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£60.99Lascia ch'io pianga (Let Me Weep) - Georg Friedrich Händel - Jacob de Haan
Let Me Weep ('Lascia ch'io pianga') is an aria from Handel's opera 'Rinaldo'. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original.
Estimated dispatch 5-14 working days
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£40.00Losgaintir. For solo Baritone/Euphonium and brass band composed by Andrew Duncan
Recommended - Championship to 2nd Section Written for Katrina Marzella and the Black Dyke band, Losgaintir (or Luskentyre in English) is one of my favourite places in Scotland. Losgaintir is on the west coast of the isle of Harris in the Outer Hebrides and has an outstanding beach widely regarded as one of the most beautiful in the world. Losgaintir is a wonderful place to be on warm sunny days with its long stretch of white sands, aqua marine seas, the incredible mountain backdrop of south Lewis and the uninhabited island of Taransaigh in view. The weather in Harris is notorious for changing very quickly and this piece tries to reflect this. Although idyllic on a calm, sunny days, on stormy days Losgaintir's character becomes dark and foreboding, with low dark clouds and sweeping winds from the Atlantic creating a dark, brooding atmosphere. The opening melody (written modally like a traditional Scottish Gaelic air) depicts the calm serenity of Losgaintir on a beautiful summer's day. The character of the fast section that follows portrays winter in Losgaintir during a tempestuous storm with bracing winds. Includes score & parts Also see: Losgaintir for Solo Baritone/Euphonium & Piano
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£41.42UKRAINE2022 (Brass Band) Joe Galuszka
This highly descriptive work for brass band by Joe Galuszka is in four parts:I. Declaration of WarII. Hymn for the Children and Women of BuchaIII. ResistanceIV. Hope for the FutureThe composer writes:'On the 24th of February 2022, the geopolitical landscape as we knew it changed, when the Russian Federation invaded Ukraine in a Declaration of War, and what was masked by the Kremlin as a 'special military operation'. Now regarded to be the most significant escalation of the Russo-Ukrainian War of 2014 since the annexation of Crimea, millions of Ukrainians fled the country and many millions were displaced, the after-effects of the conflict sent shockwaves through the world - leading to a global food crisis, humanitarian crisis and a refugee crisis.As the conflict began to ripple through Ukraine, missiles and airstrikes would cause destruction across the country including its capital, Kiev, and ground invasions would follow from multiple directions. With some of the most atrocious acts of bloodshed in Mariupol, and Bucha, many women and children would stand to lose their lives. Hymn for the Children and Women of Bucha takes us to the early moments of the war where families were ripped apart and many innocent lives were lost.As all men aged 18-60 would be signalled into military service through a call for martial law by the Ukrainian president Volodymyr Zelenskyy, Resistance reminds us of the relentless tenacity of the Ukrainian people in standing up for what they believed was right, for their country, their Motherland, and for their people. As the combat rages on, numerous examples of Ukrainian inner strength and resistance can be found every day, as the pressure of Russian troops continues to bombard the lives and welfare of the Ukrainian people.The piece ends with Hope for the Future, and with it, a beacon of hope that we will one day see a future where the bloodshed will end, where fallen land is liberated, and where peace can return once more to the people of Ukraine. In her poem 'Spring in War-Time' from 1917, Sara Teasdale's words ring true again in this war, when she writes,The sun turns north, the days grow long,Later the evening star grows bright-How can the daylight linger on. For men to fight. Still fight?In this, we hope. That the conflict, soon, one day will end. And normality can return for the people of Ukraine.To listen to an audio demo of the work please visit https://on.soundcloud.com/dw53U9KZFUadvPYLADuration: Approx. 6.00 minutesDifficulty Level: 1st Section +PDF download includes parts and score.Sheet music available from www.brassband.co.ukInstrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£116.00Decennium - Eric Swiggers
