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  • £27.50

    Battle of the Planets - Score and Parts - Hoyt Crutin

    70s anime-style cartoon Battle of the Planets, celebrates its 35th anniversary this year and all 85 episodes have been released in DVD box sets. Hoyt Curtin, composer of the main title theme, was one of America's most prolific composers of television c

    Estimated delivery 12-14 days
  • £14.50

    Battle of the Planets - Score Only - Hoyt Crutin

    70s anime-style cartoon Battle of the Planets, celebrates its 35th anniversary this year and all 85 episodes have been released in DVD box sets. Hoyt Curtin, composer of the main title theme, was one of America's most prolific composers of television c

    Estimated delivery 12-14 days
  • £21.50

    Battle of Britain - Ron Goodwin - Gavin Somerset

    From the 1969 motion picture comes the overture from the epic war film, The Battle of Britain. The film tells the story of the summer 1940 where the British RAF, outnumbered, yet with radar on their side, strategically defeated the Luftwaffe. Unusually for a film, this picture had two scores composed, one by Sir William Walton and the other by Ron Goodwin. Following a decision made by those in charge at United Artists, only one segment of Walton's score was used to feature during the epic air battle scene. The remainder of the film's music fell to Ron Goodwin's who gave us the now famous title "Aces High" and the main theme. This is a perfect addition to any band programme and one that audiences are sure to enjoy.

    In stock: Estimated delivery 1-2 days

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  • £27.50

    Battle of the Planets - Curtin, H - Harper, P

    70s anime-style cartoon Battle of the Planets,celebrates its 35th anniversary this yearand all 85 episodes have been released inDVD box sets. Hoyt Curtin, composer ofthe main title theme, was one of America'smost prolific composers of television cartoonthemes, his most famous being TheFlintstones and Scooby-Doo.3rd section +

    In stock: Estimated delivery 1-2 days

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  • £44.95

    Tale of the Dragon - Paul Lovatt-Cooper

    For decades the Japanese people were plagued by a fearsome dragon, which would attack the villages and towns killing many people. The Emperor, fearing for his beautiful daughter's life, decreed that if anyone could defeat the dragon they could have his daughters hand in marriage.The music opens at the gates of the Emperors palace. Our hero, a young and brave soldier, returns with the army victorious. To reward his bravery, the soldier is summoned to the temple by the Emperor.On his way to the temple the young soldier meats the Emperors daughter, represented by the slow Soprano cornet. They fall in love and the young soldier accepts the challenge from the Emperor and embarks in his quest to rid the land of the dragon.The music continues at the foot of an erupting volcano, the soldier finds the dragon and they enter into battle. After a fearsome fight and summoning every last bit of his strength, the young soldier eventually manages to drive his sword into the dragon's heart.With the final closing chords of this piece representing the fatal blows from the victorious soldier's sword, the dragon collapses and our hero stands victorious.Tale of the Dragon is a descriptive piece that provides opportunities for soloists within the piece to stand at the front to perform. This high octane finale has plenty for all musicians and listeners to enjoy.

    Estimated delivery 12-14 days
  • £25.00 £25.00
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    Charge of the Light Brigade - Andrew Stevenson

    Charge of the Light Brigade tells the story of a battle in the Crimean War, where six hundred members of the light cavalry were sent to attack an Artillery Battery. However, due to miscommunications they were sent to the wrong Artillery Battery, past the original target. The 600 hundred soldiers then found themselves being attacked on two sides because of the error. 156 men lost their lives and another 122 were wounded.The piece follows the structure of the poem by Alfred, Lord Tennyson. The fanfare that starts the piece is the exact same used at the battle. The presto is the advance of the Light Brigade towards the Russian guns. The slow passage is a hymn for the men that lost their lives and the finale symbolises the triumphant return of the men that survived, and how the memories of the horrific battle that took place linger on in their minds. Throughout the piece, I have used antiphonal sounds to reinforce the ideas that I have taken from the poem.A recording of the Charge of the Light Brigade is available on the Foden's CD, Patrons' Choice VII (DOY CD329)

  • £34.95

    BATTLE (from War of the Worlds Suite) - Peter Graham

    Battle is the third movement of the suite War of the Worlds which was commissioned by the Senzoku Gakuen College of Music Saxophone Orchestra and first performed by them in the Maeda Hall, Japan on June 29 2012, the composer conducting. The music is dedicated to Professor Shin-ichi Iwamoto. The transcription for brass band was first performed by the Brighouse & Rastrick Band, conductor David King, in the Bridgewater Hall Manchester on September 8 2012.

    In stock: Estimated delivery 1-2 days

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  • £54.95

    BATTLE OF BARROSSA (Brass Band Parts) - Scott, Andy

    Brass Band parts only. For brass band & narrator and is one continuous movement. The piece tells the story of the famous Battle of Barossa in March 1811, with musical sections depicting events as they unravel. Duration: 16:00

    Estimated delivery 12-14 days

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  • £25.00

    BATTLE OF BARROSSA (Brass Band Score) - Scott, Andy

    Brass Band score only. For brass band & narrator and is one continuous movement. The piece tells the story of the famous Battle of Barossa in March 1811, with musical sections depicting events as they unravel. Duration: 16:00

    Estimated delivery 12-14 days

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  • £64.95

    The Flowers of the Forest (Brass Band - Score and Parts) - Bennett, Richard Rodney - Hindmarsh, Paul

    In a preface to the score, the composer explains that ‘the folk song The Flowers of the Forest is believed to date from 1513, the time if the battle of Flodden, in the course of which the archers of the Forest (a part of Scotland) were killed almost to a man’. Bennett had already used the same tune in his Six Scottish Folksongs (1972) for soprano, tenor and piano, and it is the arrangement he made then that forms the starting-point for the brass-band piece. A slow introduction (Poco Adagio) presents the folk song theme three times in succession - on solo cornet, on solo cornets and tenor horns, and on muted ripieno cornets in close harmony - after which the work unfolds through five sections and a coda. Although played without a break, each of these five sections has its own identity, developing elements of the tune somewhat in the manner of variations, but with each arising from and evolving into the next. The first of these sections (Con moto, tranquillo) is marked by an abrupt shift of tonality, and makes much of the slow rises and falls characteristic of the tune itself. The tempo gradually increases, to arrive at a scherzando section (Vivo) which includes the first appearance of the theme in its inverted form. A waltz-like trio is followed by a brief return of the scherzando, leading directly to a second, more extended, scherzo (con brio) based on a lilting figure no longer directly related to the theme. As this fades, a single side drum introduces an element of more overtly martial tension (Alla Marcia) and Bennett says that, from this point on, he was thinking of Debussy’s tribute to the memory of an unknown soldier (in the second movement of En Blanc et noir, for two pianos). Bennett’s march gradually gathers momentum, eventually culminating in a short-lived elegiac climax (Maestoso) before the music returns full-circle to the subdued melancholy of the opening. The work ends with a haunting pianissimo statement of the original tune.

    Estimated delivery 12-14 days