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  • £54.99

    Hymnus Antverpiae (Brass Band - Score and Parts) - Van der Roost, Jan

    This hymn was commissioned by "Antwerpen 93". And this city, on the banks of the river Schelde has been nominated "Cultural Capital of Europe" for 1993. The work-group "animatie" took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premired by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion. Musically speaking the piece can no doubt be labelled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible and uncomplicated. The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colourful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.Duration: 4:00

    Estimated dispatch 7-14 working days
  • £65.00

    Durham Snapshots - Brass Band - LM227

    COMPOSER:Derick KaneDurham SnapshotsNew from the pen of renowned euphonium star, Derick Kane, an exciting composition written after a visit to the City of DurhamThis four movement work reflects the sights, sounds and history of the city of DurhamJ.B. Dykes hymn "St Cuthbert' is heard in movement 1 & reprised in the finale, as well as Ralph Vaughan Williams hymn 'Sine Nomine' in movement 31 - Cathedral2 - Riverside Walk 3 - Hymn to The Saints4 - CastleEnter the Cathedral and hear the glorious sounds of the open space and service.A Riverside Walk along the banks of the River Wear watching and listening to the wild life and running water.Hymn to The Saints with glorious harmonies soar through the air.And finally a trip to the castle where you can imagine battles and scourages taking place in this ancient building.One for your next concert to please the audience, and player, alike.

    In Stock: Estimated dispatch 3-5 working days
  • £59.99

    Prelude on an Irish Folk Tune - Philip Sparke

    The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.

    Estimated dispatch 5-14 working days

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  • £57.50

    Prelude on an Irish Folk Tune (Brass Band - Score and Parts) - Sparke, Philip

    The Irish folk tune, which appears towards the end of the piece, is Slane, a hymn tune version of the much older folk melody The Banks of the Bann. In Prelude on an Irish Folk Tune, fragments of the folk tune hint at what is to come later in the piece, but another folk-like tune is predominant. This later acts as a descant to Slane when it finally appears. Add a little Sparke sparkle to any concert with this lovely interlude.Duration: 4:00

    Estimated dispatch 7-14 working days

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  • £89.95

    BLOCH-Party - Jonathan Bates

    DIFFICULTY: Champ. DURATION: 18'00". . 'BLOCH-Party' is music inspired by and attributed to the Swiss-born composer Ernest Bloch and was composed for the own-choice section of the 2022 Swiss National Brass Band Championships held in the Stravniski Auditorium, Montreux on the banks of Lake Geneva. Bloch was born and raised in Geneva itself to Jewish parents in 1880 before emigrating permanently to the United States in 1916. His Jewish heritage never ledft him though, and much of his writing and titling of works remained heavily influenced by his upbringing. This work is divided into 5 through-composed sections, culminating in a rip-roaring multi-metre dance inspired by traditional Yiddish and Klezmer rhythms and harmonies.

    In Stock: Estimated dispatch 1-3 working days
  • £34.95

    Clydebuilt - Alan Fernie

    Clydebuilt is a short descriptive overture, commissioned and premiered by the Riverside Youth Band in 2016. The band are based by the banks of the famous River Clyde, which is synonymous with shipbuilding. Indeed, it is said that any ship...

    Estimated dispatch 5-7 working days
  • £14.95

    Instrumental Album No.21 - Euphonium Solos

    Includes: Kind Words; The Song of the brother; The happy pilgrim; Ye banks and braes; The Warrior; My great unchanging friend; Ransomed; A Song of Faith; A Serenade; The Warrior's Sanctuary; The Lord of the tempest; Answer my prayerInstrumentation: Euphonium with Piano Accompaniment

    Estimated dispatch 7-14 working days
  • £65.00

    Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602

    COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.

    In Stock: Estimated dispatch 3-5 working days