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  • £60.99

    Consolation - Jan de Haan

    Wer nur den lieben Gott lasst walten was composed by Georg Neumark in about 1641 and was subtitled 'Trostlied' literally meaning consolation song. Songbooks at the time showed the popularity of this song and it is still well-known today partly due to Johann Sebastian Bach's use of the melody for one of his own chorals. In Jan de Haan's arrangement the choral is heard twice, once, alternating with the original motif from the introduction and a second time, without interruption, reflecting the composer's original intention - a song of consolation.

    Estimated dispatch 5-14 working days

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  • £60.99

    Fanfare La Perie - Paul Dukas - Peter Wain

    In 1911 the Russian impresario Diaghilev commisioned Paul Dukas to compose music for the famous ballet fairy-tale 'La Perie'by Jean Coralli.Fokine was to make a new choreography, so that the Russian ballet company 'Ballet Russes' would be able to perform the piece in Paris that same year. Due to a quarrel between Diaghilev and Dukas about who should dance the title-part, however, the ballet was not performed by the 'Ballet Russes'but by another company in 1912.The ballet 'La Perie' is Dukas' last symphonic work. In 1911 gaf de Russische impresario Diaghilev Paul Dukas opdracht om muziek te componeren voor het beroemde ballet sprookje 'La Perie' van Jean Coralli. Fokine was gevraagd om een nieuwe choreografie te maken, zodat het Russische balletgezelschap 'Ballet Russes' in staat zou zijn om het stuk in Parijs op te voeren in datzelfde jaar. Door een ruzie tussen Diaghilev en Dukas over de vraag wie de hoofdrol mocht dansen, werd het ballet in 1912 echter niet uitgevoerd door het 'Ballet Russes' maar door een ander gezelschap. Het ballet 'La Perie' is het laatste symfonische werk van Dukas.

    Estimated dispatch 5-14 working days

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  • £54.99

    Ding Dong it's Christmas - Bruce Fraser

    In 'Ding Dong it's Christmas' Scottish composer Bruce Fraser makes a sport of misleading his audience time and again. The title already indicates that this piece has been based on the well-known Carol 'Ding Dong Merrily on High', even if the melody makes a somewhat halting start. When it gathers pace, however, also due to the percussion section, suddenly various other carols may be recognized. Peace and quiet reign in the middle part, during which we can enjoy Bach's charming 'O Jesulein suss'. 'Ding Dong it's Christmas' ends in the same way it began, even if more and more Carols put in an appearance. Merry Christmas!

    Estimated dispatch 5-14 working days

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  • £154.99

    The Divine Right - Philip Harper

    At the time of composing this piece, the Arab Spring was sweeping through the Middle East. It seemed that almost every week a new countrys people had risen up against the regimes and dictatorships which had prevailed for generations, leaving manynations at a defining crossroads in their history. There were so many possible ways ahead: so many hopes, yet so many uncertainties.My music is a depiction of these revolutionary times, and several musical themes are in turn presented, discussed, considered, fought over, altered, rejected or accepted. Most nations have had, or probably will have, their own Arab Spring, including my own, the United Kingdom. Events of 17th Century Britain provide the context for this piece, particularly those following the execution of the tyrant King Charles I on30 January 1649. The regicide was in part due to Charless steadfast belief in the Divine Right of Kings, and led to a tumultuous interregnum, where England stood at its own defining crossroads.The music begins turbulently, before King Charles appears and is led to the gallows outside Banqueting House in central London where he is brutally decapitated. From the assembled crowd rose, according to one observer, a moan as I never heard before and desire I may never hear again.The music descends to emptiness. The musical argument which follows is not strictly programmatic, but a number of musical themes are all thrown into the melting pot, representing ideas such as: religion; military force; reasoned Parliamentary debate; and the chattering,irrepressible voice of the people. Additionally, there are some quotations from the music of royalist composer Thomas Tomkins (1572-1656), who was often in tune with the feeling of the times. This defining episode in Englands history was brought to a close with the Restoration of the monarchy in 1660, and as the exiled King Charles II rode back into London the diarist John Evelyn wrote: Never was so joyful a day seen in this nation. I stood in the Strand and beheld it, and blessed God.At the end of the piece the bells ring out, and the musical appearance of the King has transformed from turbulent to triumphant. Philip Harper, 2013

