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The Crown of Roses - Tchaikovsky - Len Jenkins
Tchaikovsky wrote this in his 'Songs for Young People' in Moscow in 1883 to words by Pletchtcheev. The story it tells is about Jesus Christ when he was a young child, having a small wild garden in which roses grew. Passing children saw the roses and plucking them mockingly asked if he wove rose garlands in his hair. Christ says to take the roses, but to leave the thorns. Instead, they make a crown of these and forced it onto his head so that it bleeds, symbolic of what was going to happen later in his lifetime. The melody contains all the passion that we associate with Russian church music and is equally suitable for a contemplative Christmas or Passiontide. This arrangement is faithful to the four verses of the original lyrics, but with an optional ending half-way if preferred.
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Off Duty - John Dankworth - Len Jenkins
The late John Dankworth (1927-2010) made a string of recordings in the 1960s that have since come to be regarded as some of the finest British jazz of their time. Amongst these is his composition 'Off Duty' which was recorded in the 1960s when the influence of pop and rock on jazz was at its height and instruments such as the bass guitar were beginning to be incorporated into jazz's vocabulary. At this time and almost subconsciously, a Dankworth 'pop' style also evolved. This was a balanced marriage between jazz and pop which is here demonstrated in 'Off Duty' thanks to the ingenious and original orchestration by John Dankworth, and the faithful arrangement for Brass Band by one of his fans, Len Jenkins. The title is interesting as John loved to play with words. 'Off Duty' could mean relaxing away from work, but could also carry the implication of something not attracting taxation.... a sort of 'duty-free'. About the same time, the Dave Brubeck Quartet produced the seminal 'Take Five'... so could this be John's take on that title, suggesting a short break? Which meaning fits best for you? The piece would best suit the capabilities of a brass band playing at the standard of Third Section or above.
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£39.95The Irish Blessing (Score and Parts) - Joyce Eilers Bacak arr. Stephen Bradnum
The Irish Blessing is a celtic gem - the words of the traditional benediction aptly portrayed in music which is both affirming and uplifting. This finely crafted and sensitively scored arrangement provides an excellent training vehicle for bands of all ages, helping to develop dynamic range; integrate solo and tutti, and at the same time enteraining an audience! Perfect for devotional or concert use. The Irish Blessing May the road rise up to meet you. May the wind be always at your back. May the sunshine warm up on your face, The rains fall soft upon your elds. And until we meet again, And until we meet again. May the God that loves us all Hold you in the palm of his hand. Amen, Amen, Amen. Duration: 3 minutes
Estimated dispatch 7-9 working days
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£42.00Unholy Sonnets (Score only) - Philip Wilby
Pieces for voice and brass band are rare, so Unholy Sonnets, with provocative words by Mark Jarman, occupies an unusual place in the repertory. The four movements are: 'Time to admit my altar is a desk', 'Two forces rule the Universe', 'There was a pious man', and 'If God survives us, will His kingdom come?' Also available with piano.
Estimated dispatch 7-9 working days
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£52.00Unholy Sonnets (Parts only) - Philip WIlby
Pieces for voice and brass band are rare, so Unholy Sonnets, with provocative words by Mark Jarman, occupies an unusual place in the repertory. The four movements are: 'Time to admit my altar is a desk', 'Two forces rule the Universe', 'There was a pious man', and 'If God survives us, will His kingdom come?' Also available with piano.
Estimated dispatch 7-9 working days
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£14.95Unholy Sonnets - Philip WIlby
Pieces for voice and brass band are rare, so Unholy Sonnets, with provocative words by Mark Jarman, occupies an unusual place in the repertory. The four movements are: 'Time to admit my altar is a desk', 'Two forces rule the Universe', 'There was a pious man', and 'If God survives us, will His kingdom come?'
Estimated dispatch 7-9 working days
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£35.00
Climb Ev'ry Mountain from Sound of Music - Rodgers & Hammerstein - Harper, P
Hit from The Sound of Music, features for solo horn, euphonium (or vocal line - words included) and optionally soprano cornet with 'McArthur Park' style end. Starts quietly with a single voice (horn) and grows in power throughout.3rd section +Duration 4 minsListen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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£38.00
Finale from Symphony No. 2 (The Resurrection) - Mahler, G - Harper, P
One of the most life-affirming pieces of music ever composed, Mahler's 2nd Symphony, subtitled 'The Resurrection', was first performed in Berlin in 1895. Mahler's interest in the mysteries of the afterlife is well-known and is a recurring theme throughout all his nine symphonies. Philip Harper has arranged the final passages of the 2nd Symphony, which begins with a profound hymn set to the words of Friedrich Klopstock-- 'Rise again, yea, thou shalt rise again'.The music contains one of Mahler's magical transitionary passages, building in intensity, before the hymn is restated in all its majesty at the moment of glorious resurrection. This arrangement was performed as the finale to Cory Band's winning Brass in Concert programme in 2012.Listen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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£35.00
The Witch of the Westmerlands - Harper, P
Arranged for the Leyland Band's 2010 Brass in Concert programme. This is a sumptuous, lyrical setting of Scottish folk singer-songwriter Archie Fischer's originally up-beat song, with solos for baritone and cornet. The words tell the story of an ancient knight wounded in battle and dying on the battlefield who is healed by a mysterious old lady appearing from across the moors and swiftly vanishing again.The original version was sung by, amongst others, Barbara Dickson who has said she is a big fan of Philip's sensitive arrangement.Listen to Cory BandCourtesy of World of Brass
In Stock: Estimated dispatch 1-3 working days
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£44.00
The Snow Carol - Harper, P
The Snow Carol (For Choir and Brass Band/Pianoforte) is an original melody, although the words have been adapted from the German song Snow Falls Softly at Night. Some of the harmonies of the carol have been borrowed from Gustav Holst and his celebrated setting of In the Bleak Midwinter. The upper band play muted in a minimalist style likr flurrying snow. None of the parts are technically difficult and most are repetitive, although players will have to count carefully and play with tight rhythm.
In Stock: Estimated dispatch 1-3 working days
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