Results
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£69.99Symphonic Suite from Star Wars: The Force Awakens - John Williams - Stephen Bulla
Utilizing the distinctive Jedi Steps theme featured at the end of the film, combined with the rousing Finale from the end credits, Stephen Bulla authentically recreates the beauty and power of this amazing film score. Courtesy of Mr. Williams himself, an alternate "concert ending" is provided in addition to the quiet ending as heard at the end of the film.
Estimated dispatch 5-14 working days
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£69.99STAR WARS: The Force Awakens (Symphonic Suite) (Brass Band) - Williams, John - Bulla, Stephen
Utilizing the distinctive Jedi Steps theme featured at the end of the film, combined with the rousing Finale from the end credits, Stephen Bulla authentically recreates the beauty and power of this amazing film score. Courtesy of Mr. Williams himself, an alternate "concert ending" is provided in addition to the quiet ending as heard at the end of the film. Grade: Medium-Advanced Duration: 7:30
Estimated dispatch 7-14 working days
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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£59.99Bofors To The Fore Joseph Knight
This piece was a commission to commemorate the memory of Gunner A. E. Collins who during the second world war was engaged in an action where during an advance through Belgium heavy resistance was met and he and an officer had to cover a retreat using Bofors guns. In the final report the title of this piece was actually used by the commanding officer.The piece its self is in three movements and follows the flow of the battle. The first movement called "Advance" is cautious and has the hint of battle. It starts quietly and then builds up slowly and finishes unresolved. Movement two "Engagement" starts suddenly in 7/8 and uses cyclical rhythms and clustered chords to show the horror and chaos of battle and also the firing the Bofors guns. The third movement "Safe Return" brings all of the themes from the first two movements and finishes with "The End Of The Day". The commission stated that bugle calls and "The End Of The Day" should be included.The piece is suitable for a concert work or indeed the contest stage.J Knight 2022.
Estimated dispatch 5-9 working days
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£107.95Cornet Concerto (Brass Band - Score and Parts) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Click here for the piano reduction
Estimated dispatch 7-14 working days
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£49.95Cornet Concerto (Brass Band - Score only) - Gregson, Edward
The Cornet Concerto was commissioned by Black Dyke Band for their principal cornet, Richard Marshall, and was premiered at the European Brass Band Festival's Gala Concert in Lille, France, on 30 April 2016 by the same performers, conducted by Nicholas Childs.It is challenging work, both musically and technically, and one that exploits the wide range of the instrument's capabilities. Lasting for some 17 minutes, it is in the usual three movements: Sonata, Intermezzo (subtitled 'Of More Distant Memories') and Rondo.The first movement presents four main ideas:Cadenzas (which recur throughout the movement, and indeed appear at the end of the work); a fast and rhythmically energetic motive; Bugle calls (echoing the ancestor of the cornet), and a lyrical and expressive melody, full of yearning. These four ideas are juxtaposed within the broad shape of a Sonata form structure, although here the word 'Sonata' is used in its original meaning of 'sounding together'.The second movement is music in search of a theme, which eventually comes at the end of the movement. In the middle section there are brief quotations, albeit mostly hidden, from three cornet solos written by the Swedish/American composer Erik Leidzen for the Salvation Army in the 1940s and 50s; these are solos I loved as a teenager, and my use of them is by way of tribute, not imitation - a sort of memory bank, just as the main theme of the movement, when it eventually comes, is reminiscent of the tune from my earlier work for brass band, 'Of Distant Memories'.The final Rondo, the shortest of the three movements, is a lively and 'fleet-of foot' Scherzo, its main theme full of cascading arpeggios, but with a contrasting lyrical second theme intertwined in the structure. There is much interplay between soloist and band in the development of the music, but eventually a brief reprise of the opening cadenzas leads to an exciting and climactic coda.Duration: 17.00
Estimated dispatch 7-14 working days
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£69.60Symphonic Dimensions - Otto M. Schwarz
Symphonic Dimensions is a powerful opening piece with a continually recurring motif. Beginning with a festive fanfare in which the leitmotif is heard for the first time, it continues in a buoyant 12/8 meter. The themes alternate again and again, in various instrumentations, and end in an epic finale. Symphonic Dimensions can equally be played at the end of a concert as a rousing finale.
Estimated dispatch 5-14 working days
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£69.60Symphonic Dimensions (Brass Band - Score and Parts) - Schwarz, Otto M.
Symphonic Dimensions is a powerful opening piece with a continually recurring motif. Beginning with a festive fanfare in which the leitmotif is heard for the first time, it continues in a buoyant 12/8 meter. The themes alternate again and again, in various instrumentations, and end in an epic finale. Symphonic Dimensions can equally be played at the end of a concert as a rousing finale.Duration: 3.45
Estimated dispatch 7-14 working days
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£30.00Carpe Diem - Josiah Walters
An exuberant, original composition from Josiah Walters, with lots of musical innovation, variety of styles and tempo, and extremely listenable. Seize the day with this inspiring piece as a concert feature or item in your own choice entertainment programme.It was premiered to much acclaim by The National Youth Brass Band of Scotland as part of their end of course gala concert in 2011, and has since received further positive reviews together with many further public performances including a radio broadcast feature on BBC Radio 2.This was the inaugural publication by one of our youngest members of The Music Company (UK) Ltd family at the time, and we are delighted to be able to present such an exciting piece from this talented writer.Look and Listen (courtesy of NYBBS 2011):
In Stock: Estimated dispatch 3-5 working days
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£59.99Almshouse Street Blues (Brass Band - Score and Parts) - Sparke, Philip
In 2007 Philip Sparke was appointed composer-in-residence to Monmouth School, situated on the Welsh/English border. The school, which has a venerable history dating back to 1614, has a thriving music department which boasts two concert bands, in co-operation with the nearby Haberdashers' Monmouth School for Girls, and a brass band.This exciting and innovative appointment involved three visits by the composer during the year as well as the commissioning of a new piece for each of the bands, all of which were premiered in a concert at the end of the year.Almshouse Street Blues was written for the brass band, whose members were allowed to vote for which type of piece they would get! Monmouth School is based in Almshouse Street and the town has a thriving summer festival which, alongside blues bands, features a wide variety of music including jazz, soul, rock and bangra.Duration: 4.45
Estimated dispatch 7-14 working days
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