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£154.99Spiriti (Brass Band - Score and Parts)
A Bach chorale stands at the centre of this work (F?r deinen Thron tret? ich hiermit).Anton Bruckner was one of Johann Sebastian Bach's great admirers. His work is full of the spirit of that musical genius. For Thomas Doss, it was Bruckner's spirit that always seemed to be with him while working on Spiriti. Bruckner's spirit is captured in this composition by a quote from the chorale of his Fifth Symphony at the end of the piece.The introduction, written in the style of a funeral march, already displays the first fragments of the chorale. Like splinters they are strewn throughout the first Allegro, combining and recombining in turbulent, powerful tutti passages. As the music becomes more rambunctious, the Bach-like fragments begin to swirl around each other, only to be scattered once more.The middle-section is of a more pensive nature. The Religioso character gives the audience time to reflect. The music is meditative and the quarter-note (or crotchet) elements mimic a soul that is yearning and crying out.The third part of the piece finally leads, by way of minimalist elements and the fragments mentioned earlier, to a magnificent presentation of the Bach chorale. As the church bells ring out, one can almost hear the great masters presiding at the organ. 17:00
Estimated dispatch 7-14 working days
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£30.00Here's That Rainy Day
Trombone Solo.In 1953, a new musical by Johnny Burke and Jimmy Van Heusen was staged, "Carnival in Flanders". Unfortunately, it was not successful. However, one of the songs, "Here's that Rainy Day" became a standard on the cabaret scene.I have arranged this memorable song for solo trombone and brass band. It begins in a Latin style, then moves to the famous Jazz Big Band style. Good key players make the band parts playable by most bands - as long as they like to 'swing'! The trombone part is not easy, on the other hand, neither is it aimed at the 'select few' virtuoso players. Impressive stuff though, with 'written' sections that sound like improvisation.
In Stock: Estimated dispatch 3-5 working days
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£30.00That Moaning Trombone - Carl D Bethel, Sandy Coffin
Comic March One-StepCommissioned by John Wallace, this arrangement of That Moaning Trombone has been crafted by Sandy Coffin through close listening of the available recordings of the Harlem Hellfighters Band. Sandy had been heavily involved with the Historic Brass Society symposium 2017 held in New York and assisted John with his research on this fascinating band and the style of music it generated.Eye-witness accounts refer to the 369th band 'dancing' rather than 'marching'. Above all, in modern performance, finding a 'dancing beat' is crucial to a successful performance of this Ragtime march in order to do justice to the great pioneering work of James Reese Europe.Note the the reckless abandon with which glissando, at that time a novel effect, is used!Look and Listen (courtesy of the Tullis Russell Mills Band):Background to the Harlem HellfightersThe US Army 369th Regiment, made up largely of African-Americans from New York, became known as the Harlem Hellfighters because of the heroic reputation which accrued to them during the actions they engaged in during the First World War in Europe.James Reese Europe was one of the most active African-American composer/musical directors in the pre-war American music scene. The legendary Harlem Hellfighters Band, which he assembled in 1917 from African-American and Puerto Rican musicians, came at an important transitional point in musical history. A new form of music called jazz was emerging from Ragtime and the performing style of Europe's band was immersed in the flow of this new direction.Europe's Harlem Hellfighters influenced and inspired everyone who heard them, including the welcoming crowd when they disembarked in France, bowled over by their swinging rendition of La Marseillaise. Reese Europe became a war hero, commanding a machine-gun unit as well as the band.On return from War in 1919 the band led a ticker-tape parade along Fifth Avenue in New York and soon made about 30 shellac recordings. These recordings display some of the fingerprints of their performing style: ragging, improvising, muting, wailing, smearing (their word for glissando) - and from the evidence of their recordings they took the printed page as a blueprint for individuality.In May 1919 during the Hellfighters' triumphant coast-to-coast tour after their return, James Reese Europe was tragically murdered, bringing to premature close, at the age of 39, the work of a great musical innovator.
