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£60.99Canterbury Chorale - Jan Van der Roost
This quiet piece with its broad tones was originally written for brass band on request of Robert Leveugle, chairman of the composer's own band: Brass Band Midden Brabant (Belgium). The direct cause was a visit to the beautiful cathedral of the English city Canterbury, in which so many fine compositions sounded throughout the centuries. Later on, Jan Van der Roost rescored this piece for symphonic wind band, exploring the full richness of colours of this formation. Besides solo phrases for several instruments, there are some massive tutti passages making the wind orchestra sound like a majestic organ. By the way: an "ad libitum" organ part adds an extra richness, colour and powerto this piece, making it sound even more broad and grand.
Estimated dispatch 5-14 working days
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£60.99
Ammerland - Jacob de Haan
Ammerland brings you a vivid impression of this enchanting region by the Zwischenahner Lake (Germany)! The rural landscape of Ammerland combines fields covered with yellow rape blossoms, lush meadows, seemingly endless country roads and an exquisite lake. Let yourself be lured away on a short musical trip to beautiful Ammerland. Enjoy nature, the lake and the brilliant colours of a unique landscape.
Estimated dispatch 5-14 working days
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£19.95Bandkraft 2
The second of three superb sets of new music and arrangements for brass ensemble.Jazz Intermezzo - Peter Sievewright: Very close harmonies produce thick luscious tone colours, beneath an intriguing jazz theme.Bossa Nova - John Golland: A memorable tune, enjoyable and relaxed as a Bossa Nova should be, with much fun to be had in mastering the Bossa Nova rhythm.Ballade - Grieg, Arr. Ifor James: A simple enough melody, but a marvellous test for the phrasing and intonation of the horn section of the band.Bollin Hill Suite (Hoe Down, Passacaglia and March) - Phillip Malbon: A classic suite for brass band, concise yet complete.
Estimated dispatch 5-14 working days
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£33.66He will hold me fast (Trombone Feature with Band) Matt Merker arr. Noel Brooks
Originally conceived as a trombone duet for the graduation recital of Andy Brooks at Western University, this setting of Matt Merker's popular choral work has been adapted by Noel Brooks as a featured work for trombone trio with brass band. The arrangement follows the emotional arc of the hymn's lyrics, utilising the brass band's colours to reflect the themes of each verse. The journey begins with a sense of vulnerability; the accompaniment is kept sparse and cold to echo the text's plea regarding a failing faith. In the second verse, the music transitions into a more encouraging and uplifted atmosphere, reflecting the assurance of being "precious in His Holy sight." A shift occurs in the third verse, which takes on a darker, more reflective character to support the gravity of the lyrics. This contemplative section builds steadily toward the final chorus, where a sense of confidence returns. The work culminates in a strong musical statement of the hymn's central promise: "He will hold me fast." To view a performance of the work by the Canadian Staff Band please visit www.youtube.com/watch?v=lArvB6HP3pI Duration: Approx. 5.00 minutes Difficulty Level: 4th Section + This PDF download includes the full score and parts. Sheet music available at www.brassband.co.uk (UK) or satradecentral.org (USA) Instrumentation: 1st Trombone Soloist Bb 2nd Trombone Soloist Bb Bass Trombone Soloist Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb Euphonium Bb Bass Eb Bass Bb Percussion Glockenspiel
In Stock: Estimated dispatch 1-3 working days
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£120.00
Rhapsody in Black (Bra) - Andi Cook
The primary inspiration for this work comes from the composer's first encounter with the genre of Symphonic Metal - the opening track of the 2004 Nightwish album 'Once', entitled Dark chest of Wonders. The combination of full orchestra, operatically trained female vocals and the raw power of a Scandinavian metal band was a potent mix that instantly had me hooked.That same dark and powerful sound is one that a brass band can generate, and I've tried to capture that in this composition. Heavy Rock/Metal as a genre is arguably fifty years old now, but symphonic metal is a newer concept, and I feel possibly the one that can bridge the gap between two musical styles very dear to me.Composer Gilbert Vinter had explored through music the connotations that different colours held for him, and his movement Purple from 'Spectrum' gave me an idea for the structure of 'Rhapsody in Black'. Andi Cook explored the different connotations of one colour within his own life, black being an easy choice due to the personal dichotomy of the black leather jacket he wore to the rock club on Friday night and the black suit jacket and tie he wore to the concert hall the next day.To avoid repetition the word 'black' is