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£54.99A Spanish Christmas Carol - Patrick Millstone
Rondeau of the Shepherds," so ran the official title of the famous Dutch Christmas carol 'Midden in de winternacht'. In 1948 wrote Dutch poet and writer Harry Prenen this text. The melody is known by the 17th/18th- century organ composers of suites Daquin, Balbastre and Dandrieu. "Rondeau of the Shepherds" was subtitled "Catalan Christmas Carol". The song itself is because its origins in a Spanish (Catalan probably) Christmas song from the late Middle Ages, "El Desembre congelat. The motives of this song (shepherds, flutes, drums) demonstrate knowledge of the Bible and give a picture of the late medieval Christmas experience. . Perfect as an uptempo intermezzoin a church service.
Estimated dispatch 5-14 working days
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£104.99Cambridgeshire Impressions - Rieks van der Velde
In a four-part composition Rieks van der Velde takes us to the richly varied area surrounding the university city of Cambridge. The Dutch composer was especially inspired by the atmosphere of Cambridgeshire, the county which lies north ofLondon. 1. The Journey. Although on arrival the area looks peaceful and friendly, the ruggedness of its inhabitants and landscape have an unmistakable influence on the music. In the course of the tour, which starts with an Allegromovement, we are shown the vitality, energy and freshness of the Cambridgeshire countryside. Short themes, swift and sudden motifs and rhythmical patterns supported by the drive of percussion instruments give expression to this image. Thefirst part is concluded by two Calmo movements in which the music expresses how the cathedral in the city of Ely comes into sight and is gradually approached. 2. Visit to Ely Cathedral. The famous Norman cathedral church of Ely, whichwas built in 1109, has attracted tourists from all over the world apart from being a place of worship and heritage site. A cornet solo introduces the contemplative mood of the composition at this point. The mystical atmosphere of thecathedral runs through this lyrical part like a continuous thread. 3. The Pub. The thirst caused by this intensive journey makes a visit to the local pub a definite must. These "public houses", which may be open until the earlyhours of the morning, offer all kinds of entertainment. Drinks are served liberally and the atmosphere is lively. 4. The Journey Back. Time has flown: In other words, the moment of departure has come sooner than one would havewished. In a flashback which recaptures elements of the first part of the composition we say goodbye to Cambridgeshire in a fitting manner. Two scintillating final measures bring us abruptly back to the present.
Estimated dispatch 5-14 working days
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£69.99Dance of the Shepherds - Patrick Millstone
Patrick Millstone based his Dance of the Shepherds on the song Quem pastores laudavere by Michael Praetorius.After an upbeat flashy introduction, you can hear this wonderful Christmas song. A good choice for a Christmas concert or church service!
Estimated dispatch 5-14 working days
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£104.99Scottish Dances - Peter Martin - Menno Haantjes
Scottish Dances is based on three Scottish traditionals: Cock of the North, The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous, it seems, delicious liqueur, and rallies to snowboard competitions. Furthermore is "Cock O' the North " a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune, regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary, had a canary, Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. " The Bonnie Bank's O'Loch Lomond " is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed, while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion, who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding, after the official ceremonies, there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as "Marie's Wedding '. Mid dance we go back to the church, where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely, on we go, heel for heel and toe for toe Arm and arm and on we go, all for Marie's wedding
Estimated dispatch 5-14 working days
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£60.99St. Florian Choral - Thomas Doss
The convent of St. Florian was the place of work of the upper Austrian composer Anton Bruckner. This convent with its marvellous church, where many of his great symphonies were composed, is situated in the middle of a rural idyll. St. Florian Choral is Thomas Doss' modest and deep bow to this great master, whose music has been very formative for the composer's musical life.
Estimated dispatch 5-14 working days
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£69.99Pastime with Good Company - King Henry VIII - Philip Sparke
The English King, Henry VIII (1491-1547), is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. He was, however, a gifted athlete, dancer and composer, writing many songs, poems and consort pieces (though not Greensleeves, as is often believed). Pastime with Good Company is undoubtedly the best-known of these, written in the first years of the 16th century while he was still a handsome prince, newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting, dancing and singing andwould have been sung as part of the court entertainment.
