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£44.95Masquerade (Score Only)
The first performance took place on the 4th. September 1993 at the Free Trade Hall in Manchester during the British Open Brass Band Championships.Note by Philip Wilby:Masquerade is a centenary tribute to Verdi's last opera Falstaff and takes its final scene as the basis for my own piece. Thus I have used some of Verdi's music, and some of Shalespeare's plot, and woven them into a fabric with highly demanding music of my own to produce a work in the great tradition of operatically-based brass band pieces. Such scores date from the very beginnings of band repertory and are often not direct arrangements in the established sense but new compositions produced in homage to a past master. They may still offer performers and audience alike something familiar interwoven with something new. My own piece reuses some elements from the original story: . .Falstaff has been caught in a web of his own lies by the ladies of the town, who propose to teach him a lesson. The story opens at night in Windsor Great Park. The plotters, variously disguised in Hallowe'en fashion (as fairies,elves hobgoblins etc!) assemble in the park to await Falstaff's arrival (musicologists will, perhaps, note a rare use of 'large bottle in F' being used during this scene of suppressed alcoholic revelry!). Falstaff's companions, Bardolph,Piston and Robin, enter (represented here by the three trombones!), and are variously abused by the masqueraders. At the height of the Tout an alarm sounds and Falstaff (euphonium cadenza) enters as Midnight strikes. From a safe hiding place he watches as the disguised Nanetta (principal comet) sings a serene solo as the moon appcars above the trees. With sudden force the others seize him and drag him from his hiding place. As in the traditional game 'Blind Man's Buff', he is roughly turned seven times (a sequence of solo accelerandi) until, at last, he recognizes his assailants as his sometime friends. Far from complaining, Verdi's character concludes the opera with a good-humoured fugue on the words.... 'All the World's a Joke... Every mortal laughs at the others, But he laughs best who has the final laugh. Philip Wilby.
Estimated dispatch 7-14 working days
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£17.50The Mansions of Glory (Score Only)
"A young, talented and tender-hearted actress was passing along the street of a large city. Seeing a pale, sick girl lying upon a couch just within the half-open door of a beautiful dwelling, she entered, with the thought that by her vivacity and pleasant conversation she might cheer the young invalid. The sick girl was a devoted Christian, and her words, her patience, her submission and heaven-lit countenance so demonstrated the spirit of her religion that the actress was led to give some earnest thought to the claims of Christianity, and was thoroughly converted and became a true follower of Christ. She told her father, the leader of a theatre troupe, of her conversion and of her desire to abandon the stage, stating that she could not live a consistent Christian life and follow the life of an actress. Her father was astonished beyond measure and told his daughter that their living would be lost to them and their business ruined if she persisted in her resolution.Loving her father dearly, she was shaken somewhat in her purpose and partially consented to fill the published engagement to be met in a few days. She was the star of the troupe, and a general favourite. Every preparation was made for the play in which she was to appear. The evening came and the father rejoiced that he had won back his daughter and that their living was not to be lost. The hour arrived; a large audience had assembled. The curtain rose and the young actress stepped forward firmly, amid the applause of the multitude. But an unwonted light beamed from her beautiful face. Amid the breathless silence of the audience, she repeated: 'My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.' This was all. Through Christ she had conquered and, leaving the audience in tears, she retired from the stage, never to appear upon it again. Through her influence her father was converted, and through their united evangelistic labours many were led to God." 1. My Jesus, I love thee, I know thou art mine,For thee all the pleasures of sin I resign;My gracious Redeemer, my Saviour art thou,If ever I loved thee, my Jesus, 'tis now.2. I love thee because thou hast first lovd me,And purchased my pardon on Calvary's tree;I love thee for wearing the thorns on thy brow,If ever I loved thee, my Jesus, 'tis now.3. I will love thee in life, I will love thee in death, And praise thee as long as thou lendest me breath; And say, when the death-dew lies cold on my brow; If ever I loved thee, my Jesus, 'tis now.4. In mansions of Glory and endless delight,I'll ever adore thee and dwell in thy sight; I'll sing with the glittering crown on my brow: If ever I loved thee, my Jesus, 'tis now. William Ralph Featherstone
Estimated dispatch 7-14 working days
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£35.00The Witch of the Westmerlands (Score and Parts)
Arranged for the Leyland Band's 2010 Brass in Concert programme. This is a sumptuous, lyrical setting of Scottish folk singer-songwriter Archie Fischer's originally up-beat song, with solos for baritone and cornet. The words tell the story of an ancient knight wounded in battle and dying on the battlefield who is healed by a mysterious old lady appearing from across the moors and swiftly vanishing again.The original version was sung by, amongst others, Barbara Dickson who has said she is a big fan of Philip's sensitive arrangement.
Estimated dispatch 7-14 working days
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£19.95Abide with Me (Brass Band - Score and Parts)
A free treatment of Henry Francis Lytes world-beloved hymn which was written in 1847 at Brixham, Devon, where the author was vicar. As he watched the sunset one evening the words of the hymn, in which he compares life to a single day, came to him. Dogged by persistent ill health, Dr Lye died in the autumn of the same year.
Estimated dispatch 7-14 working days
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£35.00
Climb Ev'ry Mountain from Sound of Music - Rodgers & Hammerstein - Harper, P
Hit from The Sound of Music, features for solo horn, euphonium (or vocal line - words included) and optionally soprano cornet with 'McArthur Park' style end. Starts quietly with a single voice (horn) and grows in power throughout.3rd section +Duration 4 minsListen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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£38.00
Finale from Symphony No. 2 (The Resurrection) - Mahler, G - Harper, P
One of the most life-affirming pieces of music ever composed, Mahler's 2nd Symphony, subtitled 'The Resurrection', was first performed in Berlin in 1895. Mahler's interest in the mysteries of the afterlife is well-known and is a recurring theme throughout all his nine symphonies. Philip Harper has arranged the final passages of the 2nd Symphony, which begins with a profound hymn set to the words of Friedrich Klopstock-- 'Rise again, yea, thou shalt rise again'.The music contains one of Mahler's magical transitionary passages, building in intensity, before the hymn is restated in all its majesty at the moment of glorious resurrection. This arrangement was performed as the finale to Cory Band's winning Brass in Concert programme in 2012.Listen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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£35.00
The Witch of the Westmerlands - Harper, P
Arranged for the Leyland Band's 2010 Brass in Concert programme. This is a sumptuous, lyrical setting of Scottish folk singer-songwriter Archie Fischer's originally up-beat song, with solos for baritone and cornet. The words tell the story of an ancient knight wounded in battle and dying on the battlefield who is healed by a mysterious old lady appearing from across the moors and swiftly vanishing again.The original version was sung by, amongst others, Barbara Dickson who has said she is a big fan of Philip's sensitive arrangement.Listen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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