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  • £67.20

    I want to break free - John Deacon

    Estimated dispatch 5-14 working days
  • £61.99
  • £50.00

    I Want to Break Free (Brass Band - Score and Parts) - Deacon, John - Harper, Philip

    Queen's 80s smash hit is known by all and has become an anthem against oppression around the world. The famous keyboard solo is taken by trombone.Suitable for 2nd Section Bands and aboveDuration: 3.30

    Estimated dispatch 7-14 working days

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  • £50.00

    I Want to Break Free - Deacon, J - Harper, P

    Queen's 80s smash hit is known by all and has become an anthem against oppression around the world. The famous keyboard solo is taken by trombone.2nd Section +Duration 3 mins 30 sec Click to listen - Courtesy of Cory Band

    In Stock: Estimated dispatch 1-3 working days

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  • £25.00

    I Want to Break Free (Score) - Deacon, J - Harper, P

    Queen's 80s smash hit is known by all and has become an anthem against oppression around the world. The famous keyboard solo is taken by trombone.2nd Section +Duration 3 mins 30 sec Click to listen - Courtesy of Cory Band

    In Stock: Estimated dispatch 1-3 working days

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  • £24.95

    HE CAN BREAK EVERY FETTER (Brass Band Set) - Kenneth Downie

    This is a setting of a chorus that the composer remembers being sung in Scotland as a child. The words encapsulate the truth of the Christian gospel in one sentence; 'He can break every fetter, He can set you free!'. Starting with trombone quartet, two more statements of the chorus follow, each in a new key. The final, extended, cadence emphasizes the spiritual release declared in the text.

    Estimated dispatch 7-14 working days
  • £24.95

    He Can Break Every Fetter (Brass Band - Score and Parts) - Downie, Kenneth

    This is a setting of a chorus that the composer remembers being sung in Scotland as a child. The words encapsulate the truth of the Christian gospel in one sentence; 'He can break every fetter, He can set you free!'. Starting with trombone quartet, two more statements of the chorus follow, each in a new key. The final, extended, cadence emphasizes the spiritual release declared in the text.

    Estimated dispatch 7-14 working days
  • £12.50

    He Can Break Every Fetter (Brass Band - Score only) - Downie, Kenneth

    This is a setting of a chorus that the composer remembers being sung in Scotland as a child. The words encapsulate the truth of the Christian gospel in one sentence; 'He can break every fetter, He can set you free!'. Starting with trombone quartet, two more statements of the chorus follow, each in a new key. The final, extended, cadence emphasizes the spiritual release declared in the text.

    Estimated dispatch 7-14 working days
  • £60.00

    Requiem Paraphrases - Peter Meechan

    Requiem Paraphrases uses the opening bars of Mozartas Requiem as its musical material for the whole piece. An aggressive opening is followed by a sounding of Mozartas original theme, in a setting for low brass and solo euphonium. Percussion and woodwind then enter, as the soloist begins to elaborate. A brief return to the opening is followed by a new, percussion driven, section.The euphonium and various soloists in the ensemble interact, exchanging ideas over an ostinato in the marimba. As this section continues towards the cadenza, the ensemble gradually takes on more of an accompanying role, leaving the soloist to again break free, with flourishes and gestures leading to the cadenza.Following this, there is a short recapitulation, before the euphonium brings us to a dramatic conclusion!Requiem Paraphrases was commissioned by, and dedicated to Steven Mead.

    Estimated dispatch 12-14 working days

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  • £15.99

    A Road Less Travelled By (Brass Band - Study Score) - Sparke, Philip

    A Road Less Travelled By was commissioned by Palangos Orkestras for the Championship Section of the 2020 European Brass Band Championships held in Palanga, Lithuania.The following was written by the composer, Philip Sparke:The title alludes to a poem by American author, Robert Frost, which appeared in his 1916 collection, Mountain Intervals: The Road Not Taken.In common with most of my larger works, this piece in not programmatic, but purely abstract; there is no extrinsic musical story. The choice of title shares my view of how composers can often develop. There can be no 'destination' in a composer's career, but rather a continuing journey to an unknown place. From piece to piece a composer needs to decide his or her next steps, never really knowing where they might lead. As Frost so eloquently describes, these sorts of instinctive decisions guide all our lives.Set in three movements, which play without a break, A Road Less Travelled By opens with a Moto Perpetuo firmly rooted in classical language, form and syntax. A continuous river of semiquavers, veering from melody to accompaniment and back again, adds drive, every and motion. The second movement, Nocturne, is in the form of a free fantasia; solos for vibraphone, flugel horn and euphonium set the stage for a central cornet solo, quietly echoed by the full band. A triumphal climax is reached before the movement dissolves into a Scherzo Finale. Mercurial and quixotic in nature, this third movement starts jovially until trios for trombones and horns darken the atmosphere. A change of mood and meter leads to a reprise of the opening and a return of the cornet melody, this time accompanied by figures derived from the scherzo theme. A brief coda based on earlier material drives the piece to a close.Duration: 15.30

    Estimated dispatch 7-14 working days

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