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  • £74.99

    Brilliant Beatles (Brass Band - Score and Parts) - Schaars, Peter Kleine

    There have been many arrangements of Beatles' songs for various kinds of ensembles, so rather than just producing a further medley of Beatles' hits, Peter Kleine Schaars has added a new twist to them with this excellent new work. All You Need Is Love and With a Little Help from my Friends pass by in a swing march, Michelle sounds like a newly composed ballad and When I'm Sixty Four is played in Dixie swing style. A Hard Day's Night is transformed into a funk theme with a samba interlude, Let It Be into a slow march, and Ob-La-Di, Ob-La-Da in a rock beat. Experience The Beatles as you have never heard them before.Duration: 7:00.

    Estimated dispatch 7-14 working days
  • £74.95

    Radio City (Trombone Solo with Brass Band - Score and Parts) - Graham, Peter

    As youngsters growing up on the west coast of Scotland, my brother and I fell heir to an old valved radiogram which provided us with our first experiences of radio broadcasts. On the short wave signal, and through the static, we could pick up a whole range of programmes from across the Atlantic. I particularly recall the baseball games, the American accents of the announcers providing a window to a evocative world far removed from our small Ayrshire town. These memories form the basis of Radio City.The work is set in three movements, each introduced by a pastiche radio announcer narrative written by Philip Coutts. The first, City Noir, is a nod towards Raymond Chandler's eponymous private eye Philip Marlow and the dark cityscape of 1940s California.Movement two, Cafe Rouge, takes its title from the main restaurant in New York's famous Hotel Pennsylvania. Two of the most famous band leaders of the 1940s, trombonists Glenn Miller and Tommy Dorsey, broadcast live from the cafe on numerous occasions and the movement echoes with a collage of imagined sounds from the period.The finale, Two-Minute Mile, derives from an event dubbed in the USA as "the most exciting two minutes in sport", namely the Kentucky Derby. The virtuoso soloist figurations have their roots in Kentucky bluegrass fiddle music, with the galloping bluegrass clog-dancing rhythms providing the backdrop.- Peter Graham, Cheshire, January 2013

    Estimated dispatch 7-14 working days

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  • £25.00

    Breakaway Fanfare and Romance - David Hext

    A grand fanfare of an opening instantly catches the attention of the audience. This is then followed by the delightfully gentle melody of the Romance, reflected around the sections with some wonderful chordal sounds to build the intensity.The piece closes with a return to the fanfare theme and a definitive flourish to the end.This is an ideal work to add some original composition interest to a concert of entertainment contest programme

    In Stock: Estimated dispatch 3-5 working days

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  • £30.00

    Frost - Lucy Pankhurst

    A spotlight composition from Lucy Pankhurst for baritone soloist with brass accompaniment.Opening with a rich combination of melody and harmony, the resulting sound draws in the audience with its beauty. The sounds grow and the accompaniment starts to introduce moments of extra rhythmic interest. This then progresses into a more playful section where the melody line is developed further. Eventually the solo returns to a more reflective section and once again the further development of the rich warm harmonies.This is a lovely addition to the baritone repertoire and brings with it a new level of appreciation for the instrument.

    In Stock: Estimated dispatch 3-5 working days
  • £45.00

    Blue Thunder

    Commissioned in 2013 by the National Children's Band of Great Britain for their 10th Anniversary, Blue Thunder takes inspiration from the fast and noisy world of steam locomotives. The Mallard 4468 is a LNER Pacific steam locomotive and was famous for setting the world land speed record (126mph). Blue Thunder (a reference to the train's colour and lightning speed) also marks the 75th anniversary of this world record. The music imitates the sounds and excitement of a steam train on its journey, with added choreography to add some visual excitement. Listen: Duration: 00:04:45 Grade 3.5

