Results
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£147.10Rainforest Concerto - Saskia Apon
Rainforest Concerto has been commissioned by the Brass Band Rijnmond. This double concerto for two trombones and wind band consists of three parts with the cadenza in the slow niddle movement. Saskia Apon was inspired by the threat of the destruction of the rainforest. In the first part, Creation, we hear an accelerated reproduction of the birth of this impressive natural phenomenon. We hear the first birds, we see the growth of the mangrove trees and we witness the struggle for light and the force necessary to keep the realized equilibrium in a perpetual balance.The second part, Ode, is a tribute to the wonder and splendour of the rainforest. By means of subtle and extremely delicate sonorities we hear how nature adds an inestimable value to the rainforest. However it is also extremely fragile and this engenders a certain melancholy due to the awareness of man's impotence to respect this beautiful nature.In the last part, Contra Demolition, we hear the threatening decline, but also the revolt against this possible ruin. It is a heartfelt cry to leave nuture in peace and to work hard for the preservation of the beauty and the value of the rainforest.
Estimated dispatch 5-14 working days
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£148.00Rainforest Concerto - Saskia Apon
Rainforest Concerto has been commissioned by the Brass Band Rijnmond. This double concerto for two trombones and wind band consists of three parts with the cadenza in the slow niddle movement. Saskia Apon was inspired by the threat of the destruction of the rainforest. In the first part, Creation, we hear an accelerated reproduction of the birth of this impressive natural phenomenon. We hear the first birds, we see the growth of the mangrove trees and we witness the struggle for light and the force necessary to keep the realized equilibrium in a perpetual balance.The second part, Ode, is a tribute to the wonder and splendour of the rainforest. By means of subtle and extremely delicate sonorities we hear how nature adds an inestimable value to the rainforest. However it is also extremely fragile and this engenders a certain melancholy due to the awareness of man's impotence to respect this beautiful nature.In the last part, Contra Demolition, we hear the threatening decline, but also the revolt against this possible ruin. It is a heartfelt cry to leave nuture in peace and to work hard for the preservation of the beauty and the value of the rainforest.
Estimated dispatch 10-14 working days
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£49.95Andante and Rondo - and Robert Childs
Capuzzi was an Italian violinist and composer who worked in Venice in the 1780s. His Concerto for Double Bass is charming and sports simple lines, crisp rhythms, and elegance of form. As a result, it is a great favourite. An ideal addition to recital and exam programmes, the present version of the second and third movements is perfect for young players and professionals alike, and lls a substantial hole in the euphonium repertoire of eighteenth century classics.
Estimated dispatch 7-9 working days
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£89.95Revelation (Score and Parts)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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£44.95Revelation (Score Only)
Symphony for Double Brass on a theme of Purcell 1995 marked the tercentenary of Purcell's death, and my new score Revelation has been written as a tribute to his music and the ornate and confident spirit of his age. There are five major sections: 1 Prologue 2 Variations on a ground bass I 3 Fugue 4 Variations on a ground bass II 5 Epilogue and Resurrection The score uses many features of the Baroque Concerto Grosso, and arranges players in two equal groups from which soloists emerge to play in a variety ofvirtuoso ensembles. It quotes freely from Purcell's own piece Three Parts on a Ground in which he has composed a brilliant sequence of variations over a repeating six-note bass figure. This original motif can be heard most clearly beneath the duet for Cornet 5 and Soprano at the beginning of the 2nd section. There is, of course, a religious dimension to Revelation as the title suggests, and the score is prefaced by lines by the 17th century poet John Donne. His Holy Sonnet paraphrases the Book of Revelation in which the dead are raised at the sounds of the last trumpet. Donne's trumpets are themselves placed stereophonically ". . . At the round Earth's imagined corners" and it is this feature that today's players represent as they move around the performing area. Their final apocalyptic fanfares can be heard at the close of the score, as Purcell's music re-enters in a lasting tribute to England's first composer of genius. Philip Wilby September 1995 At the round Earth imagined corners, blow your trumpets, angels, and arise, arise from death, you numberless infinities Of souls, and to your scattered bodies go. All whom the flood did, and fire shall o 'erthrow All whom war, dearth, age, agues, tyrannies, Despair, law, chance hath slain, and you whose eyes Shall Behold God, and never taste death woe. John Donne after Revelation Ch. 11 v.15
Estimated dispatch 7-14 working days
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