Results
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£34.95Welsh Fantasy for Euphonium & Band (Euphonium Solo with Brass Band - Score and Parts) - Pearce, Ralph
Written for the late Bandmaster Christopher Mallet to play at the Bristol Easton Band's 2000 Spring Festival, the solo is based around the Welsh Lullaby 'Suo G?n’ which is associated with the words of Herbert H. Booth, 'Let me love thee'. There are also subtle references to 'Men of Harlech'. ?As demanding as the solo part is, so too the band parts rise above the level of mere accompaniment.
Estimated dispatch 7-14 working days
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£17.50
Welsh Fantasy for Euphonium & Band (Euphonium Solo with Brass Band - Score only) - Pearce, Ralph
Written for the late Bandmaster Christopher Mallet to play at the Bristol Easton Band's 2000 Spring Festival, the solo is based around the Welsh Lullaby 'Suo G?n’ which is associated with the words of Herbert H. Booth, 'Let me love thee'. There are also subtle references to 'Men of Harlech'. ?As demanding as the solo part is, so too the band parts rise above the level of mere accompaniment.
Estimated dispatch 7-14 working days
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£48.00Gull Dances (Brass Band - Score and Parts) - Johns, Terry
The composer, who lives and works at the edge of the Forth estuary in Edinburgh has been inspired here by the intriguing "tap" dance that the gulls perform on the grass at certain times to encourage worms to break the surface. The middle movements describe the birds' "dancing" in flight, with a waltz and a slow soaring melody. The piece was written for the COOP Glasgow Brass Band on the occasion of their winning the Scottish brass band championship in 2009 and was broadcast on BBC Scotland's "Classics Unwrapped" in November of that year. Duration: 11.00. Suitable for 1st Bands and above.
Estimated dispatch 7-14 working days
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£89.99A Symphony of Colours (Brass Band - Score and Parts)
A Symphony Of Colours contains four movements, which merge seamlessly together; Joy; Chroma (a journey through the composer's perception of synesthesia); Endless Time (where tuned percussion features alongside extended solos for the euphonium); and the final, climactic Ascent. This virtuoso score won a BASCA British Composer Award in the Brass & Wind Band category for its composer, Simon Dobson. Suitable for Championship Section Bands. Duration: 17.00
Estimated dispatch 7-14 working days
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£29.95
Rosehill (Brass Band - Score and Parts) - Jakeway, Albert H.
The Salvation Army Assurance Society Band was the first Salvation Army band to take part in the Lord Mayor's Show, in 1928. The Society relocated from London to Reading at the beginning of World War Two and the title of this march is derived from the name of the Reading property. Rosehill is a fine march containing all the drama and pyrotechnics that make it suitable for a Whit Friday type march contest.
Estimated dispatch 7-14 working days
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£14.95
Rosehill (Brass Band - Score only) - Jakeway, Albert H.
The Salvation Army Assurance Society Band was the first Salvation Army band to take part in the Lord Mayor's Show, in 1928. The Society relocated from London to Reading at the beginning of World War Two and the title of this march is derived from the name of the Reading property. Rosehill is a fine march containing all the drama and pyrotechnics that make it suitable for a Whit Friday type march contest.
Estimated dispatch 7-14 working days
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£40.00London Eye (from New London Pictures) (Brass Band - Score and Parts) - Hess, Nigel - Littlemore, Phillip
London Eye is an incredibly large rotating wheel situated on the South Bank of the River Thames. This movement depicts a 'flight' on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of that view. This piece is the second movement of Nigel Hess's New London Pictures which represents elements of London in the 21st Century. Suitable for Premier Youth/2nd Section Bands and above. Duration: 4.00
Estimated dispatch 7-14 working days
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£44.95
The Present Age (Brass Band - Score and Parts) - Condon, Leslie
The present age' is almost a stock term familiar to Salvationists, stemming from the much-used verse - 'To serve the pres ent age .... ', which has expressed a purpose throughout Salvation Army history. It is, however , the present age of the late 1960's and 70's which claims the composer 's attention in this attempt to express in music the background against which the modem young Christian has to work. One pictures him with all the dash and impetuosity of youth setting out to 'turn the world upside down'. We here share with him reactions of his hearers, disappointments within himself, and a series of cameos depicting what kind of a world it is that he has pledged to win for Christ.
Estimated dispatch 7-14 working days
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£22.50
The Present Age (Brass Band - Score only) - Condon, Leslie
The present age' is almost a stock term familiar to Salvationists, stemming from the much-used verse - 'To serve the pres ent age .... ', which has expressed a purpose throughout Salvation Army history. It is, however , the present age of the late 1960's and 70's which claims the composer 's attention in this attempt to express in music the background against which the modem young Christian has to work. One pictures him with all the dash and impetuosity of youth setting out to 'turn the world upside down'. We here share with him reactions of his hearers, disappointments within himself, and a series of cameos depicting what kind of a world it is that he has pledged to win for Christ.
Estimated dispatch 7-14 working days
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£59.99MacArthur Park (Brass Band - Score and Parts) - Webb, Jimmy - Sparke, Philip
Over a period of four decades Jimmy Webb (b. 1946) has written hits for a number of singers including Glen Campbell, Art Garfunkel, Frank Sinatra, Willie Nelson, Johnny Cash and Linda Ronstadt. His songs are often epic in character and include By the Time I Get to Phoenix; Up, Up and Away; Didn't We; Wichita Lineman and Galveston. MacArthur Park (1968) was unlike anything that had gone before it. Running at over 7 minutes, it is 2 or 3 times the length of most pop songs and has an extended orchestral interlude. Richard Harris' seminal recording topped the music charts in Europe, while peaking at number two on the U.S. charts. Philip Sparke has made this excellent arrangement for brass band, which is sure to become a regular feature on your concert programme.Duration: 07:30
Estimated dispatch 7-14 working days
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