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£71.00Three Pictures for Band - Oliver Waespi
This composition consists of three sound pictures. Numerous associations mutually link those parts as far as motifs and harmony are concerned. The motif of the ascending and descending fourth plays an important role in many a theme. There are many fourth chords by means of which I try to put a harmonic and unifying stamp on the composition as a whole. Moreover there are similar or identical, though varied, motifs in the successive parts. The first part 'Cortege' (Procession) describes the dignified majestic procession by means of simple, precise rhythms. At first, the music is scarcely audible, as if coming from a distance; it gradually comes nearer until it reaches its climax in large chords, before fading away again. At each quarter note one could imagine a step. The second part 'Dialogue' consists in broad outlines of dialogues between the different orchestral groups. Some instruments are asking questions, others are giving answers. After a rather sad passage, the music turns into a climax followed by a second passage that brings comfort and leads to a quiet ending. In the third part, there is a sudden movement coming up in the shape of 'Waves'. The principle of the wave, successively swelling and decreasing, dominates the entire musical structure of this part, even in the separate motifs.Oliver Waespi
Estimated dispatch 10-14 working days
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£30.00La Musica Notturna Delle Strade di Madrid
DescriptionLuigi Boccherini was born in Lucca, Italy, into a musical family. His father, a cellist and double-bass player, sent him to study in Rome at a young age. In 1757 they both went to Vienna, where the court employed them as musicians in the Burgtheater. In 1761 Boccherini went to Madrid, entering the employ of Prince Luis Antonio of Spain, younger brother of King Charles III. There he flourished under royal patronage, until one day when the King expressed his disapproval at a passage in a new trio, and ordered Boccherini to change it. The composer, no doubt irritated with this intrusion into his art, doubled the passage instead, which led to his immediate dismissal. Then he accompanied Don Luis to Arenas de San Pedro, a little town in the Gredos mountains, where Boccherini wrote many of his most famous works. Although neglected after his death and throughout the 19th and early 20th century (he was known mockingly as 'Haydn's Wife' for a time), Boccherini's music has been rediscovered in recent decades.La Musica Notturna delle Strade di Madrid('Night Music of the Streets of Madrid') is a string quintet of seven short movements composed during Boccherini's exile in Arenas, no doubt to remind him and his prince of happier times. The music is reminiscent of "the gaiety and bustle of Spain's capital, recalling the sound of the city's church bells ringing for evening prayer, the popular dances that were the delight of its young people, and the blind beggars singing their typical songs". This arrangement excludes the first and last two movements, comprising the middle four:Il Tamburo di Soldati(The Soldier's Drum)Minuetto dei Ciechi(The Minuet of the Blind Beggars)Il Rosario(The Rosary)Passe Calle(The Passacaglia of the Street Singers)The music was featured in the Russell Crowe filmMaster and Commander: The Far Side of the World(2003) set during the Napoleonic Wars and featuring the adventures of the Royal Navy ship HMS Surprise and her captain Jack Aubrey as they pursue the French ship Acheron into the Pacific Ocean.You can listen to an audio preview while following the score in the video below!Duration approximately 5'00".
