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  • £114.99

    Keystone (Brass Band - Score and Parts) - Deleruyelle, Thierry

    Keystone tells the story of the Odeon of Vriezenveen, a town in the Netherlands. Historically speaking, "odeon" (or "odeum") was the name for ancient Greek and Roman buildings used for activities such as singing, music and poetry. This was the name chosen in 1998 by several members of the 'Vriezenveense Harmonie' for the cultural centre they decided to have built. The piece starts slowly with the bass instruments, then speeds up in a counterpoint passage where the main motif moves from one set of instruments to another. After a slower section, the music speeds up again to reach a majestic chorale symbolising the splendid Odeon.This composition has been orchestrated for brass band to serve as the test piece in the first division of the French National Brass Band Championship of 2023.Duration: 15.15

    Estimated dispatch 7-14 working days

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  • £43.00

    Blue Bombazine (Eb Bass Solo with Brass Band - Score and Parts) - Johns, Terry

    The word Bombazine is derived from the obsolete French word Bombasin. Largely made in the Norwich area, Bombazine is a twilled fabric made of silk used mainly in dress making and popular in England in the reign of Elizabeth I. The image and feel of warm, smooth, opulent silk is aptly suited to a solo feature for tuba. Wing Commander Duncan Stubbs and the RAF Music Service commissioned Blue Bombazine for solo tuba and brass in 2014, for Senior Aircraftman Jonathan Gawn and the RAF Central Band. It was first performed at The Royal Northern College of Music in Manchester, on the 11th April 2015 at the British Festival of Wind Bands. The music is written in the jazz idiom with a testing solo part. It is available with brass band accompaniment or for ten brass with tuba solo. Duration: 5.00. Suitable for 1st Section Bands and above

    Estimated dispatch 7-14 working days
  • £48.00

    Alloy (Brass Band - Score and Parts) - Wilcox, Chris

    Alloy was originally commissioned in 2009 by Redbridge Music Service as a performance goal for beginner brass instrumentalists who had received free tuition in schools across the borough. The aim of the piece was to provide an inspirational opportunity for beginner players to perform alongside intermediate and advanced level instrumentalists. Alloy is an 8-minute work for metallic instruments, which is reflected in its title. It is a fusion piece with elements from traditional Indian Raga, Drum & Bass grooves, Jazz, Rock and African rhythms alongside the more 'classical' melodic brass styles. What culminates is a vibrant and exciting contemporary work. Also included are 4 optional easy beginner brass parts in all keys. Duration: 8.00. Suitable for 1st Section Bands and above.

    Estimated dispatch 7-14 working days
  • £110.00

    Diversions after Benjamin Britten (Brass Band - Score and Parts)

    Suite by Lucy Pankhurst, Simon Dobson, Paul McGhee and Gavin HigginsHaving devised a collective centenary tribute for Michael Tippett at the 2006 RNCM Festival of Brass (Variations on a Theme of Michael Tippett by five eminent composers of brass band music, PHM002), I commissioned this companion piece as a Benjamin Britten tribute for the 2013 festival. In the late 1970s, while researching a book about the English composer, and Britten's first teacher, Frank Bridge (1879 - 1941), I came across a copy of the printed score of Benjamin Britten's Variations on a Theme of Frank Bridge (Op.10) for string orchestra, in which Britten had written descriptive titles for each of the variations suggesting appropriate character traits of his much loved mentor and guide. The character variations are cast in march, song and dance forms.Taking inspiration from Britten's youthful tribute, I invited four award-winning composers, who have all made significant contributions to the brass band medium, to create their own personal reflections on four aspects of Britten's character and music, designed to form a suite of Diversions after Benjamin Britten, but which can also be played separately.Lucy Pankhurst's hauntingly lyrical Prelude: His Depth refers to the emotional and symbolic subtexts that underpin Britten's operas, taking its musical cue from Britten's many arrangements of folk songs. The flugel horn takes a prominent role throughout.Simon Dobson's breathless Scherzo: His Vitality reminds us with its rapid passage work and leaping bass 'groove' that Britten loved tennis and fast cars in his younger days.Paul McGhee's evocative interpretation of the March: His Sympathy represents Benjamin Britten's pacifism, as the composer writes: 'We view the music through the eyes of a pacifist. Whilst war and violence surround us, we do not engage in it and though it continues to happen around us. With the use of muted effects in most of the band throughout the piece, the flugel horn is the lone voice of reason, standing firm against the mechanical and destructive society in which it is forced to live. As the machine of war continues around the lone voice, the voice is gradually dismissed and mocked as the war machine rumbles on into the distance.'In an extended finale, entitled Toccata: His Skill, Gavin Higgins celebrates Benjamin Britten's consummate creativity. For the RNCM Festival of Brass premiere, the four contrasting movements were framed and connected by Britten's Fanfare for St. Edmundsbury for three trumpets, with the trumpet soloists spaced round the hall. I am grateful to the Britten Estate and publishers Boosey & Hawkes for giving permission for the elements of Britten's fanfare to be incorporated in the collective work.- Paul HindmarshDuration: 19.30

    Estimated dispatch 7-14 working days

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  • £45.00

    Diversions after Benjamin Britten (Brass Band - Score only)

