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  • £25.00

    Air from the Suite in D - J. S. Bach arr. Phillip Littlemore

    Johann Sebastian Bach's Suite No. 3 in D, from a set of four such suites, was recreated from a set of autographed parts from around the 1730s, as no score has survived. The music is believed to date from some years prior to that and is possibly derived from an even earlier work than that.The Air, perhaps the most famous movement from all the Suites, has been arranged as a tenor horn feature, although there is no part for cornets, bass trombone, euphoniums or percussion in this transcription.Duration: c. 3 minutesDifficulty: Suitable for all

    Estimated dispatch 5-7 working days
  • £30.00

    Anvil Chorus from Il Trovatore - Giuseppe Verdi arr. Phillip Littlemore

    The Anvil Chorus from Verdi's opera Il Trovatore is from Act II. The original Italian is 'Coro di zingari' (Gypsy chorus), and it depicts the Gypsy men striking their anvils (hence the English name) and singing the praises of hard work, good wine and their women!Duration: c.4'30"Difficulty: 3rd Section and above

    Estimated dispatch 5-7 working days
  • £35.00

    Bolero - Maurice Ravel arr. Phillip Littlemore

    Ravel's one-movement orchestral piece Bolero was written in 1928. It epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement. The original version has a duration of between 15 and 18 minutes, depending on the tempo set by the conductor. This brass band arrangement is significantly shorter, lasting a mere 4 minutes or so. There is also an 'extra' ending, similar to that used in the musical sensation Blast! which almost guarantees additional applause at a concert!Duration: c.4'30"Dofficulty: 3rd Section and above

    Estimated dispatch 5-7 working days
  • £35.00

    By The Beautiful Blue Danube - Johann Strauss II arr. Phillip Littlemore

    The Blue Danube or, to be more precise, By The Beautiful Blue Danube was composed by Johann Strauss II in 1866. It has remained one of the most consistently popular pieces of music in the classical repertoire although its initial performance was considered only a mild success. Duration: c. 8'00" (5'30" without repeats)Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    Humming Chorus - Giacomo Puccini arr. Phillip Littlemore

    In Puccini's opera, Madam Butterfly, the Coro a bocca chiusa (Humming Chorus) is performed by an off-stage chorus which hums a wordless, melancholy tune, whilst Butterfly, her maid Suzuki, and her child begin the long wait for husband Pinkerton to return after many years away. As night falls, Suzuki and the child are soon asleep, but Butterfly keeps her vigil. This arrangement features four flugel horns, each of which plays into the bell of a bass whilst the bass player moves the valves - creating a unique humming sound.Puccini actually wrote five versions of the opera, Madam Butterfly. After a disastrous premiere in early 1904, Puccini withdrew the opera and substantially rewrote it creating a very successful second version. However, he continued to tinker with the orchestration, not being satisfied until the fifth, and now standard, version dating from 1907.Duration: c.2'40"Difficulty: suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    Jerusalem - C. Hubert H. Parry arr. Phillip Littlemore

    Sir Hubert Parry wrote the music to the hymn Jerusalem in 1916, during the gloom of World War I. It uses William Blake's poem And Did Those Feet In Ancient Times which itself was written around 1804, and first published in 1808.Parry's hymn was originally written for the 'Fight for Right' movement, formed to sustain the resolve of Britain during the Great War. The hymn received its premiere on the 28th March 1916 in the Queen's Hall, London at a 'Fight for Right' meeting. In 1917, Parry conducted it for the ladies of the Albert Hall choir as part of a call in favour of National Service for Women. This signalled a closer relationship with the women's suffrage movement which Parry and his wife, Maude, supported. A year later, Jerusalem was sung at a suffrage demonstration concert and was adopted by the Women's' Institute as their anthem in 1924.There are regular calls for the hymn to be adopted as the official National Anthem of England, but this is not new. The first such call can be traced back to the centenary of Blake's death in 1927 and the call continues undimmed to this present day. This brass band arrangement is based on Parry's original orchestration from 1916.Duration: 2'20"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    Nimrod - Edward Elgar arr. Phillip Littlemore

    Elgar wrote his Enigma Variations between 1898 and 1899. It is without a doubt Elgar's best-known large scale composition, and is dedicated to 'my friends within', as each variation is an affectionate portrayal of one of his circle of close acquaintances. The ninth variation, Nimrod, is dedicated to Augustus J. Jaeger, Elgar's publisher at Novello & Co. and also his editor and close friend.The name of the variation refers to 'the mighty hunter before the Lord' and can be found in the Book of Genesis. The name Jager is German for hunter. Often used for solemn occasions, it is the most poignant and beautiful pieces of British music.A video of this arrangement can be found here: NimrodDuration: c.3'00"Dofficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    Os Justi - Anton Bruckner arr. Phillip Littlemore

    Bruckner's four-part setting Os Justi was completed in 1879, the same year that he began work on the sixth symphony. He created an extraordinary motet in the Lydian mode, which achieves striking harmonic effects without using either a sharp or a flat. It concludes with a plainchant Alleluia.Duration: c.3'40"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £30.00

    Pavane - Gabriel FaurA(c) arr. Phillip Littlemore

    It is believed that Gabriel Faure wrote his Pavane as a piano piece in 1887, describing it as 'elegant, but not otherwise important'. He began work on the orchestral version a few months later, and scored it for modest forces, with the intention of performing it at a series of light Summer concerts that same year. At the behest of his benefactor, Elisabeth Greffulhe, he added a four-part choir, but it is rarely heard with the chorus these days. From the outset, the Pavane enjoyed great popularity. The music flows delicately and gracefully. A pulse beats gently and constantly beneath the arching melody lines, with elegant harmonic shifts and turns before the briefest of dramatic episodes. Calm is restored and the work draws to a tranquil conclusion.Duration: 5'30"Difficulty: Suitable for all grades

    Estimated dispatch 5-7 working days
  • £35.00

    William Tell Overture - Finale

    The overture to Rossini's opera William Tell is a fairly large scale work in four sections and lasting some twelve minutes. However, it is the Finale of the overture which is one of the most iconic pieces of music. This March of the Swiss Soldiers is a dynamic cavalry charge and galop often used in popular media to denote galloping horses, a race, or a hero riding to the rescue. Its most famous use in that respect is as the theme music for the radio and TV show The Lone Ranger! It was also used to great comic effect by Spike Jones and his City Slickers and it also finds it's way into the first movement of Shostakovich's 15th Symphony.Duration: c.3'20"Difficulty: 2md Section and above

    Estimated dispatch 5-7 working days