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  • £44.95

    Tallis Variations (Brass Band - Score only) - Sparke, Philip

    The hymn tune on which these variations are based is the third of nine that Thomas Tallis wrote in 1567 as part of a psalter for the first Anglican Archbishop of Canterbury, Matthew Parker. It was later used by Vaughan Williams in the English Hymnal and as the basis for his Fantasia.Duration: 15:09Recorded on Polyphonic QPRL232D Sea Pictures

    Estimated dispatch 7-14 working days
  • £30.00

    Los Canarios - Gaspar Sanz

    Gaspar Sanz (1640-1710) "The Master of the Spanish Baroque Guitar" was an Aragonese composer, guitarist, organist, teacher and priest born to a wealthy family in Calanda near Teurel. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of works and studies for the Baroque guitar that form an important part of today's classical guitar repertory. The ninety guitar works he wrote included works both for the punted (pluck) and rasqueado (strummed) styles. He was also well known as a poet and writer. The Spanish composer Joaquin Rodrigo composed his famous "Fantasia para un Gentilhombre" on themes taken from Sanz's guitar works.

  • £51.95

    Fantasy - and Robert Childs

    In the late eighteenth and early nineteenth centuries the 'fantasia' or 'pot-pourri' was a popular genre built on a selection of hit tunes of the day. Hummel wrote three such works, for guitar, cello, and viola; this arrangement is based on a shortened version of the work for viola and orchestra. The original, published as Hummel's Opus 94, dates from about 1820 and includes themes from Mozart's Don Giovanni, The Marriage of Figaro, Die Entfuhrung aus dem Serail, and Rossini's Tancredi.

    Estimated dispatch 7-9 working days
  • £82.95

    Tallis Variations (Brass Band - Score and Parts)

    The hymn tune on which these variations are based is the third of nine that Thomas Tallis wrote in 1567 as part of a psalter for the first Anglican Archbishop of Canterbury, Matthew Parker. It was later used by Vaughan Williams in the English Hymnal and as the basis for his Fantasia.Duration: 15:09Recorded on Polyphonic QPRL232D Sea Pictures

    Estimated dispatch 7-14 working days
  • £24.95

    Prelude- The truth from above - Ralph Vaughan Williams - Paul Hindmarsh

    In hisPrelude - The Truth from Above, outstanding arranger and curator Paul Hindmarsh has distilled the essence of a timeless Christmas classic by Ralph Vaughan Williams into five minutes of ravishingly unforgettable music for brass band. The variants of the Herefordshire tune popular from theFantasia on Christmas CarolsandThe Oxford Book of Carolsare skilfully and stylishly woven together, from an evocative opening to an ecstatic, multi-layered coda. Unerringly true to the timeless spirit of the original, with the added beauty of the brass-band sound at its most sonorously grave and haunting,Prelude - The Truth from Abovemay be performed separately, or as the first of two preludes, preceding Paul's arrangement ofRhosymedre from the Three Preludes Founded on Welsh Hymn Tunes, also available from Stainer & Bell.

    Estimated dispatch 5-14 working days
  • £33.23

    Spanish Dance - Brass Band (Traditional arr. Andrew Wainwright)

    Based on the traditional Spanish carol 'Riu Riu Chiu', this exciting foot-tapping item was premiered at Butlins Mineworkers Championships in 2010. Recorded on Virtuosi GUS Band's CD 'Christmas Fantasia - The Music of Andrew Wainwright', it has since proved to be a popular concert item. "Spanish Dance winds up to a whirlwind climax with a respectful nod in the direction of Morley Calvert's 'Canadian Folk Song Suite' - very clever." Paul Hindmarsh, British Bandsman magazine For a follow-the-score video of this work please visit: https://www.youtube.com/watch?v=jjskWuOH_YU Includes score and full set of parts. Sheet music available exclusively from World of Brass - www.worldofbrass.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £69.95

    Triquetra (Brass Band - Score and Parts) - Graham, Peter

    Triquetra takes the form of a free fantasia on the familiar hymn Old Hundreth. The tune appears in full in four different guises - harmonically and rhythmically altered on each occasion. Fragments of the melody are also used to generate new ideas, most notably in the contrasting middle section where the opening phrase of the hymn appears in inversion.As to the title, the Triquetra (from the Latin triquetrus meaning three-corned) symbol is representative of the Christian Trinity and in that respect relates to the final line of text in Old Hundreth, also known as the Doxology: Praise God from whom all blessings flow; Praise Him, all creatures here below; Praise Him above, ye heavenly host; Praise Father, Son and Holy Ghost.Triquetra was written for Stephen Cobb in recognition of 30 years outstanding service as conductor of the International Staff Band of the Salvation Army.Duration: 7.00

    Estimated dispatch 7-14 working days

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  • £52.00

    Introduction and Allegro on a bass by Max Reger (Score only) - Robert Simpson

    The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00

    Estimated dispatch 7-9 working days
  • £62.00

    Introduction and Allegro on a bass by Max Reger (Parts only) - Robert SImpson

    The fourth work for brass band to come from Robert Simpson's pen has enriched the repertory still further. Introduction and Allegro on a Bass by Max Reger was composed between the end of June and the beginning of November 1986 at the request of Howard Snell and was commissioned by the Desford Colliery Dowty band. The Introduction is mainly mysterious and deliberate while the Allegro is full of energy. The Bass is question is taken from Reger's Fantasia and Fugue in D Minor, opus 135b, and at one point, near the end of the work, Reger's own treatment of the bass is used. The rest is pure Simpson. Duration: 16:00

    Estimated dispatch 7-9 working days
  • £35.00

    FINALE from Francesca da Rimini - Tchaikovsky, P - Mcknight, I

    Tchaikovsky's symphonic poem Francesca da Rimini: Symphonic Fantasy afterDante, Op. 32, was composed in less than three weeks during his visit to Bayreuthin the autumn of 1876.This fantasia presents a symphonic interpretation of the tragic tale of Francescada Rimini, a beauty who was immortalised in Dante's Divine Comedy. Francescada Rimini, a noblewoman, fell in love with her husband's brother. After the loverswere discovered and killed in revenge by the husband, they were condemned toHell for their adulterous passions. Iain McKnight's arrangement of the exciting Finale was first performed by theLeyland Band at the 2011 Brass in Concert and was used to conclude the band'swinning performance.

    In Stock: Estimated dispatch 1-3 working days

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