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  • £49.95

    The Essential Joseph (Score and Parts) - Andrew Lloyd Webber arr. Ray Steadman-Allen

    Medley of hits from Joseph and the Amazing Technicolor Dreamcoat expertly arranged for brass band by Ray Steadman-Allen.

    Estimated dispatch 7-9 working days
  • £39.95

    Love Changes Everything (Score and Parts) - Andrew Lloyd Webber arr. Stephen Bulla

    A massive chart hit for Michael Ball, this is the best-known song from Aspects of Love and is expertly arranged for brass band by Stephen Bulla.

    Estimated dispatch 7-9 working days
  • £39.95

    Zurich March - Elgar Howarth

    Traditional Swiss march arranged by a master!

    Estimated dispatch 7-9 working days
  • £39.95

    Agincourt Song (Score and Parts) - Elgar Howarth trans. Ray Farr

    This famous 15th-century song commemorating the English victory at the battle of Agincourt in 1415 has been adapted and arranged by many composers over the years, notably William Walton in his music for the film Henry V and by Ralph Vaughan Williams in his overture for brass band Henry the Fifth. Elgar Howarth originally made this stirring arrangement for 10-piece orchestral brass, and Ray Farr's transcription for British-style brass band employs antiphonal groups to magnificent effect.

    Estimated dispatch 7-9 working days
  • £39.95

    InTears of Grief (Score and Parts) - J.S. Bach arr. Eric Ball

    Well-known chorale from St Matthew Passion arranged by a master. Duration: 6:30

    Estimated dispatch 7-9 working days
  • £39.95

    Softly Sounds The Little Bell (Score and Parts) - Eric Ball

    Russian folk melody arranged by the celebrated arranger of his day.

    Estimated dispatch 7-9 working days
  • £39.95

    Two Bach Chorales (Score and Parts) - J.S. Bach arr. Eric Ball

    Two chorales from St Matthew Passion arranged by the celebrated arranger of his day: Was Mein Gott will and Wer bat dich so. Duration: 6:00

    Estimated dispatch 7-9 working days
  • £39.95

    Two Operatic Encores (Score and Parts) - Bram Gay

    Two encores in one publication! Donizetti's 'Una Furtiva Lacrima' ('A Secret Tear') is arranged as a trombone or euphonium solo while Puccini's 'Signore ascolto' - Liu's Aria from his final opera Turandot - provides cornet soloists with a delicate showpiece.

    Estimated dispatch 7-9 working days
  • £39.95

    Witchita LIneman (Score and Parts) - Jim Webb arr. Ray Woodfield

    A Jim Webb classic expertly arranged for brass band.

    Estimated dispatch 7-9 working days
  • £74.95

    Adam Zero, Suite from (Brass Band - Score and Parts)

    Selected as the Section 2 test piece for the National Brass Band Championships of Great Britain 2025Following his ballet Checkmate, Bliss composed another score for the, by then, Sadler's Wells Ballet, Miracle in the Gorbals, which was choreographed by Robert Helpmann, to a scenario by Michael Benthall. Premired in 1944, the ballet made a considerable impact and was a box-office success. It was followed in turn by a further collaboration with Helpmann and Benthall, Adam Zero. This would serve Helpmann, in the eponymous role, as a vehicle in two respects: demonstrating his gifts as a dancer-actor and as a choreographer. First performed at the Royal Opera House, Covent Garden, on 8 April 1946, Adam Zero was conducted by Constant Lambert, the work's dedicatee. Bliss considered it 'his most varied and exciting ballet score'. Benthall provided a synopsis for the programme:There is a philosophy that life moves in an endless series of timeless cycles. As Nature passes through Spring, Summer, Autumn and Winter, so man is born, makes a success in his own particular sphere, loses his position to a younger generation, sees his world crumble before his eyes and only finds peace in death. This age-old story is told in terms of a Company creating a ballet and calling on the resources of the theatre to do so. Lighting, stage mechanism, dance conventions, musical forms and costumes and scenery of all periods are used to symbolize the world of 'Adam Zero'.Apart from Adam, as the Principal Dancer, other main roles included the Stage Director (representing Omnipotence), and Adam's Fates (Designer, Wardrobe Mistress, and Dresser). 'The Woman in this allegory', wrote Bliss, 'under the symbol of the Choreographer, was both the creator and destroyer of Adam: his first love, his wife, his mistress, and finally the figure of beneficent Death.' When the curtain rose, the 'audience saw the Covent Garden stage right back to the wall, completely empty except for the protagonists, 'the Company poised, still and expectant, as they await the birth of... Adam Zero.'Unfortunately, soon after the premire, Helpmann injured himself and had to withdraw from the remaining performances. Despite generally positive reviews, the ballet did not capture the imagination of audiences and, to Bliss's considerable disappointment, was not revived. Seventy years would elapse before its first major return to the stage, in 2016, performed by the ballet company of Stadttheater Bremerhaven with choreography by Sergei Vanaev.Bliss extracted a concert suite from the ballet, conducting its first performance with the City of Birmingham Symphony Orchestra on 28 October 1948. For his own suite, arranged for brass band in 2023, Dr Robert Childs chose three dances linked to the seasons, book-ending them with the ebullient 'Fanfare Overture' and 'Fanfare Coda'. After Adam has grown to manhood, his Fates clothe him in a costume synonymous with confident youth, appropriate for the virile, ardent 'Dance of Spring'. In the 'Approach of Autumn', Adam, now wearing a sombre costume, has grown older: his Fates have streaked grey in his hair and put lines on his face. But they had earlier raised Adam to the zenith of his power, and the 'Dance of Summer' depicts him in the prime of life, in music of sweeping grandeur. The 'Fanfare Coda' signals that the next cycle of life is about to begin.Duration: 10.30

    Estimated dispatch 7-14 working days