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  • £115.60

    Stjernen og Rosa - John Philip Haqnnevik

    The Star and a Rose is a big-scale Christmas piece for band, featuring four seasonal chorales.The first is a Gregorian-like chant Hodie Christus natus est.In this section of the piece, a soloist can be placed away from the band, maybe on a gallery. The soloist can be a tenor instrument, maybe trombone, or you can feature a vocal soloist.After this, the music leads us on to the old German Christmas chorale Lo, how a rose e'er blooming. This song is given a fairly rhythmical treatment, but make sure that the melody is presented in a cantabile style.An interlude follows, before the piece presents one of the most used and loved Scandinavian Christmas chorales, Mitt hjerte alltid vanker (My Heart will always wander), composed by the Danish bishop Hans Adolph Brorson around 1732. This song is building towards a climax, before the solo horn brings it all down to the Stable view described in the lyrics.Then comes a transition that brings us in to the final section of the piece, which presents the international Christmas Carol Adeste Fideles. As many will notice, I have borrowed a section from David Wilcocks majestic harmonization towards the end.The title of the piece has its background form the lyrics in My heart will always wander, where the text speaks about the stars in the sky. But also in the latin text for Adeste Fideles:Stella duce, Magi, Christum adorantesThe Rose is of course from the lyrics in the chorale Lo, how a Rose.

    Estimated dispatch 5-14 working days

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  • £75.00

    De Profundis

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    In Stock: Estimated dispatch 3-5 working days
  • £25.00

    Meditation

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    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    National Express

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    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    Presley In Mind

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    In Stock: Estimated dispatch 3-5 working days

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  • £24.95

    The Pilgrim's Prayer (Brass Band - Score and Parts) - Rouse, Sydney - Ball, Eric

    Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.

    Estimated dispatch 7-14 working days
  • £12.50

    The Pilgrim's Prayer (Brass Band - Score only) - Rouse, Sydney - Ball, Eric

    Introduction - This could hardly be more simple. Inexperienced players may have some little difficulty in intonation, especially as they are starting 'cold', but a useful lesson can be learned in this connection when rehearsing these two bars. Section A - The music is hymn tune-like in character, but it should not become stilted. Close intonation is still a point to study, especially in view of the chromatic nature of some of the harmony. Section B - Aim to secure just balance in the accompanying parts, especially in the second phrase, where the 1st comets may be inclined to treat their moving part as an independent melody rather than part of the 'colour' background. Section C -This is a reprise of the first theme, with a different arrangement. The same comments apply, however. Section D - Here the music becomes more song-like in style, and provides an interesting contrast. The scoring, too, is more varied, and there are a number of points that call for attention. Note that the 1st and 2nd comets and 2nd trombone work as a team throughout; see that the pulsating, syncopated background adds to the movement of the music without giving a jerky effect; the new entries in the fourth and twelfth bars are to be made quite smoothly; and do not allow the texture of the music, especially in the last eight bars of the section, to overshadow the simplicity of the main tune. Section E - Here the first subject appears again. In the arrangement the colour contrasts are quite clear-cut. In order to secure true balance in the fifth and sixth bars, it may be necessary to adjust the amount of tone given by the bass trombone, as this part is not doubled as are the other parts. Section F -This section forms a simple but expressive coda.

    Estimated dispatch 7-14 working days
  • £33.67

    There's no-one like Jesus (Brass Band) African Trad. arr. Andrew Wainwright

    This popular African praise song exists in a staggering number of variations, depending on the country, language, and denominational background of the community singing it. This foot-tapping arrangement for brass band was made by Andrew Wainwright for the 2008 Zambia Territorial Music School of The Salvation Army. To view a video of the ULID BRASS performing the work please visit https://www.youtube.com/watch?v=q_EfH1t7NDY Length: 3.00 minutes PDF download includes score and parts. Sheet music available from www.brassband.co.uk Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb 1st Cornet Bb 2nd Cornet Bb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion 1-2

    In Stock: Estimated dispatch 1-3 working days
  • £33.67

    Sunset (Cornet Solo with Brass Band) David Robb

    Sunset was written in June 2023 as a graduation present for the composer's son Callum and is dedicated to him. It portrays an older father (the composer) reminiscing about the love, respect and pride he has for his grown-up son and all that he has achieved and worked for. Sunset is lyrical and song-like in style. A soaring solo line is accompanied by a mainly homophonic background which should support, but never overpower the soloist. The tutti sections feature the melody accompanied by flowing scalic figures which portray the passing of time. The piece ends with an ad lib cadenza section where the soloist can really put their own mark on the music. To view a video of Dominic Longhurst and Victoria Brass performing the solo please visit www.youtube.com/watch?v=nzYwOvlqaYU PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 4th Section + Length: 4.10 minutes Instrumentation: Cornet Soloist Bb Soprano Cornet Eb Tutti Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Suspended Cymbal Glockenspiel

    In Stock: Estimated dispatch 1-3 working days
  • £55.00

    Masque - Kenneth Hesketh

    Masque has been transcribed for brass band from Hesketh's Scherzo for Orchestra, commissioned by the National Children's Orchestra in 1987. The main theme is bravura and is often present, in the background. The form of the piece is a simple scherzo-trio-scherzo, and has colourful scoring (solos alternating with full bodied tuttis) with a dash of wildness!Brass Band Grade 5: 1st SectionDuration: 6 minutes.

    In Stock: Estimated dispatch 1-3 working days