Results
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£7.95WHAT A WONDERFUL WORLD (score) - Armstrong, Louis (1901-1971)
If you require further information on WHAT A WONDERFUL WORLD (score), please
In Stock: Estimated dispatch 1-3 working days
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£27.50WHAT A WONDERFUL WORLD (score & parts) - Armstrong, Louis (1901-1971)
If you require further information on WHAT A WONDERFUL WORLD (score & parts), please
In Stock: Estimated dispatch 1-3 working days
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£28.00What a Wonderful World - E. Weiss/Willy Hautvast
To the surprise of everybody the Heineken commercial featuring the men in the moon made its way to the top 20 of the National Hitparade (Satchmo's old success!!).
Estimated dispatch 10-14 working days
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£61.99What A Wonderful World - George David Weiss & Bob Thiele - Frank Bernaerts
Estimated dispatch 7-14 working days
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£56.00What A Wonderful World - George D. Weiss, George Douglas - Alan Fernie
Estimated dispatch 7-14 working days
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£50.90WHAT A WONDERFUL WORLD (Flugel Horn Solo with Brass Band) - Fernie, Alan
Grade: Medium.
Estimated dispatch 7-14 working days
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£60.99Arioso - Johann Sebastian Bach - Jacob de Haan
Even the most basic understanding of Western music must include an intimate familiarity with the magnificent body of works by J.S.Bach. The charming beauty of the ARIOSO from BWV 156 must almost certainly appear on anyone?s personal list of the world's most beautiful melodies. What a wonderful vehicle for the study of artful phrasing and expression! Don't let the Grade 2 designation make you overlook this exquisite rendition for bands that normally play at grades 4, 5, and 6. Musicians at any level of ability will find great rewards here.As the perfect festival centerpiece or as a lovely introspective moment on any concert, Jacob de Haan's touching arrangement of Bach'sincomparable ARIOSO, speaking its own inherent and spiritual truth, is sure to find a permanent home in your brass band library.
Estimated dispatch 5-14 working days
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£29.50On Cloud Nine - Rob Wiffin
On Cloud Nine is a wonderful new concert opener; a vivacious four-minute concert item full of energy and good humour. It begins with a majestic fanfare-like statement. This opening melodic idea re-appears in various forms throughout the piece. The following themes are sometimes a little quirky with fantastic band parts for all players to enjoy. The piece is meant to convey a deep sense of joy which bubbles relentlessly to the surface no matter what else threatens to dampen it. The music is overwhelmingly optimistic in spirit and fun to play as well as listen to.
In Stock: Estimated dispatch 1-3 working days
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£54.20OLD POPS WAS RIGHT! (Bass Trombone Feature with Brass Band) - Fernie, Alan
Based on What a Wonderful World. Grade: Easy.
Estimated dispatch 7-14 working days
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£228.70Fanfare and Chorale - Egil Hovland - Ray Farr
This arrangement (or edition) for brass band will give the possibility for more performances of this fine work by Hovland. The composer, before his death, examined my work and made no suggestions for changes, and his approving comments were complimentary and encouraging. The work was originally written for Concert Band in 1966 as Op. 54a to St. Olaf College Band in the US. It was transcribed in 1967 for symphony orchestra as Op. 54b by the composer himself. The challenges in arranging the piece for brass band were mostly concerned with satisfactorily covering the upper register used by piccolo, flutes and clarinets, and while there are wonderful brass players around who have amazing high registers, I have aimed this edition at a level achievable by reasonably good brass band players who are willing to give time and effort into the proper preparation and delivery of the music. Having worked on this new edition with a top-class brass band, I think it sounds wonderful and interestingly different to the original. Besides the obvious differences of tone-colour and absent high notes, I have used in my scoring, the option for using a vibraphone in place of a celeste. Vaughan Williams, in his Variations for brass band writes for celeste, but because the instrument is quite rare, performances have been mostly given using a glockenspiel- but this, of course sounds two octaves higher than it was intended. I think that vibraphone and brass is an excellent combination and recommend it without hesitation in this piece. Every detail of articulation and dynamic has been considered, so in order to keep the integrity of the music, please do not change anything in the name of "interpretation". As Ravel says- "What is there to interpret?" Ray Farr
Estimated dispatch 5-14 working days
