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£30.00Man In His Labour Rejoiceth (Band Parts Only) - John Ireland
This beautiful piece written by John Ireland, with words by Robert Bridges, has now been reborn.Originally commissioned by the National Coal Board in 1947 it is believed to have been performed on May 1st 1948 at the the Haringey Stadium, involving 9 bands and 8 colliery bands. Since the original brass band parts (which bring the piece to life in its full glory) were lost over time, the John Ireland Trust committed to a project to ensure the music was not lost forever.Andrew Duncan was commissioned with the honour of recreating the brass band set to bring the full performance of band and choir back to the public's enjoyment. His attention to detail and widespread knowledge of Ireland's writing style have now enabled 'Man in his Labour Rejoiceth' to be fully recreated and appreciated in its original written form, offering bands a remarkable opportunity to perform an historically significant concert work.Choir parts are sold separately and are available from The Music Company (UK) Ltd (please call 0845 68 08452 for more details) or Stainer & Bell Ltd (Catalogue Ref: 20303)
In Stock: Estimated dispatch 3-5 working days
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£40.00Dragons' Rise - Matthew Hall
Dragons' Rise was commissioned by the Tredegar Town Band in July 2008 for their CD recording Spirit of the Valleys, to represent the band beginning their resurrection from a difficult time in the bands history back through to becoming on of the best bands in the world. It was premiered by the Tredegar Town Band at the National Eisteddfod contest in Cardiff in August 2008, performed live on national television, where the band were victorious.Dragons' Rise was the first piece composed by Matthew as the bands new composer-in-residence. Subsequent pieces have included Legends of Cyfarthfa and Nightingale Dances, both winners of the Cyril Beere award for Best New Composition at Brass in Concert, The Smile and Activate.
Estimated dispatch 5-7 working days
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£35.00
FINALE from Francesca da Rimini - Tchaikovsky, P - Mcknight, I
Tchaikovsky's symphonic poem Francesca da Rimini: Symphonic Fantasy afterDante, Op. 32, was composed in less than three weeks during his visit to Bayreuthin the autumn of 1876.This fantasia presents a symphonic interpretation of the tragic tale of Francescada Rimini, a beauty who was immortalised in Dante's Divine Comedy. Francescada Rimini, a noblewoman, fell in love with her husband's brother. After the loverswere discovered and killed in revenge by the husband, they were condemned toHell for their adulterous passions. Iain McKnight's arrangement of the exciting Finale was first performed by theLeyland Band at the 2011 Brass in Concert and was used to conclude the band'swinning performance.
In Stock: Estimated dispatch 1-3 working days
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£35.00
Planets Align - Harper, P
Planets Align is intended to be a dramatic, theatrical opening number using the full space of any auditorium. Featuring fanfares for soprano and principal cornet, and an extended ad lib drum kit solo, the piece is designed to segue into any other piece and will make an arresting start to your concert as it did to Cory Band's 2014 Brass in Concert programme.1st section +Duration 3 mins
In Stock: Estimated dispatch 1-3 working days
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£60.02The Glory of Colour (Brass Band) Ivan G. Andrews
This work by Ivan Andrews was inspired by the large Baptistry window of the new Coventry Cathedral and will be suitable both as a contest or concert work. The window was conceIved and designed by Basil Spence and was intended to be a worldwide experience. When installed it was claimed to be "the single largest window in stained glass that hitherto had ever been contemplated and brought into existance." The stained glass design was done by artist John Piper and when completed was described by Bishop Bardsley as a "triumphant expression of faith, a faith encapsulated in the 'glory of colour'".* Hence the title for the piece. The composer writes: 'When thinking of this music the traditional tune now often called Monks Gate kept coming to me. The words often sung to this tune were penned by John Bunyan and each stansa ends with the words "To be a pilgrim". The Cathedral in Coventry, although a Christian Church, is designed to bring all faiths together in Unity - there is a "Unity Chapel" opposite the Baptistry window so the concept of pilgrimage seemed perfectly apt to me. The music is therefore designed to reflect many colours as there are many expressions of faith. Single fragments of the Monks Gate tune are used as a basis for what might be deemed 'variations'. The tune is heard in full towards the end of the piece and then the music rises to a climax of bright brilliant white light. The colours of the window are darker on the outer edges but they all circulate towards the brilliant white at the centre - representing the source of all faith.' To view a rolling score video of the work please visit https://www.youtube.com/watch?v=zPN_EhhMDAE Duration: Approx. 11.30 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£41.26Saltarello from 'Italian Symphony' (Brass Band) Mendelssohn arr. Phil Lawrence
This tour de force will be ideal for bands looking for a barnstorming finale to their concert. The 'Italian' was really Mendelssohn's 3rd Symphony at the time it was completed in 1833. The 'Italian' is certainly a youthful work, not in its technique, since it shows a perfect mastery of symphonic composition, but in its spirit. He had begun it two years earlier on a visit to Italy, where the vivid sights and sounds had impressed him immensely, just as the visit to Scotland had the year before. The atmosphere of Italy impelled him to translate his impressions into another symphony. The dazzling finale, the Saltarello, conjures up a picture of Italian peasants dancing frantically in a wild and whirling fashion, not unlike the tarantella. The arranger writes: 'It was noted by some players of the day that the orchestral parts were somewhat virtuosic for the time, and this virtuosic style inspired me to arrange this for brass band.' To view a follow-the-score video of the work featuring the Fairey Band please visit https://www.youtube.com/watch?v=BvcuwwJQrR8 PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani
In Stock: Estimated dispatch 1-3 working days
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£67.52Pyrenean Carol Suite (Brass Band) David Taylor
This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£50.00
The Dreaded Groove And Hook (Score & Parts) - Simon Dobson
The Dreaded Groove and Hook is an up-tempo acid-jazz number that draws inspiration from bands like Jamiroquai and The Youngblood Brass Band. The groove in question is the main tune that is shared round the band, whilst the hook, in 'pop' terms, is the catchy bit of the song. The whole band joins in to play a huge 'riff' that acts as a chorus to the jazz-like verses.The piece was commissioned by Jason Katsikaris and The Leyland Band, who gave the first performance as part of their programme for the Brass In Concert Championships, held at The Sage, Gateshead on the 16th November 2008. It has now been recorded by the same band and conductor on the CD entitled Penlee. Brass Band Grade 5: 1st SectionDuration: 4 minutes
In Stock: Estimated dispatch 1-3 working days
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£29.95
GATHERING, The (Brass Band Set) - Marcus Venables
This concert opener was written for the Canadian Staff Band and its European tour, culminating in its attendance of the ISB120 event in London in June 2011. The tour included some time in Holland and, appropriately, the well-known Dutch hymn 'We gather together' was selected as the source material for this work. The melody is used in a couple of different settings before reaching a rousing conclusion.
Estimated dispatch 7-14 working days
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£29.95
The Gathering (Brass Band - Score and Parts) - Venables, Marcus
This concert opener was written for the Canadian Staff Band and its European tour, culminating in its attendance of the ISB120 event in London in June 2011. The tour included some time in Holland and, appropriately, the well-known Dutch hymn 'We gather together' was selected as the source material for this work. The melody is used in a couple of different settings before reaching a rousing conclusion.
Estimated dispatch 7-14 working days
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