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£72.00
Ave Maria - Vocal or Instrumental Solo - Bach-Gounod - Bjorn Mellemberg
This great piece is a result of two outstanding composers creative ability. The French composer Charles Gounod (1818-1893) used the Prelude No. 1 from "Das Wohltemperierte Klavier" by Johann Sebasian Bach (1685-1750) and added a beautiful melody to the original piece. The composition has the occurred in several versions both with and without lyrics and for many kinds of instrumentations.To the Conductor:It's important to take well care of the long phrases of the melody and it's warm and soft character.Make shure that the band balance the three elements of melody, harmony and the rhythmic (played by the clarinets) well. All these three is of equial importance and depend of each other.
Estimated dispatch 7-14 working days
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£105.20Home for Christmas - Maria Mena - Reid Gilje
Here's an easy arrangement of this popular Christmas song composed by Maria Mena and Martin Sjolie.I have tried to spread the melody to several groups throughout the arrangement. The melody has to be played rhythmically, but also with flow and legato style.Please strive for best possible intonation and balance where the melody is played by several players.At bar 13, flugelhorn and 2/3 cornet plays a little counter theme. Please strive for best possible intonation and balance also on this. Be aware so that the cup mute sound fits the flugelhorn as good as possible.The quarter notes played by horns and trombones at bar 18 have both a harmonic and rhythmic function.This arrangement is made with several cue notes for some instruments.In the score, there are some parts marked with optional. It's possible to play the arrangement without these parts.The arrangement ends quite and calm, like a peaceful Christmas day.- Reid Gilje -
Estimated dispatch 5-14 working days
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£137.70Mitt hjerte alltid vanker - Fantasi - Hans Adolph Brorson - Svein H. Giske
This arrangement was commissioned by B3 (The Bergen Woodwind Ensemble). B3 is a large woodwind ensemble located in Bergen with a mix of professional and amateur players. My Heart Remains in Wonder is a well-known Christmas hymn in Scandinavia. I wanted my version to be different to the traditional hymn tune style in which it is normally performed. One day I was outside walking and this idea came to me: an ostinato-like, mechanical skeleton of arpeggio semiquavers on which I could 'hang' the melody. However, I also wanted to do the melody line a bit different. The inspiration for this comes from folk music and the way fiddlers hardly ever lift their bow off the strings when they play. Because of this, it is important that the melody is played in a very sostenuto style in this arrangement. The harmonies lie somewhere between jazz and folk music with a little nod towards Grieg (himself heavily influenced by folk music) in the slow middle section.
Estimated dispatch 5-14 working days
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£84.99Christmas Brass - Richard Peaslee
Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly.In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-likeclosing passage.In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending.Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style.In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba.Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending.Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion
Estimated dispatch 5-14 working days
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£76.99Variations on Shalom Chaverim - Andreas Ludwig Schulte
Shalom Chaverim is an ancient Hebrew (farewell)song, which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean "Goodbye, friends, goodbye and see you again!". The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement 'Variations on Shalom Chaverim'. The composer himself says about the song, 'Although the melody is in a minor key, the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye, however, also hurts. When you slow down the pace of the melody and add 'blue notes' in the harmonies, this can be sensed immediately.'Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. 'Variations on Shalom Chaverim' ends on a cheerful and positive note, in fast tempo, and with oriental elements in the melody: 'L'hitra'ot, Shalom' (See you again, and farewell!).
Estimated dispatch 5-14 working days
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£122.10Den store dagen - Benny Borg - Bjørn Morten Kjærnes
This beautiful song contains a huge contrast between the hopeful and the disappointing. A mother has her birthday and is waiting her children to celebrate it. Each verse starts optimistically, but the short chorus is characterized by the disappointment, that everyone calls, and cannot come. This has been tried recreated musically, mostly in the last two choruses, as it dawns on her that she will not receive a visit. It's a beautiful tune, but with a serious message that it's easy to take someone for granted.One of the elements Hjorring Brass Band (DK) came up with after rehearsal, was that they really liked the change between the ballad parts with even eights and the swing parts. This also gives the piece a sense of "parlando" character, which tells a story, and is therefore important to focus. It is not quite simple, as the melody also in those parts with even eights has some triplet rhythms. Therefore, this is a topic you can work on very consciously.If you have heard the Wind Band version, you can notice that both keys and modulation are different in the Brass Band arrangement to sound better for this instrumentation.Regarding instrumentation, Flugelhorn, Solo Horn and Euphonium have important roles, in addition to Solo Cornet.It is also possible to use a vocal soloist, but then you have to soften the melody voices, especially, where small variations in the melody have been made for the wind instruments.
