Results
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£20.00atrium phase
Descriptionatrium phase was inspired by listening to works performed at the 2013 Huddersfield Contemporary Music Festival in the atrium of the Huddersfield University Creative Arts Building. The atrium, despite being a functional area incorporating meeting areas and a cafe, has almost coincidentally evolved into a fantastic (if somewhat resonant) performance space. Performers can be positioned on three different sides and three different levels, making the atrium ideally suited to spatially separated performances of a variety of music from Gabrieli to Christian Wolff.In atrium phase the band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.atrium phase won the inaugural Foden's Band Composition Competition in 2014 and the first performance was given on 24 January 2015 at the RNCM Festival of Brass by Foden's Band.Performance Notes:The band is separated into four groups - ideally these should be positioned around the audience as follows: group A to the left of the audience, group B in front of the audience, group C to the right of the audience and group D (the four basses) behind the audience. The music "phases" between the groups in the manner of contemporary electroacoustic music, with the bass group acting as a kind of "subwoofer". Starting very slowly, the music accelerates using metrical modulations to finish at considerable speed.Instruments in group A require cup mutes (soprano, 2 x cornets, horn, baritone, trombone, euph), group B harmon mutes (4 x cornets, baritone and trombone - the baritone should use a trombone mute) and group C require fibre straight mutes (3 x cornets, flugel, 2 x horns, euph., bass trom - NOT metal mutes if possible).Percussion instruments required are claves, wood block and 2 x temple blocks. The music is intended to be performed without a conductor wherever possible - the three percussionists should set and control the tempo, and there are clear points of overlap for percussionists to allow synchronisation between groups.Approximate duration 6'17"
Estimated dispatch 7-14 working days
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£30.00La Musica Notturna Delle Strade di Madrid
DescriptionLuigi Boccherini was born in Lucca, Italy, into a musical family. His father, a cellist and double-bass player, sent him to study in Rome at a young age. In 1757 they both went to Vienna, where the court employed them as musicians in the Burgtheater. In 1761 Boccherini went to Madrid, entering the employ of Prince Luis Antonio of Spain, younger brother of King Charles III. There he flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. The composer, no doubt irritated with this intrusion into his art, doubled the passage instead, which led to his immediate dismissal. Then he accompanied Don Luis to Arenas de San Pedro, a little town in the Gredos mountains, where Boccherini wrote many of his most famous works. Although neglected after his death and throughout the 19th and early 20th century (he was known mockingly as 'Haydn's Wife' for a time), Boccherini's music has been rediscovered in recent decades.La Musica Notturna delle Strade di Madrid('Night Music of the Streets of Madrid') is a string quintet of seven short movements composed during Boccherini's exile in Arenas, no doubt to remind him and his prince of happier times. The music is reminiscent of "the gaiety and bustle of Spain's capital, recalling the sound of the city's church bells ringing for evening prayer, the popular dances that were the delight of its young people, and the blind beggars singing their typical songs". This arrangement excludes the first and last two movements, comprising the middle four:Il Tamburo di Soldati(The Soldier's Drum)Minuetto dei Ciechi(The Minuet of the Blind Beggars)Il Rosario(The Rosary)Passe Calle(The Passacaglia of the Street Singers)The music was featured in the Russell Crowe filmMaster and Commander: The Far Side of the World(2003) set during the Napoleonic Wars and featuring the adventures of the Royal Navy ship HMS Surprise and her captain Jack Aubrey as they pursue the French ship Acheron into the Pacific Ocean.You can listen to an audio preview while following the score in the video below!Duration approximately 5'00".