Estimated dispatch 7-14 working days
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£15.00Dragon Dances
DescriptionDragon Dances was commissioned by Owen Farr, who is also the work's dedicatee, gave the first performance with the Cornwall Youth Band conducted by Richard Evans on 5 April 2010 and has recorded it on his solo CD "A New Dawn" accompanied by the Cory Band conducted by Philip Harper.Being a Welsh composer, writing music for a Welsh soloist, I was naturally keen to reflect this in the music, and I drew inspiration from two particularly Welsh concepts - "hiraeth" and "hwyl". "Hiraeth" is a word that has no direct translation into English, but an approximation would be 'yearning for home'. Like the other celtic nations, Wales has a widespread diaspora of people who left to seek new lives out in the empire and "hiraeth" is a way of summing up the homesickness felt by these exiles, some of whom return each year for a special ceremony at the Royal National Eisteddfod. "Hwyl" is an even more complicated word, variously meaning ecstatic joy, fervour, equable temperament and even the characteristic sing-song oration style of the great Welsh Methodist preachers.I have attempted to make the music reflect both of these, with the melancholy first part of the work inspired by the hymns and solo songs for which Wales is famous, and the second part having a much more dance-like, joyful quality.Performance Notes:2 solo cornets, 2nd and 3rd cornets require cup mutes. 2 solo cornets require harmon mutes with tubes removed (marked 'TR' in the score).1st horn and 1st baritone require straight mutes, preferably fibre. 1st trombone requires a straight mute, 2nd and bass require cup mutes.Percussion instruments required are vibraphone, glockenspiel, timpani, snare drum, suspended cymbal and tam tamWatch/Listen to the score below:
Estimated dispatch 7-14 working days
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£132.00
Myte - Torstein Aagaard-Nilsen
Commissioned by Radoy Brass for their 20 years anniversary.This version was first performed by Manger Skulemusikklag in 2005.The Work is devided into Five Scenes:1. Sverdet (The Sword) 3:452. Advarsel - fra en vis mann (Warning - from a Wise Man) 2:303. Dragen (The Dragon) 3:004. Advarsel II - fra syngende fugler (Warning II - from singing birds) 1:355. Gull - forbannelsen (Gold - The Curse) 2:50Total durata 13:30This work is based on five scenes from the tale about "Sigurd Favnesbane" (Sigurd the dragonslayer). Moods and atmospheres in the piece represent my way of retelling the old myth.1. The SwordThe dwarf blacksmith Regin is hammering and sharpening the edges of the magical sword Gram. After three attempts the sword is finally sharp enough to kill a dragon. 2. Warning - from a Wise manRichard Wagners opera Sigfried is based on the same story. In the opera the hero get warned by a wise man. He tells the secret of how to survive an attack of the dragon by hiding in a hole in the pathway and then kill the dragon with the sword as the dragon passes on its way to the river to drink water.3. DragonThe Dragon (Favne) guards a fantastic treasure, but he is also the brother of the blacksmith Regin. Favne get killed and his blood flows slowly while he laments (trombone/bass trombone).4. Warning II - from singing birdsWhile frying the heart, Sigurd burns his thumb and put it into his mouth to cool it down. Then he swallow a drop of fresh magic dragon blood which transfers the ability to understand the birdlanguage. The birds sing warnings to Sigurd telling him that Regin will betray him and later kill him. Sigurd then kills Regin instead.5. Gold - the CurseSigurd takes the gold treasure and escapes on the horseback of Grane. But his robbery of the gold lead him into trouble: The gold is banned and a curse will hit everyone whotakes it...Myth is a programmatic work where the story is quite clearly illustrated throughout the piece:In the first movement you can hear the blacksmith working with hammer on ambolt while the heat is intense from the glows. The dwarf has got his own theme i lower brass (bar 4-5). The hero Sigurd has his own identifying chord (2 bars before F). The chord is also a symbol of the sword.In the second movement the warning from the wise man is expressed in the lyric bass line.The airblow in instruments illustrate the dragon Favne on his way out of his cave, and later the blood flows slowly. The dragon takes his last deep breath after a painful duet in trombones. The birds sing their motifs (lightly, but not cheerful though), until Sigurd cuts the head off Regin and it hits the ground.The last movement describes the atmosphere andstate of mind as the curse infects the obsessed thief.