Estimated dispatch 5-14 working days
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£66.89Pyrenean Carol Suite (Brass Band) David Taylor
This attractive suite for brass band by David Taylor features five traditional carols from the Pyrenees region of Spain, as follows: i. Nadal Tindaire (Jingling Christmas) - Occitan traditional This Occitan Christmas song tells of musical instruments used to celebrate the Nativity - 'fifes and trumpets, timpani and pipes, or you, clear little bells, along with the angels' choir.' ii. Gabriel's Message (Birjina Gaztetto Bat Zegoen) - Basque traditional The most widely-known of the chosen carols, honouring Jesus's mother Mary, this is often sung in its English version, but the melody came from the Basque country. The Basque words were adapted from the Mediaeval song Angelus ad Virginem. Here, we feature the flugel horn. This movement was originally written on its own, with organ accompaniment, for the composer's wife, Diane Scott. iii. El Noi de la Mare (The Child of the Mother) - Catalan traditional A beautiful Catalan carol celebrating the birth of Jesus, telling of the tasty gifts that the singer would bring - 'Raisins and figs and nuts and olives; Raisins and figs and honey and mato [a Catalan dessert cheese traditionally served with honey.]' Here we feature the euphonium. The tune was made famous by guitarist Andres Segovia, who used it as a favourite encore, and by John Rutter, who made a widely-used setting for choir. iv. Paure Satan (Poor Satan) - Occitan traditional This rather unusual carol tells of the pain that Satan is put to by the arrival of the infant Jesus. Its mocking and sarcastic tone is reflected here, where the tuba soloist (as Satan) is given musical trouble throughout by the other parts. At first they conflict with the soloist, then the soloist makes overtures of friendship, which are treated with suspicion followed by contempt. The soloist finally gives in to their accompaniment (or do they?). There are plenty of opportunities for little theatrical touches here, if the tuba player is so inclined! The tuba part in this movement is notably more difficult than the rest of the music, and a number of optional changes have been marked to make the part easier to play, if so desired. The player is also welcome to add suitable extra embellishments to taste if they wish, within the character of the music. v. Fum, Fum, Fum! - Catalan traditional A favourite Catalan Christmas song for centuries, this rousing melody provides a fitting way to round off the suite, with its repeated rhythmic refrain of the nonsense title phrase. It tells of the Nativity, and then it tells of the celebratory feasting and good times that the singers look forward to to honour it. Although the suite is intended to be performed whole, it is also intended for usage with a selection of movements on occasions where a shorter piece is wanted. Suggested formats include a single movement alone (2, 3, and 5 are likely most appropriate), a pair of movements (any of the first four, plus 5), and a suite of three or four movements (1 and 5, plus one or two of 2, 3, or 4 in the middle). It is suggested that a good way to design a 'pick-your-own-suite' from the movements is to think of the earlier movements as introductory to the final movement. To view a rolling score video featuring Kidlington Concert Brass please visit www.youtube.com/watch?v=QIGdul-yxxg PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.cimarronmusic.com Difficulty Level: 3rd Section + Length: 9.45 minutes Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£105.20Our Last Summer - Benny Andersson - Bjørn Morten Kjærnes
An exciting arrangement where almost all players have a bit of the melody line. There are many opportunities to give individual musicians soloistic challenges. Any bandmember should find something interesting in this piece. It will be possible to add vocals to the arrangement. A lovely melody with great expressions.Our Last Summer" is a song by the Swedish pop group ABBA from their seventh studio album, "Super Trouper," released in 1980. The song is indeed featured in the musical "Mamma Mia!", a little bit shortened and with small changes in the lyrics. The musical premiered in London's West End in 1999 and is a duet performed by the characters Harry Bright and Donna Sheridan, reflecting on their past romance during a summer spent in Paris.The song is primarily sung by Bjorn Ulvaeus, with backing vocals provided by Agnetha Faltskog and Anni-Frid Lyngstad, the female members of ABBA. Their harmonies contribute to the song's nostalgic and wistful atmosphere. The lyrics vividly describe the memories of the summer spent together, including scenes of walking along the Seine River in Paris and listening to French songs. The song also touches on the passage of time and the realization that the summer romance has ended.While not released as an official single in most countries, "Our Last Summer" still received considerable airplay and became a fan favorite. It charted in some European countries and has remained popular among ABBA fans over the years.
Estimated dispatch 5-14 working days
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£29.95Lead, Kindly Light (Brass Band - Score and Parts) - Broughton, Bruce
This beautiful hymn is one of trust and faith, building in confidence 'till the night is gone.' This arrangement follows that line of confidence. The melody begins unaccompanied, which is to say 'alone', and the eventual accompanying voices enter sombrely. Instead of a traditional final cadence, the 'leading of the light' continues, using the first four notes of the hymn as a motif that leads to a second, more positive statement of the melody, underscored by a walking motion. The positivity grows and lasts through a final grand statement of the hymn. A short meditative coda follows, and the arrangement ends with a solo note of reflection.
Estimated dispatch 7-14 working days
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£24.95Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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