omitted from the five movement titles, each of which is a different episode. '...as Thunder' is a furious argument between two people - the top and bottom of the band - set against the backdrop of a storm, with lightning flashing outside while barbs, insults, sarcasm, tears and even violence is traded inside. Following that '...Satin and Pearls' is an old black-and-white movie with a wistful character to it as if we're looking back a screen icon with fondness long after their career or even their life has ended. '...as the Raven's Wing.' is deliberately gothic and funereal, hinting at Edgar Allen Poe's similarly named poem, with undertones of death and afterlife. The shift into F/C Minor (band pitch) represents the descent - alive - into the grave that Poe had a paranoid fear of his entire life. Family and friends standing around grieving, oblivious as we're lowered into the earth despite frantic attempts to make ourselves heard. '...and Chrome' is an unashamed motorcycle reference with all its born-to-be-wild, open air, high speed and freedom overtones. In a deliberate contrast to what went before it continues several of the same motifs though this time in the major key. Lastly, we reprise the second movement with '...as the Night Sky' which is simply the feeling of walking home under the summer stars, with someone important - who that is, is left to the listener, but a walk under the stars is always that bit special.There's an old saying that very few things are black and white. I hope this work will prove that even black alone isn't quite as simple as it's often made out....'Rhapsody in Black' is dedicated to the composer's friend and mentor John Roberts, who shares his love of both brass and rock.
Estimated dispatch 7-14 working days
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£32.00Amaranth (Score only) - Ray Steadman-Allen
The title of the work refers to a legendary imaginary purple flower, mysterious in that it never fades or dies. In an extended single movement the music explores the colours and textures of the brass band. Duration: 10:00
Estimated dispatch 7-9 working days
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£42.00Amaranth (Parts only) - Ray Steadman-Allen
The title of the work refers to a legendary imaginary purple flower, mysterious in that it never fades or dies. In an extended single movement the music explores the colours and textures of the brass band. Duration: 10:00
Estimated dispatch 7-9 working days
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£27.00
Ground Bass
Ground Bass is based on the ostinato from J.S. Bach's 'Passacaglia and Fugue in C Minor (BWV 582)' originally written for Organ solo in the early 18th Century. It has been transcribed and reworked numerous times by a number of composers from different periods in time ever since its composition. This work utilises the ground bass in four different sections each exploring the colours that the brass
In Stock: Estimated dispatch 1-3 working days
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£84.00
Salutations (Bra) - Roel Laethem
Salutations was commissioned by the saxophone choir Colours of Sax and their conductor Sofie Gijsbers. They requested a lively overture with different characters, in which the ensemble could showcase all its timbres. The original composition immediately had many brass band characteristics and was subsequently expanded into a concert opener for brass band.
Estimated dispatch 7-14 working days
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£40.00Symphonic Dance No.3 (Brass Band - Score and Parts) - Rachmaninoff, Sergei - Littlemore, Phillip
Completed in 1940, the set of?Symphonic Dances?was Sergei Rachmaninov's last composition. The work is fully representative of the composer's late style with its curious, shifting harmonies, the almost Prokofiev-like grotesquerie of the outer movements and the focus on individual instrumental tone colours throughout.?Rachmaninov composed the Symphonic Dances four years after his Third Symphony, mostly at the Honeyman Estate, 'Orchard Point', in Centerport, New York, overlooking Long Island Sound. The three-movement work's original name was Fantastic Dances, with movement titles of 'Noon', 'Twilight' and 'Midnight'. When the composer wrote to the conductor Eugene Ormandy in late August, he said that the piece was finished and needed only to be orchestrated, but the manuscript for the full score actually bears completion dates of September and October 1940. It was premiered by Ormandy and the Philadelphia Orchestra, to whom it is dedicated, on 3rd January, 1941. This arrangement is of the last dance and is a kind of struggle between the?Dies Iraetheme, representing Death, and a quotation from Rachmaninov's own?Vespers?(also known as the All-night Vigil, 1915), representing Resurrection. The Resurrection theme proves victorious in the end as the composer actually wrote the word 'Hallelujah' at the relevant place the score (one bar after Fig. 16 in this arrangement).?Duration: 3:45
Estimated dispatch 7-14 working days
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