'Decennium' was composed in 2003 as a commission by the municipality of Berheze for its tenth anniversary. The composition describes the history of this town in the Province of Brabant, consisting of 6 different villages: Heesch, Heeswijk, Dinther, Nistelrode, Loosbroek and Vorstenbosch. The composition starts with a slow introduction, Adagio Misterioso, suggesting the atmosphere in long-ago days when the area consisted mainly of swamps, meres and low woods. (The word 'Bern' is a synonym of 'Born' meaning source or water, whereas 'Hese' is derived from 'Haisjo' meaning brushwood ). Above the dark sounds we hear far away trumpet signals announcing the Middle Ages. After a piercing crescendo, we hear the full sound of festive trumpets. A medieval dance, as was to be heard in the Heeswijk castle, follows. This dance gets a more and more stirring character and finally turns into a merry popular dance ending with a burst of laughter reproduced by descending scales with the muted trombones and trumpets. A slow transition with a quotation from a Gregorian plainsong (Domine Deus) and church bell ringing, referring to the Abbey of Berne, brings us to a romantic Larghetto. This part describes the quiet rural life in a beautiful natural surrounding. The last dying note contrasts with the threatening ostinato, referring to the rise of the industrialization, which provoked quite some resistance with the local people. Once more we hear the 'Domine Deus' but much more powerful this time. When the resistance calms down, the work concludes with an Alla Marcia. The first notes of the main theme could be heard all through the composition and now we hear the complete main theme again. The new town is born. A festive conclusion refers both to the tenth anniversary and the optimism and confidence as to the future.
Estimated dispatch 10-14 working days
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£10.00Endurance
DescriptionMen wanted for hazardous journey. Small wages, bitter cold, long months of complete darkness, constant danger, safe return doubtful. Honour and recognition in case of success. - Ernest Shackleton, 4 Burlington StreetEndurance takes its title from the ship used by Sir Ernest Shackleton's Imperial Trans-Antarctic Expedition in 1914-15. After many months of fundraising (and reputedly running the above advert in The Times) the Endurance set sail from Plymouth on 6 August 1914. Whilst at sea news of the outbreak of war led Shackleton to put his ship and crew at the disposal of the Admiralty, but their services were not required and they were encouraged to continue. On October 26 1914 they left Grytviken on South Georgia for the Antarctic continent, hoping to find the pack ice shrinking in the Antarctic spring. Two days later, however, they encountered unseasonable ice which slowed their progress considerably. On 15 January 1915, when Endurance was only 200 miles from her intended landfall at Vahsel Bay, the ship became beset by ice which had been compressed against the land to the south by gale force winds. Trapped in the ice of the Weddell Sea, the ship spent the Antarctic winter driven by the weather further from her intended destination until, on 21 November 1915 Endurance broke up forcing the crew to abandon ship and set up camp on the ice at a site they named "Patience Camp".The crew spent several weeks on the ice. As the southern spring started to reduce the extent of the ice shelf they took to their three lifeboats, sailing across the open ocean to reach the desolate and uninhabited Elephant Island. There they used two of the boats to build a makeshift shelter while Shackleton and five others took the largest boat, an open lifeboat named the 'James Caird' and sailed it for 800 terrifyingly dangerous miles across the vast and lonely Southern Atlantic to South Georgia - a journey now widely regarded as one of the greatest and most heroic small-boat journeys ever undertaken. After landing on the wrong side of the island and having to climb over a mountain range in the dark with no map, Shackleton and his companions finally stumbled back into the Grytviken whaling station on 19 May 1916.After resting very briefly to recover his strength, Shackleton then began a relentless campaign to beg or borrow a ship to rescue the rest of his crew from Elephant Island; whaling ships were not strong enough to enter polar ice, but on 30 August 1916, over two years after their departure from Plymouth, Shackleton finally returned to Elephant Island aboard a steam tug borrowed from the Chilean government. Although some were in poor health, every member of the Endurance crew was rescued and returned home alive.Endurance is dedicated to the memory of my mum, who passed away in September 2017.Listen to a computer generated preview and follow the score below:
Estimated dispatch 7-14 working days
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£70.00
Fire in the Sky - Peter Meechan
