Results
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£55.00Triumph Series Brass Band Journal, Numbers 1343 - 1346, November 2022
1343: March - Spreading the Word (Ian Clarke)This lively march features the songs Look, ye saints! the sight is glorious (S.A.S.B. 227), When we walk with the Lord (S.A.S.B. 690), I want to tell what God has done (S.A.S.B. 852), and makes reference to the old chorus When I remember that he died for me I'll never go back any more.1344: Prelude on 'Anstasis' (Sam Creamer)The Greek word anstasis translates to resurrection and particularly refers to the resurrection of Jesus Christ. The popular worship song O praise the name (Anstasis) forms the basis of this prelude. While the theme of this work is most applicable for Easter use, it could well find its place in programme and worship repertoire all year round.1345: Flugel Solo - The old rugged cross (Eiliv Herikstad)This Flugel Horn Solo (also playable by Cornet) includes chords on the soloist part so that the soloist can have improvisational freedom, or can play the written out solo.1346: March - Showers of blessing (Zachary Docter)This energetic march uses Gary Rose's melody Showers of blessing (STTL Vol.24, Pt.1).
Estimated dispatch 7-14 working days
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£29.95Salvation Army Classics 1-4 for Small Ensemble
Salvation Army Classics arranged for Smaller Ensembles Series 1 - 4March - In the Firing LineSelection - Constant TrustSong Setting - Secret PrayerSelection - Divine Communion This series features pieces that have been rescored for Unity Series (five-part) scoring.PART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available.Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well asthe occasional opportunity for rest.
Estimated dispatch 7-14 working days
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£29.95Salvation Army Classics 13-16 for Small Ensemble
Salvation Army Classics arranged for Smaller Ensembles Series 13 - 16March - Star LakeSelection - In Wonder BeholdingHymn Tune Arrangement - BethanySelection - By Love Compelled This series features pieces that have been rescored for Unity Series (five-part) scoring.PART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available.Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well asthe occasional opportunity for rest.
Estimated dispatch 7-14 working days
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£29.95Salvation Army Classics 17-20 for Small Ensemble
Salvation Army Classics arranged for Smaller Ensembles Series 17-20March - Amsterdam CongressMeditation - Thine AloneLove Divine - Ave VerumMeditation - Hold thou my hand. This series features pieces that have been rescored for Unity Series (five-part) scoring.PART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available.Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well asthe occasional opportunity for rest.
Estimated dispatch 7-14 working days
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£29.95Salvation Army Classics 5-8 for Small Ensemble
Salvation Army Classics arranged for Smaller Ensembles Series 5 - 8March - Mighty to SaveMeditation - HyfrydolHymn Tune Setting - ColneHymn Tune Arrangement - My All is on the Altar This series features pieces that have been rescored for Unity Series (five-part) scoring.PART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available.Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well asthe occasional opportunity for rest.
Estimated dispatch 7-14 working days
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£29.95Salvation Army Classics 9-12 for Small Ensemble
Salvation Army Classics arranged for Smaller Ensembles Series 9 - 12Meditation - The Light of the WorldSelection - In Quiet PasturesHymn Tune Arrangement - Sweet Hour of PrayerMarch - Emblem of the Army This series features pieces that have been rescored for Unity Series (five-part) scoring.PART I 1st Cornet BbPART II 2nd Cornet Bb and 1st Horn EbPART III 2nd Horn Eb and Baritone or Trombone BbPART IV Euphonium BbPART V Bass Eb and Bass BbThese transcriptions have been carried out in such a way to facilitate the addition of any original parts that may be available.Where relevant, suggestions are made for a variation in tone colour (i.e. 2nd Cornet, Flugel, Baritone, Trombone) as well asthe occasional opportunity for rest.