    Estimated dispatch 5-14 working days
  • £45.00

    Ocean of Storms

    Ocean of Storms or Oceanus Procellarum is one of only a few lunar maria or 'seas' on the moon's surface to be called an ocean, due to its immense size. The work opens atmospherically with a sense of weightlessness and introduces the main thematic idea. As the work develops the turbulent ebb and flow of the storm increases in its ferocity with solo spots for solo cornet, solo euphonium, flugelhorn and baritone. Duration: 00:05:45 Grade: 6

    Estimated dispatch 5-7 working days
  • £55.00

    California Dreamin'

    ABOUT THIS PIECE: Bring a unique and evocative twist to your next concert with this arrangement of California Dreamin', as featured in the film San Andreas. Originally written by John and Michelle Phillips of The Mamas & The Papas, this iconic song from 1965 became an anthem of the 1960s counterculture, celebrated for its longing melody. In San Andreas, California Dreamin' takes on a haunting and dramatic tone, reflecting the tension and emotion of the film's story before erupting into high tempo drama. Perfect for any concert or special event, this arrangement of California Dreamin' offers a fresh take on a classic. A standout addition to any programme, it's sure to captivate audiences and leave a lasting impression. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts - DUE TO COPYRIGHT LAW THIS WORK IS NOT AVAILABLE IN AUSTRALIA, NEW ZEALAND OR NORTH AMERICA LEVEL: 2 LISTEN: DURATION: 3-minutes 30-seconds EXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £55.00

    Italia

    ABOUT THIS PIECE: Romance. Elegance. This is an exquisite arrangement of the song originally performed by Chris Botti and Andrea Bocelli: Italia. Composed by Chris Botti and David Foster, Italia is a heartfelt tribute to the beauty and passion of Italy, blending lush melodies with a sense of timeless sophistication. The original, featuring Botti's soaring trumpet lines and Bocelli's rich tenor voice, is celebrated for its emotional depth and breathtaking lyricism. This arrangement adapts those qualities for solo cornet, solo trombone, and brass band, offering a wonderful opportunity to explore the piece's expressive range and captivating musicality. ENSEMBLE: Cornet and Trombone with British Brass Band Accompaniment WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts - DUE TO COPYRIGHT LAW THIS WORK IS ONLY AVAILABLE IN THE UK AND EUROPE LEVEL: 2 LISTEN: DURATION: 3-minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £39.99

    You Know my Name

    ABOUT THIS PIECE: Bring the iconic energy of Casino Royale to your next programme with Adam D J Taylor's electrifying arrangement of "You Know My Name." Originally performed by Chris Cornell, this powerful theme blends hard rock elements with sweeping orchestration, embodying the grit and sophistication of the James Bond franchise. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: DURATION: 3-minutes, 30 secondsEXAMPLE SCORE: Click here COPYRIGHT NOTICE: Due to copyright law, this item is only available in: UK AND EUROPE LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £45.00

    God Put a Smile Upon Your Face

    ABOUT THIS PIECE: 'God Put a Smile Upon Your Face' was written by all members of the band Coldplay for their second studio album 'A Rush of Blood to the Head'. Coldplay vocalist Chris Martin said: "The song came out of playing live and wanting to have something with a bit more bounce". The chart was originally released in 2003 to critical acclaim. In 2007 Mark Ronson covered the song on his album 'Version' - it is this version this arrangement is based upon. The following arrangement was devised as a concert opener - written as such to allow different sections of the band to make their way to the stage one at a time. The suggested stage entry directions for this arrangement are: Percussion > Basses > Trombones > Horns & Baritones > Cornets & Euphonium. Kit and percussion parts are written as a guide - please feel free to add and subtract as the MD sees fit. DUE TO COPYRIGHT LAW THIS WORK IS NOT AVAILABLE IN AUSTRALIA OR NEW ZEALAND ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 3-mins 30 secondEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level

    Estimated dispatch 5-7 working days
  • £85.00

    Freaks! - Gavin Higgins

    Freaks! was written for Lisa Sarasini in 2006 and first performed by her with Zone One Brass at the Royal College of Music, London. This tuneful and flamboyant showpiece was inspired by the Tod Browning film of the same name. The 1932 black and white cult classic was banned for many years due to its controversial morality issues and lead characters - real life side show 'freaks'. It is one of the most bizarre things to have ever come out of Hollywood. Gavin Higgins' virtuoso trombone solo is programmatic in style, full of humour with a sinister undercurrent, and is broken into seven short scenes: Introduction Roll up... See the Freaks The Amazing Cleopatra - Queen of the Air Gooble Gobble one of us - The Wedding Party The Fall of Cleopatra The Freaks Take Revenge Cleopatra - The Duck Lady

    In Stock: Estimated dispatch 1-3 working days