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  • £40.00 £40.00
    Buy from PHM Publishing

    FRANK BRIDGE - THE COMPLETE WORKS (print)

    FRANK BRIDGE - THE COMPLETE WORKS Portraits of English composer in his time, with full Thematic Catalog of Works (1900 - 1941), compiled and edited by Paul Hindmarsh Revised edition published in 2016 by PHM Publishing ? 2016 by Paul Hindmarsh 272pp, A4, Print version (? 40.00) available by pre-paid order via www.paulhindmarsh.com PHMB001print FRANK BRIDGE - THE COMPLETE WORKS is a major revision and update of my life and work of this English composer originally published by Faber Music in 1983. Frank Bridge - A Thematic Catalog charted the composer's intriguing creative journey from 1900, the year of his first surviving compositions were 61 in 1941. Much has changed with regard to Bridge research since 1983. His life and work has been the subject of many post-graduate research projects. All his major works have been recorded and are more widely performed. Bridge's music has been in the public domain since 2011. April 13, 2016, when the manuscript of Phantasie in F minor for string quartet (H.55) was discovered in the archive of theWorshipful Company of Musicians. After half a lifetime of writing about Bridge's life and work for journals, program previews and registration notes, I have a lot of writing and an extensive selection of correspondence by Bridge and his friends and some significant 'period' articles and images to create, I hope, a more complete picture of Frank Bridge inthe context of his time. I have also included full details of commercial recordings or each work (up to January 2016) within the chronological sequence. Paul Hindmarsh, April 2016 Contents Time line PART 1 Bridge in his time 1 Biographical sketch - Seeds of Discontent Paul Hindmarsh 2 The Good Old Days Ivor James (1941) 3 Memories of a unique friendship Daphne Oliver (1979) 4 Modern British Composers I: Frank Bridge Edwin Evans (1919) 5 An Interview with Frank Bridge P.J. Nolan (1923) 6 Frank Bridge Herbert Howells (1941) PART 2 The Complete Works 1 Introduction 2 Sources 3 Thematic Catalog of Works 1900-41 4 Classifieds Index of Works 5 Bibliography Jessica Chan and Paul Hindmarsh Index of titles and first lines General index

  • £35.00 £35.00
    Buy from Superbrass

    We Three Gypsy Kings

    Duration: 4:00 Minutes Percussion: 4 PlayersTimpani, Drum Kit, Tambourine, Bongos and XylophoneAll Rights ReservedProgramme NotesThis is a true storyI had a dream…..The three wise men were looking for the baby Jesus to give him their gifts. This was done somewhat in the manner of the scene of Monty Python’s ‘Life of Brian’. The search was not successful – Sir Alan Sugar (‘The 'Apprentice’) made an appearance ordering the three wise men to “get off my land”. Meanwhile, the baby Jesus slept peacefully on, unaware of the nearby disturbance. Bizarrely, this dream sequence was played out at high speed, as in the closing scene from each episode of ‘The Benny Hill Show’ of the 1970s.My arrangement attempts to portray this comical caper.Jock McKenzieJock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. Since 1987 Jock has based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Currently Jock holds the position of Professional Leader (Brass) for Hampshire Music Service and is the Director of the Hampshire County Youth Band. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music.Duration: 4:00 Minutes Percussion: 4 PlayersTimpani, Drum Kit, Tambourine, Bongos and Xylophone All Rights Reserved Programme NotesThis is a true storyI had a dream…..The three wise men were looking for the baby Jesus to give him their gifts. This was done somewhat in the manner of the scene of Monty Python’s ‘Life of Brian’. The search was not successful – Sir Alan Sugar (‘The 'Apprentice’) made an appearance ordering the three wise men to “get off my land”. Meanwhile, the baby Jesus slept peacefully on, unaware of the nearby disturbance. Bizarrely, this dream sequence was played out at high speed, as in the closing scene from each episode of ‘The Benny Hill Show’ of the 1970s.My arrangement attempts to portray this comical caper. Jock McKenzieJock McKenzie studied trumpet at the Royal Northern College of Music, Manchester where he was a joint recipient of the college’s concerto prize. Since 1987 Jock has based his musical career in Hampshire, working as a freelance trumpeter, conductor, composer, arranger and brass teacher. Currently Jock holds the position of Professional Leader (Brass) for Hampshire Music Service and is the Director of the Hampshire County Youth Band. It is the mix of all of these musical roles that has led to Jock establishing a reputation as a leading creator of brass music resources, particularly in the field of education and brass ensemble music.