Fire in the Sky takes its inspiration from the stunning town of Montreux in Switzerland. I was commissioned to write the work 5 days before I visited this Montreux and was at work forming ideas for the piece as I arrived on the shore of Lake Geneva and its amazing views of the Alps.Whilst the scenery is without doubt some of the most incredible views I have ever witnessed, it was the history of the town that set Fire in the Sky in motion. Whilst there, it occurred to me that many of my musical heroes had lived or performed there, and three of them in particular had a strong connection with the town. Miles Davis, Igor Stravinsky and Freddie Mercury graced Montreux - the large convention centre, where the famous summer jazz festival is held, named its two halls after Davis and Stravinsky, and there is a quite breathtaking statue of Mercury in the town too.Each musician also commemorates an anniversary in 2011, the year of the premiere of Fire in the Sky; it is 40 years since the death of Stravinsky and both Miles Davis and Freddie Mercury died in 1991, making it 20 years since their deaths. So it seemed fitting to write a piece that in some way acknowledges them, and is a kind of personal "thanks" for all they have given, and continue to give, me.The title comes from the famous Deep Purple song, Smoke on the Water - whose second line is "Fire in the Sky" and is a reference to the night the town's casino was set alight by a Frank Zappa fan. The piece tries to recreate the atmosphere of that night, paint a picture of fire in the sky (and smoke on the water) and also uses small "nuggets" of the music of my three greatest musical heroes, Miles Davis, Freddie Mercury and Igor Stravinsky.Fire in the Sky was commissioned by the Tomra Brass Band, Norway, and is dedicated to Stijn Berbe and Nick Ost - both of whom are connected with the band (teaching and conducting), and both have been close friends - personally and musicaly - for many years. I am indebted to them for the opportunity to write this piece.
Estimated dispatch 12-14 working days
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£35.00In Pitch Black - Lucy Pankhurst
An extremely emotional and poignant work for brass band composed by Lucy Pankhurst, in memory and tribute to those affected by the Pretoria Pit disaster in Lancashire on 21st December 1910. The piece is chilling in its depiction of the tragic story, sensitively conveying the atmosphere and emotions as perceived before, during and after the event. Through its use of playing techniques, effects, sound combinations and even silences, In Pitch Black offers a powerfully reflective piece.Pritoria Pit DisasterLancashire's worst pit disaster and Britain's third largest loss of life from a single mining accident happened at the No. 3 Bank Pit belonging to the Hulton Colliery Company, just 4 days before Christmas 1910. The pit known as the 'Pretoria Pit' was situated on Hulton Parkland on the border of Atherton and Westhoughton. An explosion occurred at 7.50 am on Wednesday, 21 December 1910, resulting in the death of 344 men and boys, including many members of The Wingates Band.The Writing ExperienceDuring Lucy's research for this work, she acknowledges that she found the harsh reality from the shocking images and historical accounts of the event most disturbing, and is not embarrassed to disclose that it was wholly a very emotional experience in creating the composition. Consequently, she chose to create something to illustrate the true emotion of the situation. She wanted to pay tribute to the lives lost and the devastation which remained in their absence, by creating a piece of music which begins in darkness; desolate and claustrophobic, whilst still leaving the audience feeling uplifted and thoughtful in the final bars.The significance and musical appreciation for the creation of In Pitch Black was formally recognised by BASCA in 2011, when Lucy Pankhurst won the internationally acclaimed British Composer Award (the first time a brass band work had received the award, and the first time a female composer had won the category).Full programme notes are included in the product images.Look and Listen (performance courtesy of Manchester University Brass Band):
In Stock: Estimated dispatch 3-5 working days
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£41.42Kolo (Brass Band) Derek Jenkins