Estimated dispatch 5-14 working days
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£73.86Gothique Fantasy - On a theme by Boellmann (Brass Band) Andrew Wainwright
This magnificent work was commissioned by The Illinois Brass Band for the 2024 North American Brass Band Championships. Based on Leon Boellmann's epic organ work Suite Gothique, the 3rd movement of which is entitled Priere a Notre-Dame (A Prayer for Notre Dame), it pays tribute to the nearly 700-year-old Notre-Dame de Paris after the fire which did so much damage to this iconic building. Notre-Dame stands out for its three pipe organs (one historic) and its immense church bells, which are referenced at various times in Gothique Fantasy. Two of the other movements from Boellmann's work also provide inspiration for the piece, firstly the Introduction - Choral, and the famous Toccata, snippets of which appear at various times in the piece. Gothique Fantasy opens with the Choral, a solo offstage cornet sounding the opening statement. A quintet, stood to the side of the stage, takes up the Choral, while the rest of the band enters on held muted notes, creating a sustained effect evoking the harmonies spreading across the vast cathedral. Colossal organ-like sounds announce themselves as the full band takes on the theme. A lively Animato follows. Here there are continued references to the Choral, while the famous Toccata motif starts to appear. A Misterioso section ensues, which leads into a poignant Prayer for Notre Dame featuring a euphonium duet, where the music reflects upon the devasting fire and centuries of history and artefacts that were lost. A lone euphonium the sounds, representing the remaining remnants of the cathedral. A chaotic and rhythmic Presto, based on the Toccata, then follows and tests the technique of the band from top to bottom, whilst moving through various time signatures, the pulse lacking any sense of stability. A return to the Choral theme leads into a further reflective section, this time featuring the secondary theme from the Toccata with a flugel and solo horn duet. Next the music arrives at an aleatory section (Senza Misura), which depicts the remnants of the fire, followed by the grand cathedral emerging out of the ashes. Various motifs from earlier in the piece are heard across the band. At this point, various parts enter at different times on the conductor's signal, before building towards a 6/8 Presto. Here the music gathers momentum as it leads to a Grandioso finale featuring the Choral in all its glory. However, to conclude the work, the final strains of the Toccata sound, bringing the work to a glorious conclusion as Notre-Dame rises again! To view a video of The Illinois Brass Band performing the work please visit www.youtube.com/watch?v=xG3JB6Ye5aU Duration: 15.00 minutes approx. Difficulty Level: Championship Section This PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£59.09The Glory of Colour (Brass Band) Ivan G. Andrews
This work by Ivan Andrews was inspired by the large Baptistry window of the new Coventry Cathedral and will be suitable both as a contest or concert work. The window was conceIved and designed by Basil Spence and was intended to be a worldwide experience. When installed it was claimed to be "the single largest window in stained glass that hitherto had ever been contemplated and brought into existance." The stained glass design was done by artist John Piper and when completed was described by Bishop Bardsley as a "triumphant expression of faith, a faith encapsulated in the 'glory of colour'".* Hence the title for the piece. The composer writes: 'When thinking of this music the traditional tune now often called Monks Gate kept coming to me. The words often sung to this tune were penned by John Bunyan and each stansa ends with the words "To be a pilgrim". The Cathedral in Coventry, although a Christian Church, is designed to bring all faiths together in Unity - there is a "Unity Chapel" opposite the Baptistry window so the concept of pilgrimage seemed perfectly apt to me. The music is therefore designed to reflect many colours as there are many expressions of faith. Single fragments of the Monks Gate tune are used as a basis for what might be deemed 'variations'. The tune is heard in full towards the end of the piece and then the music rises to a climax of bright brilliant white light. The colours of the window are darker on the outer edges but they all circulate towards the brilliant white at the centre - representing the source of all faith.' To view a rolling score video of the work please visit https://www.youtube.com/watch?v=zPN_EhhMDAE Duration: Approx. 11.30 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£59.09Horizon: The Promise of the Lord (Brass Band) Andrew Wainwright
Horizon: The Promise of the Lord was written at the request of Bandmaster Stephen Cobb for The International Staff Band. It is based on the much loved hymn of the church, Cwm Rhondda (Guide me O thou great Jehovah). The work was recorded on the ISB's CD Manuscripts II (released 2023). This highly descriptive piece will be an excellent addition to concert programs, as well as being appropriate as a test piece. The inspiration for the work comes from the book of Exodus. Whilst the music is not intended to be directly programmatic, like the hymn Cwm Rhondda, the work takes the listener through the Exodus from Egypt to the promised land of Israel as a metaphor of the spiritual pilgrimage of the individual Christian through his or her earthly life. The music aims to evoke a sense of God's guidance through strife and affirm the reality that God provides for us and redeems all the wrong in the world. This God who provided for the Hebrew people wandering amidst 'barren lands' with 'bread of heaven' is still and ever will be a God of provisional grace. Through listening to the music, it is the composer's intention that we are reminded of God's promise of Deliverance as set out in Exodus 6 v7-8: 'I will take you as my own people, and I will be your God. Then you will know that I am the Lord your God, who brought you out from under the yoke of the Egyptians. And I will bring you to the land I swore with uplifted hand to give to Abraham, to Isaac and to Jacob. I will give it to you as a possession. I am the Lord.' Like the hymn, Horizon: The Promise of the Lord is intended as a prayer for guidance. The Christian is a pilgrim through 'this barren land'. The music is often chromatic and in large parts verging on atonality, as a reflection of the strife that the Israelites endured in their 40 years in the wilderness. However, it ends in climactic fashion with the Hebrew people finally reaching their destination after many years of wandering in the desert - as they approach the 'Horizon' promised by the Lord. To view a performance of the work by the National Youth Brass Band of Great Britain please visit www.youtube.com/watch?v=LjOHf7QEw1g PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 1st Section + Length: c11.00 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£33.23Fanfare Prelude - Now thank we all our God (Brass Band & Organ) arr. Downie
This rousing fanfare prelude for Brass Band and optional Organ by Kenneth Downie is based on the monumental hymn Now thank we all our God, which dates from 17th century Germany. The arrangement is featured on the CD Classic Hymns for Orchestra - The Symphonic Music of Kenneth Downie (available here) as a symphonic brass setting. The arranger writes: 'The depth of the words is underpinned by the grandeur of the music, so I have tried to reflect the same regal approach in my setting for brass band.' This arrangement will be an ideal opener or prelude for concerts or church services. To view a rolling score video of the work please visit www.youtube.com/watch?v=olrdFskDfac PDF download includes score and parts. Additional parts for Horns in F, and Baritone, Trombone, Euphonium and Tuba in bass clef are available here. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 2nd Section + Length: 3.15 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3 Organ (optional)
In Stock: Estimated dispatch 1-3 working days