  • £25.00

    Cantus (on E.D.) - Peter Meechan

    From Leanne Stamp:"As musicians,I think we really identify ourselves and our existence on being musicians. And we collect these teachings and bondsalong our path. But whendoes it happen? When does that moment happen that someone becomes an integral part of the fabric that makes you who you are? Or when can you pinpointthe momentthat you realize that a person was essential in your path? I don’t think we know. And all too many times it isn’t until someone is gone that we truly reflect and try to figure it out.When Ed De'Ath joined our band (Las Vegas Brass Band) he hadn’t played in over 20 years. He heard the brass band and decided he wanted to go back to playing, and within a few weeks became a member of LVBB.He had grown up playing in Canada, where his father was a brass musician too, and Ed was quite an accomplished young euphonium player competing in competitions and playing in Salvation Army bands.But life happened and it lead him away from playing.Even though I was in LVBB a few years before Edjoined, he quickly became an essential part of what makes that group a family. I spent the better part of a decade playing in the same section as him and then about 5 years sitting next to him on either side.Ed always took a sincere interest in myplaying. Praising the good and giving constructive criticism for improvement. For about two years almost every otherSaturdaywasspent playing duets at his house.I left to study at the RNCM in Manchester, UK, before returning to Las Vegas.My first rehearsal back from the RNCM Ed looked at me said, “here you go kiddo, you’ve earned this solo seat”.There was no ego. Only the wish for me to reach my potential. It was always so apparent with Ed the love he shared for the younger musicians and his desire for them to succeed.Ed lit up the room with his enthusiasm and love for music – he just truly loved being there. That special quality that makes a band a family...he knew and treasured that.And although Ed wasn’t my teacher per say, he was an integral part of my fabric.The way Ed left was sudden. He had been fighting bladder cancer in and off for quite a while but things were looking up. Tests were clear. And then a very aggressive pancreatic cancer stole him very quickly, almost without warning.And I will never forget how I felt getting that call. We decided to have rehearsal that night. And for one reason. Because Ed would’ve wanted us to.I will always be grateful to Ed. Grateful that I got tolearn things from him, receive advice, enjoy his company, and feel his love – part of him is with me whenever I play."

    Estimated delivery 12-14 days
  • £64.95

    Sleepless Cities - Paul Lovatt-Cooper - -

    I have been very fortunate in my life to have visited many wonderful countries and places around the world as a musician, whether it is as a composer, performer, conductor or soloist. From my experiences I wanted to compose a piece of music that showcases cities that never stop and have a constant hubbub of energy.The ‘Sleepless Cities' that have influenced the basis of this work are New York, London, Sydney, Tokyo, Istanbul, Amsterdam, Zurich, Cairo and Dubai. However, when composing this piece I decided it would be impossible to assign a particular musical theme that sums up each city, as they all have such a rich and diverse cultural establishment.Therefore I opted not to compose this piece in separate movements to identify each city. Instead, I composed a piece where each city blends into one another, almost as if you were taking a speedy cab ride through each bustling metropolis without a break and without the constraints of time or distance. With each metaphoric turn round a street corner you arrive in a different city and before the listener can get used to the surroundings the cab turns again into another conurbation.Sleepless Cities is composed using melodic lines that follow in the traditional western classical style. However, as some of these places are so culturally diverse, you will also hear other cultural musical influences; for example the opening uses elements of an Indian Raga and the euphonium cadenza at bar 126 is based on the Middle Eastern Islamic call to prayer. You will also hear examples of gamelan music and the use of consecutive 4th and 5th intervals including the pentatonic scale which is a trade mark of Chinese, Japanese and Indonesian traditional music. There are also a number of occasions where both the western and eastern musical styles amalgamate highlighting the natural harmony that the differing genres share in one place.Paul Lovatt-Cooper 2009

    Estimated delivery 3-5 days
  • £60.00

    Origins - Peter Meechan

    Origins is in three movements, with each movement having a different subject matter, all linked by the idea of origins: the first movement refers to musical origins; the second to the origins of life; and the final movement to the space exploration - the research of all origins. The first movement is based on a short motif, heard in the first three notes the soloist plays. These three notes cover the interval of a minor third (an interval that often plays a crucial role in my music) on which the whole concerto is built. The soloist and accompaniment interplay freely throughout the opening section, before an ostinato accompaniment appears - over which the soloist sounds a long legato melody. A short cadenza follows and a return to the opening material leads the movement to an end. The second movement, titled Harry's Song, is - as tradition dictates - a slow movement. Happy and reflective in nature, the main melody was written on the evening that my closest friend, Mark Bousie (a fine euphoniumist himself), and his wife Jayne, had their first child - Harry Bousie. It seemed only fitting that this song should be written for Harry in celebration. The final movement brings me back to a lifelong fascination with space, and in this particular movement, the Space Shuttle Discovery. Having completed 39 missions (including flying the Hubble telescope in to orbit), and spent a total of 365 days in space, SS Discovery made its final voyage in 2011 and was taken to the Smithsonian in Washington D.C. in April 2012. This final movement, titled Discovery, pays tribute to the great shuttle whose missions inspired millions across the generations. Origins was commissioned by Marco Schneider, Adrian Schneider and the Dunshan Symphonic Wind Orchestra, Beijing, China.

