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  • £37.95

    DON'T IT MAKE MY BROWN EYES BLUE (Flugel Horn Solo with Brass Band) - Barry, Darrol

    Arranged for Flugel Horn & Brass Band

    Estimated dispatch 7-14 working days
  • £59.99

    GO THE DISTANCE (Tenor Horn/Brass Band) - Stowell, David

    from Disney's Hercules. Tenor Horn Solo & Brass Band. Duration: 3:00 Grade: Medium

    Estimated dispatch 7-14 working days
  • £61.00

    I KNOW HIM SO WELL (Tenor Horn/Brass Band) - Brevik, Tom

    Tenor Horn Solo & Brass Band. From the award-winning musical Chess. Suitable for 2nd Sections bands and above.

    Estimated dispatch 7-14 working days
  • £37.95

    IN A SENTIMENTAL MOOD (Flugel Horn Solo with Brass Band) - Ellington, Duke - Howarth, Elgar

    When Elgar Howarth turns his hand to arranging the music of others you know you are in for a rare treat and this arrangement for flugel horn and brass band of Duke Ellington's classic is just that. Recorded on QPRL010D Firebird. Duration: 3:30.

    Estimated dispatch 7-14 working days
  • £50.90

    ONE DAY IN YOUR LIFE (Tenor Horn/Brass Band) - Fernie, Alan

    Tenor Horn Solo with Brass Band. Grade Easy

    Estimated dispatch 7-14 working days

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  • £37.95

    SYLVIA (Tenor Horn/Brass Band) - Newsome, Roy

    Tenor Horn Solo & Brass Band. A separate Piano Accompaniment edition is also available.

    Estimated dispatch 7-14 working days
  • £54.20

    THIS MASQUERADE (Tenor Horn/Brass Band) - Russell, Leon - Smith, Sandy

    Tenor Horn Solo & Brass Band. Grade: Easy/Medium

    Estimated dispatch 7-14 working days
  • £50.90

    TO MAKE YOU FEEL MY LOVE (Tenor Horn with Brass Band) - Dylan, Bob - Wormald, Christopher

    Tenor Horn Solo with Brass Band. Grade Easy

    Estimated dispatch 7-14 working days
  • £59.95

    Essay (Brass Band - Score and Parts) - Gregson, Edward

    This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialogue takes the form of 'conversations' between the instruments, based on the opening melody announced in unison on cornets and euphoniums. A second theme is introduced on the flugel horn and developed alongside this, creating a sonata form shell.The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The movement is poignant in mood, which is depicted by a cornet solo announced after a brief introduction. The middle section builds to a powerful climax, at which point the opening theme of the first movement is heard again. Tranquillity returns however, with a solo trombone now playing the original theme with other instruments adding decorative accompanying patterns.The final movement, Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band. The middle section, with its changing time patterns and open expansive melody, suggests a 'big-country' style. A rhythmically charged coda concludes the work in exciting fashion.Duration: 12.00

    Estimated dispatch 7-14 working days

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  • £29.95

    Essay (Brass Band - Score only) - Gregson, Edward

    This work was specially commissioned as the test piece for a new brass band competition in 1971, held at the Royal Albert Hall, London. It is in three movements, the titles of which all have literary connotations. The first movement, Dialogue takes the form of 'conversations' between the instruments, based on the opening melody announced in unison on cornets and euphoniums. A second theme is introduced on the flugel horn and developed alongside this, creating a sonata form shell.The second movement, Soliloquy is dedicated to the memory of Gilbert Vinter - a composer who did so much in the 1960s to bring the brass band into the modern world. The movement is poignant in mood, which is depicted by a cornet solo announced after a brief introduction. The middle section builds to a powerful climax, at which point the opening theme of the first movement is heard again. Tranquillity returns however, with a solo trombone now playing the original theme with other instruments adding decorative accompanying patterns.The final movement, Epigram, creates strong rhythmic contrasts and exploits the more virtuoso character of the brass band. The middle section, with its changing time patterns and open expansive melody, suggests a 'big-country' style. A rhythmically charged coda concludes the work in exciting fashion.Duration: 12.00

    Estimated dispatch 7-14 working days

     PDF View Music