Estimated dispatch 7-14 working days
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£22.50Edward Gregson: Concertante for Piano and Brass Band
DescriptionProgramme NoteThe Concertante for Piano and Brass Band was written in 1966, when the composer was an undergraduate student at the Royal Academy of Music in London. It received its first public concert performance in 1967 at the Royal Festival Hall, London, when the composer was the soloist with the International Band of the Salvation Army, conducted by Bernard Adams. It was one of the first major works to be written for this particular combination.The Concertante is unashamedly romantic in idiom and is in three movements: Prelude, Nocturne and Rondo. The Prelude is cast in sonata form and opens with a short cadenza-like flourish from the soloist, followed by two main ideas - the first sweepingly dramatic, the second highly lyrical. The interplay between these two themes forms the main focus of the movement, and after a return to the opening theme, an exuberant codetta brings the music to a close, albeit a quiet one. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-1st-movt-clip.mp3The tender Nocturne opens with an introduction from the band that contains precursors of the two main ideas to follow. The solo piano announces the main theme, which has a slightly 'bluesy' character with its flattened third and seventh notes of the scale, and is a love song dedicated to the composer's wife-to-be. The band enters with phrases of a chorale already hinted at in the introduction - Ray Steadman-Allen's hymn tune 'Esher' - but never quite presented in its complete state. Both ideas are developed alongside each other, with eventually the first theme returning, this time with piano and band together, and building to a majestic climax, before subsiding to a peaceful coda - a return to the very opening of the movement. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-2-clip.mp3The final Rondo is full of energetic rhythms and changing time patterns. The main theme is playful in character, with much interplay between soloist and band, whilst the middle section presents a new theme, and one that has more than a hint of the hymn tune 'Onward Christian Soldiers', in what amounts to a good humoured parody. The opening Rondo theme returns, this time leading to a powerful and dissonant climax from the band. This is followed by an extended piano cadenza, underlying the virtuoso aspect of the work, and leading to an energetic and life-affirming coda, which brings the work to a triumphant conclusion. https://morthanveld.com/wp-content/uploads/2017/09/Gregson-Concertante-movt-3-clip.mp3Duration: 18 minutesInstrumentation:Please note that there is no 1st/Repiano Cornet part in this work. The 1st/Repiano Cornet player should join the Solo Cornet bench. As such an extra Solo Cornet part is provided in the set of parts.Version for two pianosA version of the Concertante for two pianos is available for rehearsal purposes. Piano 1 is the solo part and Piano 2 the band reduction. However, for those pianists not needing to rehearse the work in this way, a solo piano part is also provided with the main set of band parts.To view a preview of the solo part for the first movement click here.The youthful Gregson (his work was written as a third year undergraduate) was seemingly a bit of a musical magpie - but one heck of a skilful one at that.These were shiny baubles of poise, panache and pastiche, with affectionate, remarkably mature nods of appreciation towards Gershwin, Rachmaninov, Ireland and even Elmer as well as Leonard Bernstein.The rich colour palette and flowing lines (with the tenderest of central Nocturnes) were a joy - as were the little buds of motifs that dotted the score like seeds ready to be planted on a future fertile brass band compositional field. - Iwan Fox, 4Barsrest.com, June 2019For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£65.00AN ELGAR PORTRAIT - D.Price
This work was composed in commemoration of the 150th Anniversary of the birth English Composer Sir Edward Elgar. The suite is in three movements: 'Introduction', 'Elegy' and 'March', each of which have been inspired by three of Elgar's most celebrated works; Chanson de Matin, Nimrod ('Variation IX' from the Enigma Variations) and Pomp and Circumstance No.1.'Introduction' - Hollybush HillHollybush Hill is the name of one of the peaks of the Malvern Hills in Worcestershire. The Malverns were a favourite walking area for Elgar and his wife, and their panoramic views inspired much of Elgar's music.'Elegy' - BroadheathBroadheath is the small village at the foot of the Malvern Hills where Elgar was born (and lived at various times throughout his life). Elgar is buried not far from Broadheath at St Wulstan's in Little Malvern. 'March' - Worcester CathedralMany of the Worcestershire ensembles and music festivals played an important role in Elgar's early musical education. He was heavily involved in The Three Choirs Festival and either conducted or played in many of the light orchestras and vocal groups that performed at venues across Worcester. A statue of Elgar overlooks the Cathedral at the end of Worcester High Street.An Elgar Portrait has been used regularly as an own-choice test-piece for Section 4 bands, and was also selected as the set work for the Swiss National Championships in 2007 as well as the Pontins Championships in 2008. The composer has slightly reworked this piece for the Section 4 Final of the National Brass Band Championships of Great Britain 2020 and it's this version that should be performed at the contest. If bands currently have an older version in their libraries, please contact us directly for more information.
In Stock: Estimated dispatch 3-5 working days
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£77.00General Series Brass Band Journal, Numbers 2254 - 2257, April 2025
2254: Be glorified today (Martin Cordner)Built around Bob Kilpatrick's song In my life, Lord, be glorified today (S.A.S.B. 593), this concert opener was composed for Cambridge Citadel Band (UK and Ireland Territory) at the request of Bandmaster Simon Fisher. The piece pays homage to the city.2255: Driven by mission (Stephen Bulla)Stephen Bulla wrote this piece to commemorate Willis Howell and his wife's retirement from active officership. Bulla references St. Denio (S.A.S.B. 37), Melita (T.B. 442), For your mission and Men of Harlech (T.B. 756), and the assembling of the tunes and all they represent reflects the masterful artistry that always marks Bulla's works.2256: The Lord's my shepherd (Paul Sharman)This arrangement brings together two settings of Psalm 23; the familiar hymn tune Crimond (T.B. 68) and the more recent melody by Stuart Townend (T.B. 863).2257: Cornet Solo - I love you, Lord (Ian Robinson)Laurie Klein's chorus I love you, Lord (S.A.S.B. 369) has been popular for many years with Salvation Army congregations around the world and this work combines unconventional harmonies with sparse scoring to feature the soloist.
