Searching for Wind Band Music? Visit the Wind Band Music Shop
We've found 221 matches for your search. Order by

Results

  • £32.00

    Amazing Grace (Brass Band with opt. Bagpipes - Score and Parts) - Wilkinson, Keith M.

    There are several occasions when a brass band is invited to play along with bagpipes and one of the first titles to be mentioned is the American traditional hymn melody, "Amazing Grace". This arrangement was prepared for one such occasion when Brass Band of the Western Reserve, musical director, Dr Keith M Wilkinson, was invited to play at a wedding in 2007. Parts for bagpipes are included in Concert Pitch (as shown in the full score) and in Db, the key in which they are normally pitched.There are optional parts which make the arrangement equally effective without bagpipes. A suggestion when this version is used is to place the cornet soloist at the beginning some distance from the band.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £59.95

    Variations On Maccabeus (Brass Band - Score and Parts) - Norbury, Kevin

    This set of variations was composed for the ISB's tour of Australia, New Zealand and Japan in 1995. Handel's majestic tune is associated with the great resurrection hymn 'Thine is the glory, risen, conquering Son' and melodic fragments of the tune form the basis of the four variations. The tune is heard in its entirety at the beginning and near the end and the piece finishes with a vigorous coda.

    Estimated dispatch 7-14 working days
  • £29.95

    Variations on Maccabeus (Brass Band - Score only) - Norbury, Kevin

    This set of variations was composed for the ISB's tour of Australia, New Zealand and Japan in 1995. Handel's majestic tune is associated with the great resurrection hymn 'Thine is the glory, risen, conquering Son' and melodic fragments of the tune form the basis of the four variations. The tune is heard in its entirety at the beginning and near the end and the piece finishes with a vigorous coda.

    Estimated dispatch 7-14 working days
  • £60.99

    Gold (Brass Band - Score and Parts) - Kemp, Gary - Oud, Thijs

    At the beginning of the eighties trendy English boy band, Spandau Ballet, made it big with hits like True and Gold. Millions of records were sold worldwide, and the group became one of the most successful bands of the eighties. Why not bring a little 80's pop magic to any concert with the zesty disco tempo and jazzy chords of this arrangement.Duration: 4:30

    Estimated dispatch 7-14 working days
  • £47.50

    Fusion Factory (Brass Band - Score and Parts) - Hosay, James L.

    At the end of the Sixties and the beginning of the Seventies, slowly but surely, a new exciting music style arose in pop music. Pop groups enlarged the musical spectrum by combining jazz harmonies with rock 'n' roll rhythms. These experiments are now known as fusion. Fusion Factory combines elements of early fusion with modern fusion sounds. Listen to the excellent result!Duration: 5.45

    Estimated dispatch 7-14 working days
  • £15.00

    ENGLISH PASTORALE (Brass Band Extra Score) - Jones, Dean

    2015 National Championships Regional Testpiece - 4th Section. Extra Score only. This set of variations was composed for the ISB's tour of Australia, New Zealand and Japan in 1995. Handel's majestic tune is associated with the great resurrection hymn 'Thine is the glory, risen, conquering Son' and melodic fragments of the tune form the basis of the four variations. The tune is heard in its entirety at the beginning and near the end and the piece finishes with a vigorous coda. Duration: 13:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £30.00

    One Fine Day (from Madam Butterfly) (Cornet Solo with Brass Band - Score and Parts) - Puccini, Giacomo - Littlemore, Phillip

    One Fine Day?is the opera's most famous aria. It comes at the beginning of Act II, which is set three years after the action of Act I. Pinkerton, Butterfly's husband, is a US Naval Officer and he had to return to the sea shortly after their wedding. In the aria, she sings about the day he will return, seeing the ship appear on the horizon, then seeing it enter the harbour. When he arrives, they will be runited for ever. Duration: 3:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £30.00

    One Fine Day (from Madam Butterfly) (Vocal Solo (Soprano) with Brass Band - Score and Parts) - Puccini, Giacomo - Littlemore, Phillip

    One Fine Day?is the opera's most famous aria. It comes at the beginning of Act II, which is set three years after the action of Act I. Pinkerton, Butterfly's husband, is a US Naval Officer and he had to return to the sea shortly after their wedding. In the aria, she sings about the day he will return, seeing the ship appear on the horizon, then seeing it enter the harbour. When he arrives, they will be runited for ever. Duration: 3:00

    Estimated dispatch 7-14 working days

     PDF View Music

  • £72.00

    Back on Track (Brass Band - Score and Parts) - Schwarz, Otto M.

    Back on Track is a spectacular composition originally written for Concert Band. Otto M. Schwarz composed an opening fanfare for the beginning, which can also be played as a short 'teaser' at festive events. A motif is treated through various rhythms and time signatures and leads to an epic finale, splendidly brought to life by the glorious timbres of the brass.

    Estimated dispatch 7-14 working days

     PDF View Music

  • £35.00

    Oubliette - Lucy Pankhurst

    Lucy Pankhurst has created a highly immersive solo for Tuba/Eb Bass with brass band accompaniment, aiming and succeeding in showing the lyrical and technical diversity of the tuba, demanding virtuoso brilliance and clarity in performance.Dedicated to tuba player Edd Leech, Oubliette raises the bar for tuba repertoire.Set includes score, brass band parts and solo parts for Eb Bass (TC) and Tuba (BC). Solo with piano accompaniment available separately.Programme notes from the composer, Lucy Pankhurst:From the French word oublier, meaning 'to forget', an oubliette was a form of dungeon used in the 14th century. A small, windowless room where someone is locked away to be forgotten and left to go mad.I initially chose this title for the piece as the Tuba is often forgotten as a solo instrument, when its versatility in performance should be celebrated. Oubliette showsThe work begins with desolate and sparse accompaniment with lamenting solo lines. The soloist has already been cast into the oubliette at this point and is beginning to wake from a somnolent state. Reality is blurred through the darkness of the chamber - the only entrance is a hatch in the ceiling, far out of reach.Memories are confused by countless hours of solitude - hallucinations and paranoia tainting reality. Gradually, the soloist remembers images from the past and gains confidence and strength. Long forgotten by the captors, or presumed dead in the chamber, the entrance hatch suddenly opens to allow another prisoner inside. The soloist seizes the opportunity for escape and a short battle ensues. Sword and fist fighting, perilous leaps over the entrances to more dungeons and fierce battle cries are futile, as the soloist suddenly realises they are alone in the oubliette once more and the skirmish was nothing but another dream.The piece concludes with unaccompanied soloist in the low register, sinking deeper into the shadows of the windowless prison; are they accepting their fate, or merely lying in wait for another chance of escape, if one will ever come . . .

    In Stock: Estimated dispatch 3-5 working days