Results
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£24.95Slavonic Dance No. 1 Op.46 (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£24.95Slavonic Dance No. 3 Op.46 (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£44.95Song and Dance (Cornet Solo with Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£34.95Dance of the Elves (Brass Band - Score and Parts)
An arrangement of David Popper's sparkling work, which was originally scored for cello and piano. Featuring the cornet section, this brisk number will show off your band's technique to the full.
Estimated dispatch 7-14 working days
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£34.95Spanish Dance (Brass Band - Score and Parts)
Based on the traditional Spanish carol, Riu Riu Chiu.
Estimated dispatch 7-14 working days
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£30.00Dance of the Reed Flutes (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£30.00Dance of the Sugar Plum Fairy (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£35.00Dance of the Tumblers (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£29.50Mexican Hat Dance (Brass Band - Score and Parts)
Estimated dispatch 7-14 working days
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£9.95First Quartet (Brass Quartet - Score and Parts)
My first Brass Quartet was written in 1968, immediately after I finished my studies at the Royal Academy of Music, and was in response to a request from my then publisher, R Smith & Co, to write some chamber music for brass band instruments. It is scored for two cornets, horn and euphonium. In the same year I also wrote another quartet (No. 2) which is scored for the more unusual combination of two horns, baritone, and tuba. The First Quartet is really a miniature in terms of length, lasting less than six minutes. However, it packs a lot of punch in its two connected movements, a Prelude and a Capriccio. The Prelude is lyrical in style and opens with a rising figure (covering a major seventh) on euphonium answered by muted cornets. These ideas form the material for the movement which is arch shape in structure. The opening returns, immediately followed by a transition passage which leads directly into the turbulent Capriccio. This is rather Bartokian in style (I was very influenced by Bartok in my student days and had closely studied his six string quartets), in the manner of a Hungarian dance in 5/8 time. The constantly changing metric patterns give the music a rather disruptive quality, but also an opportunity for the players to show their virtuoso abilities. - Edward Gregson
Estimated dispatch 7-14 working days