In Stock: Estimated dispatch 3-5 working days
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£33.57A Century of Art (Brass Band) Robbert Vos
A Century of Art was composed for Brass Band Kunst naar Kracht from the town of De Goorn (The Netherlands) for its 100th anniversary in 2022. A version for Fanfare Orchestra was commissioned by the Fanfare Project Orchestra in 2023. The title of the work refers to Brass Band Kunst naar Kracht's 100-year existence and the array of art that has been created in that time. A Century of is a flashy and virtuosic opening work where melodic lines are combined with other surprising compositional elements. You can hear, among some references to some famous brass band test pieces, a quote from Lohengrin by Richard Strauss. A transcription of Lohengrin was used at the 1922 British Open in England, one of the most famous brass band competitions in the world, the same year as Brass Band Kunst naar Kracht was founded. To view a performance by Fanfare 'Project Orkest' of the work please visit www.youtube.com/watch?v=D6zuoaxf_kg (please note this is the Fanfare Band version, although it is essentially the same). Duration: 4.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£11.19Fanfare of Joy (Brass Band - Additional Transposing Parts) Andrew Wainwright
Fanfare of Joy was commissioned by the Burbage Band (Buxton) and its conductor Steven Critchlow in 2017. Based on Joy to the World and The First Nowell, this spectacular work opens with a majestic brass fanfare, before breaking in a Celtic-style dance which builds to a dramatic conclusion. The fanfare opening serves to announce the arrival of something special. In this case, the fanfare announces the arrival of Christmas, a time of joy and celebration. The Celtic-style dance is a lively and energetic movement that captures the spirit of Christmas. The music is full of syncopated rhythms and intricate melodies, driven by percussion. The final movement of the piece is a dramatic conclusion that brings the work to a rousing finish. The music is full of excitement and energy, and a fitting celebration of the Christmas season. To view a video of Dallas Brass Band performing the work please visit https://www.youtube.com/watch?v=CHl_oj1A-E8 PDF download includes additional transposing parts. Full brass band set available here. Sheet music available exclusively from World of Brass - www.worldofbrass.com Difficulty Level: 1st Section + Parts included in this download: Solo Horn F 1st Horn F 2nd Horn F 1st Baritone Bass Clef 2nd Baritone Bass Clef 1st Trombone Bass Clef 2nd Trombone Bass Clef Euphonium Bass Clef Tuba 1 Bass Clef Tuba 2 Bass Clef
In Stock: Estimated dispatch 1-3 working days
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£35.00Edward Gregson: Fanfare for a New Era (for Brass Band)
DescriptionComposer's NoteThe Fanfare has been designed to be partly antiphonal, with four separate brass 'choirs' initially playing their own music, and so some spatial separation is desirable. Soprano and solo cornets should be placed centrally, standing behind the rest of the band - or in some venues could even be placed off-stage in a side balcony, but still close to the band. If the Fanfare is played by a contesting size band, one of the solo cornets should play the 1st cornet part together with the usual player ie the number of players on the 1st, 2nd, and 3rd cornet parts should be equal. Otherwise the number of players in each of the two cornet 'choirs' is at the discretion of the conductor. The Tubular Bells accompanying the cornets 1-3 group should be placed close to that group. See inside back cover for suggested band formation.The style of playing should replicate that of symphonic brass, with a minimum of vibrato and with long notes being sustained without decaying.Programme NoteCommissioned in 2020 by Youth Brass 2000, Fanfare for a New Era was designed to be partly antiphonal - thus the separation of the band into four brass 'choirs', each with their own percussion accompaniment. First, soprano and solo cornets, rather like heraldic trumpeters, announce the main idea, majestic in character. Then horns, baritones, and euphoniums, with timpani, enter with stately figurations. Next, the heraldic trumpeters usher in trombones and tubas, to the accompaniment of tom-toms and snare drum, presenting a faster and rhythmic dance-like theme. Finally, the remaining cornets amplify the pealing of bells. All four elements then come together, surrounding the audience with a 'joyful noise' of festive brass and percussion.The original symphonic brass version of this fanfare can be purchased as part of a set of Three Fanfares HERE.For more information on Edward Gregson's music please visit the composer's website: www.edwardgregson.com
