Results
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£35.00Magic Flute Overture, The (Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip
Mozart's The Magic Flute is a two-act opera composed in 1791, the year of his death. It was the culmination of a period of increasing involvement by Mozart with Emmanuel Schikaneder's theatrical troupe, which since 1789 had been the resident company at the Theater auf der Wieden. The Magic Flute is noted for its prominent Masonic elements; both Schikaneder and Mozart were believed to be Masons and also lodge brothers. Much of Mozart's Masonic music is written in the key of E flat. This key, with 3 flats is indicative of Masonic symbolism. There are other examples of the number three in the opera as well. The opening chords of the introduction sound three times, which also happens during the Temple scenes. Also represented in threes are the three temples of Wisdom, Reason and Nature. Tamino tries to open the three doors of the temple. There are three ladies, the attendants to the Queen of the Night, and three boys who serve as guides to Tamino and Papageno. Duration: 6:30
Estimated dispatch 7-14 working days
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£99.95ROCOCO VARIATIONS (Gregson) (Brass Band - Score and Parts) - Gregson, Edward
Rococo Variations was commissioned by the British Open Championships for their 2008 contest in Symphony Hall, Birmingham, and co-commissioned by the Norwegian Band Federation, for their National Championship in Bergen in 2009.The title of the work has been used before, of course, most notably by Tchaikovsky in his work for cello and orchestra. My set of variations follows the Tchaikovskian model in that it is based on a quasi-Baroque original theme, and has certain 'dance-like' characteristics in the variations, but beyond that all comparisons end.There are six variations: Toccata, Siciliana, Waltz, Moto Perpetuo, Lament, and Fugal Scherzo, followed by a triumphant re-statement of the theme. Throughout, there is considerable contrast in the music, with the fast variations being rather virtuoso in character, sometimes with constantly changing time patterns, whilst the two slow variations (Siciliana and Lament) are in turn lyrical and pensive in mood with prominent solos and duets for a number of instruments.Although the work overall is dedicated by my brother, each of the six variations pays tribute to a different composer whose contribution to the brass band repertoire during the second half of the twentieth century has been of great significance. To this end, all six composers have their own 'musical signature' embraced within the particular variation, a process which reaches its zenith, contrapuntally speaking, during the final variation and reprise of the theme.- Edward Gregson
Estimated dispatch 7-14 working days
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£49.95
ROCOCO VARIATIONS (Gregson) (Brass Band - Score only) - Gregson, Edward
Rococo Variations was commissioned by the British Open Championships for their 2008 contest in Symphony Hall, Birmingham, and co-commissioned by the Norwegian Band Federation, for their National Championship in Bergen in 2009.The title of the work has been used before, of course, most notably by Tchaikovsky in his work for cello and orchestra. My set of variations follows the Tchaikovskian model in that it is based on a quasi-Baroque original theme, and has certain 'dance-like' characteristics in the variations, but beyond that all comparisons end.There are six variations: Toccata, Siciliana, Waltz, Moto Perpetuo, Lament, and Fugal Scherzo, followed by a triumphant re-statement of the theme. Throughout, there is considerable contrast in the music, with the fast variations being rather virtuoso in character, sometimes with constantly changing time patterns, whilst the two slow variations (Siciliana and Lament) are in turn lyrical and pensive in mood with prominent solos and duets for a number of instruments.Although the work overall is dedicated by my brother, each of the six variations pays tribute to a different composer whose contribution to the brass band repertoire during the second half of the twentieth century has been of great significance. To this end, all six composers have their own 'musical signature' embraced within the particular variation, a process which reaches its zenith, contrapuntally speaking, during the final variation and reprise of the theme.- Edward Gregson
Estimated dispatch 7-14 working days
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£35.00Cranborne Chase - Philip Harper
Cranborne Chase was commissioned by the Charles Church Camberley Band in 2011 in memory of solo horn player and life-long member Libby Godden.Libby joined the band in 1966 which marked the start of a long association, during which she progressed to the solo horn position, recruited four family members to play with the band, and had spells on the committee as publicity officer and chairman. Most recently she led the Training Ensemble in her role as Assistant Bandmaster. Libby continued to be active with the band despite a diagnosis of cancer, which finally claimed her life in February 2011.Programme notes from the composer, Philip Harper:The Music: As well as invoking the joyous spirit befitting Libby's approach to life, there are several musical ideas woven into the score. After a brief introduction, the main theme uses the musical letters of Libby's surname: G, O(A), D, D, E, N(G), whilst the harmonic progression here is based on that of the slow movement of Edward Gregson's Partita for Brass Band, one of Libby's favourite passages of music.To further imbue the piece with Libby's persona, the lyrical theme is first introduced as a traditional brass band quartet (two cornets, horn and euphonium), one of her favourite musical genres.After the first rehearsal of the piece the band members, with the composer's blessing, decided on the name Cranborne Chase, which is the name of a place in Dorset with which Libby Godden had a great affinity.Raising Funds for Cancer Research UK. The Music Company (UK) Ltd has been involved in charitable work for many years both nationally and internationally. Through publishing Cranborne Chase, The Music Company is extending its charitable support by helping to raise funds for the Cancer Research UK charity, in memory of Libby Godden (a band-friend since childhood of Clair Tomalin, Business Director of The Music Company (UK) Ltd).A donation will therefore be made by The Music Company (UK) Ltd for every purchased set of this piece. There is a hope that every band in the UK will have Cranborne Chase as part of their library and included in their concert programmes, enabling a significant amount of money to be raised for Cancer Research UK through the enjoyment of music.
