. I am grateful to the Britten Estate and publishers Boosey & Hawkes for giving permission for the elements of Britten's fanfare to be incorporated in the collective work.- Paul HindmarshDuration: 19.30
Estimated dispatch 7-14 working days
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