Estimated dispatch 7-14 working days
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£15.99Brass Essentials - An Arban Companion (for all valve instruments)
Brass Essentials: An Arban Companion works through the Arban Cornet Method in the sequence that the excerpts appear in the original publication. It is not a method in itself, but a way to address the building blocks of a solid technique - good sound, good intonation, developing technical skills and applying rhythmic accuracy. It is suitable for all valve instruments.Simply choose which of the sections applies to the issues you are facing in your playing at any given time. Advice is given at the head of each section on how to deal with the technical processes involved for that particular area of practice as well as suggestions on rehearsal and performance tempi.A regular approach to the most basic aspects of playing a brass instrument will help maintain a strong technique whilst addressing any problems that may occur during your playing life, as they do from time to time. It can also provide a regular practice diet that will encourage real attention to detail.Brass Essentials: An Arban Companion can be used as a resource for teachers helping players starting out on their musical journey, but also performers at any point in their musical life as a back-to-basics approach is often the way forward when dealing with playing issues. The overriding principle is that every note counts!Section Headings : Set-Up, Articulation and Sound; Light Articulations; Syncopation, Spacing and Rhythm; Single Tonguing; Controlled Slurring Technique; Running Scales and Chromatics; Breathing, Shaping and Phrasing; Arpeggios, Dominant Sevenths and Diminished Sevenths; Triple Tonguing; Double Tonguing; The Studies
Estimated dispatch 7-14 working days
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£50.00Solemn Procession (Brass Band - Score and Parts)
Richard Strauss (1864 - 1949) was a famous conductor and composer when he wrote Feierlicher Einzug der Ritter des Johanniter-Ordens (Solemn Entrance of the Knights of the Order of Saint John) in 1909. One of only a handful of his works written exclusively for winds, Strauss composed Feierlicher Einzug for the investiture ceremonies of the Order of St. John, a Christian military order that was founded in Jerusalem in 1023 to care for poor, sick, or injured pilgrims journeying to the Holy Land.Strauss scored Feierlicher Einzug (TrV 224) for a large ensemble of fifteen trumpets, four horns, four trombones, two tubas and timpani. He saw enough potential in its stately character and majestic conclusion to produce a version for symphony orchestra with organ and it has been arranged for a variety of brass ensembles with or without organ since then.This version for British style brass band was adapted from the original in 1990 by Paul Hindmarsh for the exclusive use of Besses o' th' Barn Band, of which he was then the musical director. Now that the music of Richard Strauss published in his lifetime is in the public domain, Solemn Procession, as it has been rendered in English, can be enjoyed by all brass bands and their audiences.- Paul HindmarshDuration: 6.00
Estimated dispatch 7-14 working days
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£29.50Cheer Up Charlie (Cornet Solo)
This fresh new cornet solo comes from one of the greatest loved movies of all time. Featuring alongside musical hits such as Pure Imagination and The Candy Man, Cheer Up, Charlie is probably one of the most underrated musical numbers from the film, Willy Wonka & The Chocolate Factory. In the film, the song is sung by Charlies mother, whilst young Charlie ponders the life he believes lay ahead for him. With a complex chord structure, the band parts remain interesting throughout whilst the lyrical solo line can shine in this beautiful, melodic work. A great slow melody solo item and one that works on both concert and contest stages.
Estimated dispatch 7-14 working days
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£24.95Derick Kane Euphonium Solo Album
Among the solos contained in this album are some of the 'heart songs' of The Salvation Army, some traditional melodies as well as four larger works. There are solos to challenge the younger player as well as some to test the most advanced soloist.These solos, many of which were only available with brass and accompaniment, have now been arranged with pianoforte accompaniment and come complete with an 'accompaniment CD'. Richard Phillips is the pianist. There is music suitable for all occasions, ranging from the Sunday morning worship meeting to the concert platform. Most importantly, the album contains solos that will appeal to the listener as well as the performer. A separate 'performance CD', featuring Derick Kane playing six of the solos with The International Staff Band and the remaining eight solos with Richard Phillips at the pianoforte, is also available (Go to our recordings section to view this product).The Better World Norman Bearcroft (trs. David Mortlock)Spirit of Life David Catherwood (trs. Susan Avison)My love is like a red, red rose Trad (arr. Kenneth Downie)Travelling Along Chris Mallett (trs. Derick Kane)Lyric Variations Ray Steadman-AllenThere will be God Joy Webb (arr. Richard Phillips)To live right Ivor BosankoWelsh Fantasy Ralph PearceJesus, I come to thee Norman BearcroftOchills Ernest Rance (arr. Derick Kane)Compelled by love Andrew BlythA new direction Derick KaneMenuet Bizet (trs. Kevin Norbury)Timepiece Norman Bearcroft
Estimated dispatch 7-14 working days
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£112.00Zampa (Brass Band - Score and Parts)
The opera, Zampa, was first performed in Paris in 1831 and over the next 50 or so years enjoyed frequent performances and remained extremely popular. Since the dawn of the 20th century the popularity of the opera has waned somewhat but the overture has continued to be one of the composer's most famous works and is a staple of the orchestral repertoire.This brass band transcription was prepared for Brass Band Of The Western Reserve and it has been extremely well-received on their concerts.
Estimated dispatch 7-14 working days
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