'A kolo,' which translates to round or circle, is a fast and lively traditional folk dance that originated in the Balkans. The music accompanying a kolo dance is characteristically quite repetitive. The primary melodic material is introduced at the beginning, and it continues to appear and reappear throughout the duration of the dance. Several composers, including Antonin Dvorak, have adapted the kolo into concert pieces for orchestra. These are often fast and exhilarating showpieces that portray the virtuosity of the entire ensemble.This work entitled Kolo, by Derek Jenkins, continues this concert adaption tradition, and it follows the basic structure of the traditional dance with the exception of the middle section.The composer writes: 'I was fortunate to spend about two weeks in Zagreb and several days in Dubrovnik during the spring of 2009. Looking out upon the Adriatic Sea atop of Dubrovnik's historic city wall, I was struck by an overwhelming sense of tranquility, and that feeling has become the strongest association I have with my time in Croatia.'In order to depict this musically, I forewent the continuation of the fast and lively character of the middle section of my Kolo and instead replaced it with music that is peaceful and reflective. The melody used in this slow section comes from a folk song, "Oj, mladano mlado mom(ce)," in Bela Bartok and Albert B. Lord's folksong collection Serbo-Croatian Folk Songs. This middle section was my chance to return, if only in my mind, to the Adriatic coast.'The original concert band version was commissioned by Lee Hartman and the Mid America Freedom Band.Sheet music available from:UK - www.brassband.co.ukUSA - www.solidbrassmusic.comDifficulty Level: 3rd Section +Instrumentation:Soprano Cornet EbSolo Cornet BbRepiano Cornet Bb2nd Cornet Bb3rd Cornet BbFlugel Horn BbSolo Horn Eb1st Horn Eb2nd Horn Eb1st Baritone Bb2nd Baritone Bb1st Trombone Bb2nd Trombone BbBass TromboneEuphonium BbBass EbBass BbTimpaniGlockenspielPercussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£19.95The Falcon in the Snow for Brass Band - Paul Saggers
The Falcon in the Snow is a musical depiction of British explorer Robert Falcon Scott's expedition to reach the South Pole, the work is divided into five sections, using quotes from Falcon Scott's own journal:Saturday November 26, 1910 - "We advertised our start at 3.P.M., and at three minutes to that hour the Terra Nova pushed off from the jetty".Robert Falcon Scott led the British Antarctic Expedition from 1910 to 1913, aiming to be the first to reach the South Pole. Leaving from Cardiff, Wales, in June 1910, the expedition arrived at the Ross Ice Shelf in January 1911. Scott's team established base camp at Cape Evans on Ross Island and began preparations for the push to the Pole.Thursday February 2, 1911 - "The Blizzard, Nature's protest-the crevasse, Nature's pitfall".The expedition faced numerous challenges, including harsh weather, difficult terrain, and the logistics of transporting supplies and equipment over long distances. Scott divided his men into different teams for the Pole attempt, with one led by himself and the other by Ernest Shackleton, who was eventually sent home due to illness.Tuesday January 16, 1912 - "The Norwegians have forestalled us and are first at the pole. It is a terrible disappointment, and I am very sorry for my loyal companions".Scott's team set out for the South Pole, enduring extreme conditions and struggling with low food supplies. They reached the Pole on January 17, 1912, only to discover that the Norwegian explorer Roald Amundsen had beaten them to it by 34 days.Thursday January 18, 1912 - "We have turned our back now on the goal of our ambition and must face our 800 miles of solid dragging".Disheartened, the team began the long and arduous journey back to base camp. Tragically, Scott and his companions-Edward Wilson, Henry Bowers, Lawrence Oates, and Edgar Evans-perished during their return journey. They were slowed by extreme weather and suffering from exhaustion and malnutrition.Thursday March 29, 1912 - "For God's sake look after our people".Their final camp, found in November 1912, became their tomb. Scott's journal, recovered with his body, provides a poignant record of their struggles.Despite the tragic outcome, Scott's expedition contributed significantly to the understanding of the Antarctic region. The scientific research and specimens collected during the journey provided valuable insights into the continent's natural history and biology. Additionally, the expedition stimulated public interest in polar exploration and science, leaving a legacy in the chronicles of exploration.
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£30.00Inchcolm - Terry Johns
The island of Inchcolm was visited by St Columba in 567 and is mentioned in Shakespeare's Macbeth. It lies on the stretch of water beyond my balcony, known locally as "Mortimer's deep", and on short winter days, the ruins of Columba's abbey are shrouded in the mists of the estuary and bring a flavour of mystery and legend to my morning coffee. Music comes easily here amidst the crying of the seabirds, and the horn has given its distinctive voice to history, myth and folklore for centuries. Its sound was born in the wide-open spaces and can paint a broad seascape with ease.
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