    Estimated delivery 12-14 days
  • £29.95

    A Little Prayer - Evelyn Glennie - Robert Childs

    Originally composed for solo marimba, this popular version of A Little Prayer was made in 1998 following Evelyn Glennie's collaboration with Black Dyke Band during the recording of their Grammy nominated Reflected in Brass CD. Robert Childs, then principal euphonium with Black Dyke, requested Evelyn's permission to make the arrangement for his son, David. The composer obliged, and Robert presented the score and parts to his son as a seventeenth birthday present.Evelyn Glennie revealed: "When I wrote this chorale for marimba, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life."Having composed the work when she was only 13, Evelyn continued: "As a child I would never have believed that such a short and simple piece of music, would come to grow this much. A little Prayerserves to prove that one should always bet their chips on what they believe in, for nine out of ten it will be worth it!"After twenty years of exclusivity, Prima Vista Musikk is proud to make this beautiful arrangement available to all. A Little Prayer provides the perfect reflective interlude for concert or devotional use by euphonium soloists and bands of all abilities.

    Estimated delivery 3-5 days
  • £34.95

    Three Burns Portraits - Rodney Newton - -

    Robert Burns (1759-1796) was one of the most colourful literary figures of the 18th Century. The son of a tenant farmer, he was born in Ayrshire, Scotland, and earned a living variously as a farmer, flax dresser and exercise man, gradually establishing himself as a poet, lyricist and collector of folksongs. A charismatic character, by the time of his death he had become Scotland's best known and best-loved poet. This work depicts three characters from his personal life who also figure in his poetry. Although Burns intended much of his verse to be sung, and even wrote tunes himself for many of his lyrics, all the melodies in this work are original.I John AndersonJohn Anderson (1759-1832) was an Ayrshire carpenter and close friend to Robert Burns, who immortalised Anderson in his affectionate poem John Anderson Ma Jo, which imagines both men in old age (although Burns was only 37 when he died). Anderson is reputed to have made Robert Burns' coffin and survived the wrecking of the paddle steamer Cornet at Craignish Point near Oban during a storm in 1820, an event incorporated into this movement. This is a picture of a tough, resilient Scot who meets the storms of Life head-on.II Mary CampbellRobert Burns had numerous love affairs, sometimes with more than one woman at a time. Mary Campbell, a sailor's daughter from the highland district of Dunoon, had entered service with a family in Ayrshire when she met Burns. Although involved with another woman at the time, Burns was smitten with Campbell and there is evidence to suggest that he planned to emigrate to Jamaica with Mary. However, nothing came of this wild scheme and Mary, fearing disgrace and scandal left the area but not before Burns had enshrined her in at least two poems, Highland Mary and To Mary Campbell. Significantly, the first line of the latter runs, "Will ye go to the Indies, my Mary, and leave auld Scotia's Shore?" (His ardent pleading can be heard in the middle section of the movement). Mary's music paints a portrait of a graceful young lady who had the presence of mind not to be entirely won over by the charms of Robert Burns.III Douglas GrahamBurns was a heavy drinker, and this is most likely a contribution to his early death. He was matched in this capacity by his friend, Douglas ‘Tam' Graham, a farmer who sought solace in the bottle from an unhappy marriage. Burns used his drinking partner as a model for the comic poem, Tam O'Shanter, which tells of a drunken Ayrshire farmer who encounters a Witches' Sabbath and escapes with his life, but at the cost of his horse tail. The story was said to be made up by Graham himself to placate his fearsome, but very superstitious, wife after he arrived home one night, worse the wear for drink and with his old mare's tail cropped by some village prankster. This present piece depicts Tam enjoying a riotous night at a local hostilely in the company of his friends, John Anderson and ‘Rabbie' Burns.Rodney Newton - 2013

    Estimated delivery 3-5 days
  • £33.95

    A Little Prayer (Score and Parts) - Evelyn Glennie

    Composer Evelyn Glennie writes... "When I wrote the chorale for marimba, A Little Prayer, it expressed my spiritual feelings and displayed a pleasantly relaxed dimension of the instrument. Over the years my exposure to brass bands has filled me with wonder; their musical diversity is considerable. From performing a simple melody to the most complex of test-pieces, they bring brilliance to the music. I had no hesitation in giving A Little Prayer to Robert Childs to bring this little melody to life through brass." A perfect reflective interlude for concert or devotional use by bands of all abilities. This is the only version of this arrangement available for sale to the public.

    Estimated delivery 7-10 days
  • £49.95

    VOYAGE TO WORLDS UNKNOWN - Peter Graham

    Additional Score: 24.95 On March 17 1923 my grandfather, John Graham, set sail from Glasgow Scotland on the TSS Cameronia, ultimately bound for the coal fields of West Virginia. As Europe struggled to recover from the aftermath of the war to end all wars a generation of young immigrants looked to the USA for the opportunity of improved prospects and a better life. Voyage to Worlds Unknown seeks to capture the mixture of emotions of this epic sea voyage and as such is unashamedly programmatic in character. The work follows a clearly defined timeline in five continuous sections:

    In stock: Estimated delivery 1-2 days

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