Estimated dispatch 7-14 working days
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£64.95New Beginnings (Brass Band - Score and Parts) - Schjelderup, Fredrick
New Beginnings was commissioned by the National Youth Brass Band of Great Britain and was first performed by The National Children's Brass Band of Great Britain in August 2021.It describes in sonic terms the effect that energy can create, both musically and emotionally. Here, in a burst of vibrant rhythmic patterning, and dedicated to the young players of this famous brass band, New Beginnings is born.There are three sections:From the start, it is driven by the percussion section, who push the energy through a sequence of mysterious and joyous moments.After a sonorous climax, the music subsides to a slower, romantic middle section where the earlier rhythmic energy is transformed into melodic playing from the brass.As the Finale begins, earlier themes are combined, first with a fugato which passes the melodies around the band and then unites in a recapitulation that brings the whole composition to a rousing finish as the romantic hymn makes a final appearance.Duration: 10.00
Estimated dispatch 7-14 working days
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£85.00The Alchymist's Journal (Brass Band - Score and Parts) - Hesketh, Kenneth
The Alchymist's Journal (Variants for Brass Band) was commissioned by Faber Music Band Consultant Paul Hindmarsh in 2001, with the support of the Brass Band Heritage Trust, as a substantial concert/contest challenge that would be within the compass of the country's most able youth and first section bands. It received its first performance in January 2002, by Black Dyke Band under Nicholas Childs, as part of the Royal Northern College of Music Festival of Brass.Since its original publication, composer Kenneth Hesketh has made a number of revisions to the work. Most of these were included in the recording made by Foden's Band conducted by Bramwell Tovey. This definitive new edition, including all the composer's revisions, has been specially prepared for the 2015 National Brass Band Championships of Great Britain and is the text that all bands performing were required to use.Suitable for 1st Section Bands and aboveDuration: 12 minutes
Estimated dispatch 7-14 working days
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£79.95The Plantagenets (Brass Band - Score and Parts) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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£39.95
The Plantagenets (Brass Band - Score only) - Gregson, Edward
A Symphonic Study for Brass BandThe Plantagenets was Gregson's first major test piece, written specially for the 1973 National Brass Band Championships.In this ambitious symphonic study he turned his attention to music which sets out to create a mood or atmosphere, in contrast to his earlier brass band works such as Essay and Partita where the underlying concerns are technical rather than expressive. However, Gregson is at pains to emphasise that The Plantagenets is not programme music. 'Symphonic' is the optimum word here. In its textural and harmonic complexity, its rhythmic and melodic variety, this was his most ambitious brass band piece so far. His language, with its roots in Hindemith and Bartok is further enriched here with the expressive language of Holst and Rachmaninov.As he says in his notes on the work: The Plantagenets attempts to portray the mood and feelings of an age - that of the House of Plantagenet which lasted from the middle of the twelfth century to the end of the fourteenth. To many it conjures up an age of chivalry and this is represented by fanfare motifs which occur throughout the work in varied form.Characteristically, the composer then goes on to describe not the atmosphere or mood he is trying to convey, but the means by which the music has been composed: the opening fanfares, based on the interval of the third, generating the musical material for the whole work; an exposition of two themes - one fanfare-like, one lyrical (on horns); a slow episode introducing a new melody on solo horn (answered by cornet and euphonium in canon); a little scherzo, fugal in character; and a recapitulation leading to a maestoso statement of the slow movement theme with a final reference to the fanfares as a triumphant conclusion.Duration: 11.30
Estimated dispatch 7-14 working days
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