    Estimated dispatch 5-7 working days
  • £40.87

    Saltarello from 'Italian Symphony' (Brass Band) Mendelssohn arr. Phil Lawrence

    This tour de force will be ideal for bands looking for a barnstorming finale to their concert. The 'Italian' was really Mendelssohn's 3rd Symphony at the time it was completed in 1833. The 'Italian' is certainly a youthful work, not in its technique, since it shows a perfect mastery of symphonic composition, but in its spirit. He had begun it two years earlier on a visit to Italy, where the vivid sights and sounds had impressed him immensely, just as the visit to Scotland had the year before. The atmosphere of Italy impelled him to translate his impressions into another symphony. The dazzling finale, the Saltarello, conjures up a picture of Italian peasants dancing frantically in a wild and whirling fashion, not unlike the tarantella. The arranger writes: 'It was noted by some players of the day that the orchestral parts were somewhat virtuosic for the time, and this virtuosic style inspired me to arrange this for brass band.' To view a follow-the-score video of the work featuring the Fairey Band please visit https://www.youtube.com/watch?v=BvcuwwJQrR8 PDF download includes score and parts. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 1st Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani

    In Stock: Estimated dispatch 1-3 working days
  • £70.00

    Origins - Peter Meechan

    Origins is in three movements, with each movement having a different subject matter, all linked by the idea of origins: the first movement refers to musical origins; the second to the origins of life; and the final movement to the space exploration - the research of all origins. The first movement is based on a short motif, heard in the first three notes the soloist plays. These three notes cover the interval of a minor third (an interval that often plays a crucial role in my music) on which the whole concerto is built. The soloist and accompaniment interplay freely throughout the opening section, before an ostinato accompaniment appears - over which the soloist sounds a long legato melody. A short cadenza follows and a return to the opening material leads the movement to an end. The second movement, titled Harryas Song, is - as tradition dictates - a slow movement. Happy and reflective in nature, the main melody was written on the evening that my closest friend, Mark Bousie (a fine euphoniumist himself), and his wife Jayne, had their first child - Harry Bousie. It seemed only fitting that this song should be written for Harry in celebration. The final movement brings me back to a lifelong fascination with space, and in this particular movement, the Space Shuttle Discovery. Having completed 39 missions (including flying the Hubble telescope in to orbit), and spent a total of 365 days in space, SS Discovery made its final voyage in 2011 and was taken to the Smithsonian in Washington D.C. in April 2012. This final movement, titled Discovery, pays tribute to the great shuttle whose missions inspired millions across the generations. Origins was commissioned by Marco Schneider, Adrian Schneider and the Dunshan Symphonic Wind Orchestra, Beijing, China.

    Estimated dispatch 12-14 working days
  • £60.99

    Centennial Prelude - Jan van der Roost

    This short opening music was composed on commission of the symphonic band of Jan Van der Roost's village (= Kontich near Antwerp / Belgium). In 1991, this community band celebrated its 100th anniversary. After composing commissioned pieces from different countries (even from Japan), this was the most 'near' commission he ever received indeed!It is a short but varied piece, featuring all sections of the band. After a short introduction, played by the brass instruments, a crisp rhythm starts and boxes the main theme. After a second theme, played by brass and percussion, a short melodical passage brings some 'rest'. At the end, the fanfare of the introductionreoccurs.Although this "Centennial Prelude" isn't a really demanding piece, it sounds colourful and energetic. It has been recorded on CD by the band of the 'Royal Dutch Airforce' and the 'Desford Colliery Brass band'.

    Estimated dispatch 5-14 working days

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  • £60.99

    Lentini's Ballad - Jacob de Haan

    Giacomo da Lentini was a 13th century Italian poet who was a notary at the court of the Holy Roman Emperor Frederick II and is said to have invented the sonnet. Lentini's Ballad is based on the famous poem 'Amor e un desio che ven da core' (Love is a desire that comes from the heart). It sounds great as an instrumental work, but there is also an option for a vocal version using the Italian lyrics of the poem, making the arrangement even more special!

    Estimated dispatch 5-14 working days

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  • £84.99

    Creamy and Crispy - Marc Cunningham

    This composition of Marc Cunningham has four parts, and takes place on a sunny day in a picturesque town. 1. Promenade Many people walk through the city. The band passes through the streets. People are strolling along the avenues and amorous couples are sitting on a park bench. 2. Lovey Dovey One of these couples is knee-deep in love. 3. Crispy and Creamy Here the contrasts between a crisp staccato section in two-four time signature and a smooth legato section in three-four time signature are depicted. Is Crispy the boy and Creamy the girl? 4. Farewell In the last particle the couple says goodbye. We still think back tothe walk through the city. It sounds a little less happy now. Not everyone is good at saying goodbye, sometimes a tear flows.

    Estimated dispatch 5-14 working days

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