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  • £24.95

    You Know That We Love You! (Trombone Feature with Brass Band - Score and Parts) - Downie, Kenneth

    First published for SATB choir in 1983, the majestic feel of the melody gave the arranger the idea of featuring it for trombones, demonstrating the tender qualities of the section.

    Estimated delivery 12-14 days
  • £12.50

    You Know That We Love You! (Trombone Feature with Brass Band - Score only) - Downie, Kenneth

    First published for SATB choir in 1983, the majestic feel of the melody gave the arranger the idea of featuring it for trombones, demonstrating the tender qualities of the section.

    Estimated delivery 12-14 days
  • £24.95

    You Know That We Love You! (Trombone Feature) - Kenneth Downie

    First published for SATB choir in 1983, the majestic feel of the melody gave the arranger the idea of featuring it for trombones, demonstrating the tender qualities of the section.

    Estimated delivery 12-14 days
  • £24.95

    YOU KNOW THAT WE LOVE YOU! (Trombone Feature with Brass Band Set) - Kenneth Downie

    First published for SATB choir in 1983, the majestic feel of the melody gave the arranger the idea of featuring it for trombones, demonstrating the tender qualities of the section.

    Estimated delivery 12-14 days
  • £30.00

    Hot Gospel - Various

    Made up of 5 movements, this piece has the flexibility of being performed as a complete set or using the separate movements individually.With solo features in each section, the piece includes:Swing version of “The Church’s One Foundation” inc. Tenor Horn solo. Trad. Jazz “Nearer my God to Thee” inc. Cornet soloBluesy “The Old Rugged Cross” inc. Flugel soloCalypso “How Great Thou Art” inc. Euphonium soloFinale “Just a closer walk with Thee” inc. jazzy Trombone solo.The community gospel choir sound has become very popular in recent years. “Hot Gospel” is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar , a verse for full band followed by a solo. All solos are intended to sound like improvisation.OPTIONAL CUTS This medley is nine minutes long. There could be various reasons for wanting to shorten it. There are five optional cuts, which in each case removes the solo section from each song. If you do all five cuts, the piece would last approximately four and a half minutes. Alternatively, you may wish to only remove some of the solos.

    In stock: Estimated delivery 1-2 days
  • £59.95

    Ballet for Band - Score & Parts - Joseph Horovitz

    Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz’s first work for the medium: his fine “Concerto for Euphonium and Band” is frequently played, and he has also written a cantata entitled “Samson” for choir and band.

    Estimated delivery 12-14 days
  • £29.95

    Ballet for Band - Score Only - Joseph Horovitz

    Ballet for Band was written as the test-piece for the Championship section finals of the National Brass Band Championships, held at the Royal Albert Hall in October 1983.Although the work is not programmatic, within the space of ten minutes, the composer uses a form which might be considered to be the form of a ballet. Therefore there is a fanfare at the beginning which might be the overture, different characters appear, and scenes are quite clearly marked by, for instance, baritones or by muted trombone, although the listener is encouraged to use his own imagination.Thematically the work is tightly controlled, with the same material re-appearing in many different guises, as a flugel horn solo, as a waltz on the horns, and on the euphonium. Horovitz employs a rich harmonic pallet, but the work is most definitely rooted in a tonal language, with hints of Straussian richness later in the work.The work is notable for its middle section, in which the music gets slower and slower, providing a real test of control throughout the band.Ballet for Band was by no means Joseph Horovitz’s first work for the medium: his fine “Concerto for Euphonium and Band” is frequently played, and he has also written a cantata entitled “Samson” for choir and band.

    Estimated delivery 12-14 days