Estimated dispatch 7-14 working days
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£30.00Exegesis - Tim Paton
An exciting, original composition for brass band by Tim Paton. A complex work which entwines melodic lyricism amidst contemporary harmonies and scoring. A tour de force of Tim's creativity and a rewarding challenge for the performers and audience.Tim comments: The term exegesis is applied to a study which works out the meaning of something, an interpretation of a series of events, a comparison of ideas within a given medium, for example, "Biblical exegesis". This brass band piece is a musical exegesis.Section one is made up of three main themes, and although these themes are tonal within themselves, there is a sense that they are trying to understand one another. From the very beginning of this section, there is an element of bi-tonality and dissonance.The middle section is ponderous, where we hear elements of these three themes. It could be called the 'thinking section'.Section three almost interrupts this middle section, with fanfares displaying a realisation, still containing bi-tonality, but in harmony! We are soon led in to a hymn like celebration, followed by a determined, militaristic section for the percussion. Finally, the fanfares which opened this third section, reappear, taking us to a final conclusion.
Estimated dispatch 7-14 working days
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£25.00Les Alignements - Tim Paton
There is a town on the Brittany coast called Carnac. Here you will find a line of prehistoric stones. Three kilometers in length, and at certain points, fifteen abreast, like a line of soldiers. They have been there for so long, that the sea has covered the last few hundred metres. This piece aims to capture the ethereal atmosphere, calmness, and timelessness created by this alignment in this beautiful countryside. This is 'ambient' music, creating several minutes of meditative sound.
Estimated dispatch 7-14 working days
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£20.00
Xmas Ditty - Tim Paton
Seasonal 'fun' for the band, (and the audience of course).Robert Childs commented:It begins with yet another rendition of Jingle Bells, "Wait a minute though, is someone out of tune somewhere? Who is that who some of the band are shouting at? Why am I thinking of Les Dawson? ... Back to the music - it's Good King Wenceslas, how did Rule Britannia get in there? ... and I'm sure that was the end of God Save the Queen".After an unadulterated version of O Come, all ye faithful, the final section features Jingle Bells and Good King Wenceslas claiming the last spot together.The piece ends with the well known 'AMEN' cadence - but there's still a little surprise on the last chord! "..is subtitled 'seasonal fun for band and audience', and it certainly is just that!"
Estimated dispatch 7-14 working days
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Duet For Two Cats - G. Rossini - Len Jenkins
"Duet For Two Cats" is often performed as an encore to vocal recitals and operatic galas. It may be sung by two sopranos, male-female pairs, or even as a tomcat duet and can be accompanied by a piano or a full orchestra. The lyrics are simple; the single word 'Miaow', repeated with various styles of inflexion and attitude throughout the piece. Our arrangement is for a cornet and trombone. The piece is generally ascribed to Rossini, though there is some doubt as to its actual origins and whether it is an authentic work by that composer. It is believed that an English composer, Robert Lucas Pearsall under the pseudonym G. Berthold may have assembled the various elements from Rossini and perhaps other composers into the piece as we now know it. In order to achieve the correct balance between band and soloists, there is a need to mute most of the band instruments. Recognising that not all bands will have the larger mutes which are expensive and sometimes unwieldy, we suggest a form of muting made famous by a jazz trumpeter and which works well on most instruments. It consists of a circle of heat resistant padded table covering or felt, slightly larger than the bell diameter, with an elasticated edge like a 'mop-hat'. With 3 holes in it to let the sound out, the mute is then simply stretched over the bell to achieve the desired effect and folded up when not required.
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£32.00Chorale (Score only) - Ray Steadman-Allen
Chorale is a set of variations based on an old carol tune, Es ist ein' Ros' entsprungen (There is a Rose that Bloometh). After an introduction the theme is presented followed by four variations and a finale; thoughout, thou, there is a genereal pervasive sense of the chorale's presence.
Estimated dispatch 5-7 working days
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£42.00Chorale (Parts only) - Ray Steadman-Allen
Chorale is a set of variations based on an old carol tune, Es ist ein' Ros' entsprungen (There is a Rose that Bloometh). After an introduction the theme is presented followed by four variations and a finale; thoughout, thou, there is a genereal pervasive sense of the chorale's presence.
Estimated dispatch 5-7 working days
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