Estimated dispatch 7-14 working days
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£44.95
TRAILBLAZERS (Brass Band Set) - Andrew Mackereth
This overture draws its inspiration from the story of the first Household Troops Band. It tells the story of the 1887 band, the subsequent lull of nearly a hundred years and the re-awakening of the Troops phenomenon in 1985. It was originally written in 1995 and featured prominently by the band on its North American tour of 2002. Given the history of the Household Troops Band, it is fitting that this composition is preoccupied with marching. It begins with a marching song played by a solitary muted cornet, symbolic not only of the call to bandsmen to join the evangelical effort but also a muso-dramatic device to indicate the steady increase in members and technical ability! The music quickly develops into stirring versions of 'A robe of white' and 'Storm the forts of darkness' with two early day Salvation Army tunes crucially adding to the narrative; 'Marching on in the light of God' and 'Soldiers of our God, arise!' The second section is a reflective setting of the Herbert Booth song, 'The penitent's plea'. This song serves to represent the many people who were 'saved' during those early day campaigns. The expressive music transports the listener through a period of uncertainty and angst until finally reaching the song, 'There is a message, a simple message, and it's a message for us all'. The final section deals first with the emergence from the annals of history with the muted cornet figure again before, symbolically, the present day band bursts forth with an emphatic statement of 'Would you be free from your burden of sin? There's power in the blood'. The stirring climax represents a fitting tribute to those gallant pioneering musicians and their equally impressive and dedicated contemporaries.
Estimated dispatch 7-14 working days
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£87.99Sunday in the Park - Philip Sparke
Sunday in the Park was written for tenor horn virtuoso Sheona White, and commissioned by her partner, Matt Wade, as a Christmas present.Composer Philip Sparke had known and admired Sheona's playing for many years, having produced her first solo CD and written pieces for her previously.Both composer and performer are huge fans of the late Karen Carpenter, Sheona in part modelling her sound on the singer's sultry voice; so it was decided that this new solo would be a piece which, whilst not being a 'Carpenters' pastiche, paid tribute to their relaxed style and rich harmonic language. Sunday in the Park openswith an accompanied cadenza for the soloist, which leads to a gentle rhythmic melody with a laid-back feel. This is taken up by the band but the soloist sparks a change of mood by introducing a faster light rock interlude. This reaches a climax, at which point the music unwinds until the original mood returns.A variation on the original melody leads to a short cadenza from the soloist, which brings the work to a peaceful close.
Estimated dispatch 5-14 working days
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£54.99Onward! - Gawan Roberts
A brief history: Pentecost Monday was a special day for schools in Yorkshire (England). There were a variety of activities. The pupils of Sabine Baring-Gould would meet with the children of a nearby village. It seemed like a good idea that during the walk would be sung. But she could not find a suitable song and decided to write one by herself. "Onward Christian Soldiers" was the result. It soon became very popular, though she herself was not entirely satisfied with the rhyme scheme. The melody used (St. Gertrude) was by the famous English composer Sir Arthur S. Sullivan. Back to now: Gawan Roberts, has given the hymn a proper update. He gave the still popularsong a solid rock beat and added daring harmonies. So it's popular, for current generations, again for years. Onward!
Estimated dispatch 5-14 working days
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£54.99Peche Melba - Peter Martin
A delicacy for the eye, ear, and taste buds that was originally created by a Parisian cook in London. A musical haven of peace as a dessert and a romantic highlight of a diner a la carte. The melodic lines are relaxed and smooth and will definitely take you to another dimension for a while.
Estimated dispatch 5-14 working days
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£115.60Jubileum - Idar Torskangerpoll
This piece was written as a commission for Vassenden Youth Band in 2009.The piece consists of parts with different moods. It opens with a fanfare which process in to a faster section that has an ever changing 2 or 3- in a bar feel. TheEuphonium is featured as soloist in this section.A calmer section follows with a chamber music style. This section has a descending bassline, as a kind of passacaglia. The piece ends with the repetition of the opening fanfare and a shortcoda.
Estimated dispatch 5-14 working days
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£60.99
Conzensus - Jan van der Roost
This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands, two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band, a fanfare, and brass band, so that the audience could experience all three types of ensembles. This was indeed an original concept.The name, ConZEnSus, comes from a combination of the words, 'Concert Cyclus' (concert series) and 'zes' (Dutch for 'six'). This leads to a new word, which refers to 'consensus'. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years), ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.
Estimated dispatch 5-14 working days
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