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£35.00

With a Little Help From My Friends (Brass Band - Score and Parts) - Lennon & McCartney - Baker, Leigh

The Lennon & McCartney hit arranged by Leigh Baker as a Concert Walk on and off Number.
Estimated dispatch 7-14 working days

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£28.95

Bell a'Peal (Brass Band - Score and Parts) - Brien, Terence - Walker, Desmond

Originally for Concert Band, this piece has been arranged for Brass Band by Desmond Walker.
Estimated dispatch 7-14 working days
£28.95

Petershagen Polka (Brass Band - Score and Parts) - Brien, Terence - Siebert, Edrich

This Terence Brien original has been skillfully arranged for Brass Band by Edrich Siebert
Estimated dispatch 7-14 working days
£24.95

Alpentanz (Brass Band - Score and Parts) - Brien, Terence - Brand, Geoffrey

An original composition by Terence Brien arranged for Brass Band by Geoffrey Brand
Estimated dispatch 7-14 working days
£24.95

When the Saints Go Marching In (Brass Band Set) - Siebert, Edrich

This is the first piece ever published by Studio Music. Expertly arranged by Edrich Siebert, this work has stood the test of time. A great standard for any library.
Estimated dispatch 7-14 working days
£54.20

Latino Fire! (Brass Band - Score and Parts) - Smith, Sandy

Sandy Smith has expertly arranged traditional Latin tunes into this firey number!
Estimated dispatch 7-14 working days

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£30.00

Barking Mad - Jock McKenzie

The New Orleans Brass Band sound is now something that is heard and seen throughout the world. Originally repertoire was played to serve civic & church duties and was often spiritual in content mixed with more than a hint of jazz. These days, almost 'anything goes' with music arranged and composed for the idiom. Despite this, many 'staple' musical characteristics prevail - a hint of the blues in melody & harmony and a funky, swinging rhythmic drive for both dancing and marching. Barking Mad uses these ingredients to present a brassy, shackles off, in-yer-face musical number.
£30.00

Joy to the World - George Frideric Handel

"Joy to the World" is a popular Christmas Carol with words by Isaac Watts. As of the late 20th century, "Joy to the World" was the most published Christmas hymn in North America. The words of the hymn are by the English writer Watts are based on Psalm 98, 96:11-12 and Genesis 3: 17-18. The version of this carol usually heard today is from an edition by Lowell Mason and is named "Antioch" and attributed as "arranged by Handel". This tune has the first four notes in common with the chorus "Lift up your heads" from the Messiah and the third line recalls "Comfort ye" from the same work. But this resemblance is often dismissed as a chance resemblance by Handel scholars today. Another theory is its similarity to a tune called "Comfort" and associated with Charles Wesley's hymn "O Joyful Sound", which was written some three years earlier than Lowell Mason's "Antioch" in 1833. This carol has been recorded by many artists such as Andy Williams, The Supremes, Bing Crosby, Ella Fitzgerald, Johnny Cash, Nat King Cole, Perry Como, Vic Damone and Mariah Carey.
£30.00

Jubilee Gigue - Debbie Wiseman

This piece was commissioned to be performed on the Georgian barge as part of the Queen's Diamond Jubilee Pageant. Inspired by the "Gigue" (sometimes referred to as "Country Dance") in Handel's original Water Music, the piece has a rollicking, upbeat feel and is now newly arranged for brass band. The story that inspired the piece is of a pirate ship attacking the flotilla. The pirates are then confronted by the courageous defenders of the flotilla who are, of course triumphant in the end. The piece concludes with a final defiant statement of the heroic theme, and the pirates are gone forever.
£30.00

Leviathan - Paul Denegri

Leviathan began its evolution as a workshop work inspired by the poem written by Heathcote Williams entitled; Whale Nation. At the time of this workshop the tentet brass repertoire existed of extremely well written original or arranged works of a lighter nature but there was a shortage of works with a greater emotional depth and edge, hence Leviathan's early conception as an atmospheric and emotive work. The workshop piece explored whale sound and song and was a 25-minute work in two parts. After many years of the workshop sketches sitting dormant the new work Leviathan is a much shorter and concise work. It contains only one of the original melodic themes of the workshop work. Leviathan is driven and underpinned by melodic and rhythmic elements. It is a programmed work following the awe inspiring majestic might and beauty of whales through to a hunt scene, the chase and the ultimate demise of earth's largest mammal.