    Suite by Lucy Pankhurst, Simon Dobson, Paul McGhee and Gavin HigginsHaving devised a collective centenary tribute for Michael Tippett at the 2006 RNCM Festival of Brass (Variations on a Theme of Michael Tippett by five eminent composers of brass band music, PHM002), I commissioned this companion piece as a Benjamin Britten tribute for the 2013 festival. In the late 1970s, while researching a book about the English composer, and Britten's first teacher, Frank Bridge (1879 - 1941), I came across a copy of the printed score of Benjamin Britten's Variations on a Theme of Frank Bridge (Op.10) for string orchestra, in which Britten had written descriptive titles for each of the variations suggesting appropriate character traits of his much loved mentor and guide. The character variations are cast in march, song and dance forms.Taking inspiration from Britten's youthful tribute, I invited four award-winning composers, who have all made significant contributions to the brass band medium, to create their own personal reflections on four aspects of Britten's character and music, designed to form a suite of Diversions after Benjamin Britten, but which can also be played separately.Lucy Pankhurst's hauntingly lyrical Prelude: His Depth refers to the emotional and symbolic subtexts that underpin Britten's operas, taking its musical cue from Britten's many arrangements of folk songs. The flugel horn takes a prominent role throughout.Simon Dobson's breathless Scherzo: His Vitality reminds us with its rapid passage work and leaping bass 'groove' that Britten loved tennis and fast cars in his younger days.Paul McGhee's evocative interpretation of the March: His Sympathy represents Benjamin Britten's pacifism, as the composer writes: 'We view the music through the eyes of a pacifist. Whilst war and violence surround us, we do not engage in it and though it continues to happen around us. With the use of muted effects in most of the band throughout the piece, the flugel horn is the lone voice of reason, standing firm against the mechanical and destructive society in which it is forced to live. As the machine of war continues around the lone voice, the voice is gradually dismissed and mocked as the war machine rumbles on into the distance.'In an extended finale, entitled Toccata: His Skill, Gavin Higgins celebrates Benjamin Britten's consummate creativity. For the RNCM Festival of Brass premiere, the four contrasting movements were framed and connected by Britten's Fanfare for St. Edmundsbury for three trumpets, with the trumpet soloists spaced round the hall. I am grateful to the Britten Estate and publishers Boosey & Hawkes for giving permission for the elements of Britten's fanfare to be incorporated in the collective work.- Paul HindmarshDuration: 19.30

    Estimated dispatch 7-14 working days

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  • £59.99

    Marcho Brioso (Brass Band - Score and Parts) - Sparke, Philip

    Marcho Brioso was commissioned by The Brioso Brass, a British-style brass band from Hokkaido, Japan. They gave the first performance in January 2012.The commission was for a bright and breezy march that the band could use as their theme tune, so Marcho Brioso falls into the composer's series of Broadway-style marches, which includes Slipstream, The Bandwagon and Jubiloso. After a short introduction a solo cornet plays the main theme, accompanied by a euphonium counter-melody. A secondary phrase from the horns and baritones leads to a tutti version of the main theme which is followed by the traditional 'bass' strain. A change of key heralds the trio section, which features a cantabile melody on euphonium; this is then taken up by the full band after a short bridge passage and further change of key. This takes us back to the home key which sees a quiet staccato version of the main theme lead to a recapitulation and a short coda which brings the march to a close.Duration: 3:45

    Estimated dispatch 7-14 working days

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  • £60.99

    Glory Fanfare (Brass Band - Score and Parts) - Schwarz, Otto M.

    Glory Fanfare was commissioned by the Brass Band of Upper-Austria for the 2010 European Brass Band Championships in Linz, and was performed as the first piece in the gala concert. The double chorus of cornets is particularly ingenious and its virtuosic character adds to all the excitement. Modern elements, such as funky bass lines played along with the drum kit, help drive the festive atmosphere and create a piece that will captivate your audience from the word go!Duration: 3:00

    Estimated dispatch 7-14 working days

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  • £34.95

    Gymnopedie No.1 (Brass Band - Score and Parts) - Satie, Erik - Bowen, Brian

    This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

    Estimated dispatch 7-14 working days

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  • £17.50

    Gymnopedie No.1 (Brass Band - Score only) - Satie, Erik - Bowen, Brian

    This is a transcription for brass band of the first, and most well-known, of Erik Satie's three Gymnopedies for piano which were composed in 1888. All three are similar melodically and pianistically. However, the first and last are more well-known, partly due to the later orchestrations by Debussy.Some mystery surrounds the Greek-rooted title, yet explicitness is immaterial to an appreciation of the music. This brass version should not mask the naivete of the original score, though that may be easier said than done.Tenor Horn and Eb Bass mutes are requested by the arranger and will enhance the transcription if available.

    Estimated dispatch 7-14 working days

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  • £29.95

    Nightlights (Eb Bass Solo with Brass Band - Score and Parts) - Pankhurst, Lucy

    Nightlights was commissioned by Chris Jeans and Don Collins for Youth Brass 2000, to be used as part of their programme at the 2019 European Championships. Written during January 2019, Nightlights received its world premiere by Youth Brass 2000, conducted by Chris Jeans with Siobhan Bates as soloist, at the 2019 European Brass Band Championships in Montreux, Switzerland.Originally written as a Tenor Horn solo, this version for Tuba was arranged for and is dedicated to Dr Joanna Ross Hersey.Nightlights is intended to illustrate a winter's evening looking out across Lake Geneva from Montreux. Tiny lights appear beneath the mountains from faraway homes and vehicles, flickering in the distance and shimmering in the reflections on the water. Tiny, blinking nightlights against the inky blue of the clear sky. Thousands of stars shine above, blurring the boundaries between land, water, and the heavens into a sparkling ether. Transfixed, the bustle of sounds and lights from Montreux seems a lot further away than it is in reality. Eventually, each little light blinks out, one at a time, leaving the chill of the cold night air and an empty sky.Duration: 4.30

    Estimated dispatch 7-14 working days