Estimated dispatch 7-14 working days
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£34.95When Thunder Calls
When Thunder Calls was commissioned by Dr Nicholas Childs and the Black Dyke Band for their performance at the Gala Concert of the Swiss Open Championships in September 2011. When composing this piece, I decided to focus on both the music and the stage presentation. The way the piece has been composed and designed makes it a very effective way of starting a concert or a second half of a concert.At the start of the piece, the percussion enter the stage and take their positions in their usual place behind the band. They begin playing the piece without a conductor. They keep repeating the opening section while the Basses, Horns, Baritones and Euphoniums march onto the stage.This group of musicians take their seats with the Horns, Baritones and Euphoniums sitting where they usually sit in the band but the Basses sit where the solo cornets usually sit, forming an inner semi-circle of lower brass. When seated and when the music gets to the end of bar 4 the piece continues onto section A. All performers keep repeating this next 4-bar phrase until the trombones march onto stage and stand at the front of the stage with the Bass Trombone standing in between the other two trombones.All performers then play from figure B to C with the trombones taking the lead at the front. When the performers get to rehearsal figure C they repeat this section (the same as section A) while the trombones move from the front of the stage and take their positions where the Basses would normally sit (between the horns and the percussion) and remain standing. Meanwhile, the flugel enters the stage and stands at the front of the stage (standing where the trombones did). When in position the flugel soloist picks up into rehearsal figure D.When the flugel soloist finishes playing, just before rehearsal figure F they then move to their normal seat in the band. At figure F the cornets march onto the stage from either side, they turn and stand side by side each other facing outward towards the audience forming two 'fanfare' lines either side of the lower brass. The conductor follows the cornets on stage and on cue they lift their instruments at the same time and perform when the piece gets to figure G.There is no more moving around from this point on other than the solo cornet to move forward with the solo euphonium and perform their duet at letter H. Also the horns are required to stand and play at letter I and then sit just before J.When performed with all the choreography, this piece makes for an exciting addition to any concert repertoire both for the performer and the audience.Suitable for 3rd Section Bands and Above
Estimated dispatch 7-14 working days
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£35.00Music Through The Ages - Steve Robson
A fun and educational collection of 7 pieces created by Steve Robson, with optional narration, providing a time-travelling journey through the history of 2000 years of music to the present time.Originally written for Stanhope Youth Band, the piece has now been well received by other youth bands far and wide. The complete work offers great flexibility too, as te movements can be used as stand-alone items or as a full concert performance, offering players and audiences an insight to the evolving styles of Music Through The Ages.Movements include:FanfareThe Passing of the VIth Legion A Patrol - Imagining the sound of the Roman Legion at Vindolanda (AD84)The Journey of St Cuthbert - A Plainchant (995)The Honorable Robert Shafto MP - Late Baroque Style (1749)The Very Capable Mr Mozart Classical Style - Rondo (1786)Sans Pareil March - Tribute to Timothy Hackworth and George Allan (1913)The Angel of the North - Contemporary composition (Present day)Watch a full performance below of the pieces, including narration. This was a collaborative performance project, presented by members of different youth bands from across the North East on Saturday 13 November 2018 in the Theatre at Ushaw College, Durham.(NB: The piece Galliard, performed at 12mins 22secs into the video, was specially written for the concert and is not included in this collection.)Look and Listen (with thanks to all participating youth bands and supporting players):Set includes score (with narration), separately bound narration (enable a choice of either compere/conductor presentation) and parts including:Cornet 1Cornet 2Corent 3FlugelhornEb Tenor Horn 1Eb Tenor Horn 2Baritone 1Baritone 2Trombone 1Trombone 2Bass TromboneEuphoniumEb BassBb BassTimpaniPercussionAdditional world parts also provided include F Horn 1, F Horn 2, Trombone 1 in Bass Clef, Trombone 2 in Bass Clef.
In Stock: Estimated dispatch 3-5 working days
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£30.00The St Louis Blues - Sandy Coffin, W C Handy
Two-Step MarchCommissioned by John Wallace, this arrangement of The St Louis Blues has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the flutter-tonguing and use of muting, the counter-melody in soprano cornet, and the wilder and yet wilder nature of each repetition of the Chorus.Look and Listen:Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
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£33.91Carnsmerry - Kevin Ackford
Score & Parts Carnsmerry was written as the set march in the year 2000 for the 1st section at the West of England Bandsmen's Festival contest held in the village of Bugle in Cornwall. Snippets of both the Floral Dance as well as the May Dance can be heard in this vibrant march, finishing with an obbligato for both the Soprano Cornet and Solo Horn this is a must for your concert programme.
Estimated dispatch 5-7 working days