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  • £54.99

    Firework - Jan Van der Roost

    In composing Firework Jan Van der Roost has once again succeeded in creating another spectacular intro following on Flashing Winds and Signature. In just over a minute the composer shows the band off in a powerfull and virtuose manner.

    Estimated dispatch 5-14 working days
  • £60.99

    The Lost World - John Williams - Klaas van der Woude

    This film was the follow-up to Jurassic Park and the music was composed by the peerless John Williams- the king of film music. Klaus van der Woude has arranged the signature tune to the Lost World for brass band.

    Estimated dispatch 5-14 working days
  • £92.20

    I hop med Grieg - Marsj - Fredrick Schjelderup

    Onwards with Grieg is a festive march commissioned by the Norwegian concert band, Skjold Nesttun Janitsjar, for their 115th anniversary in 2019.The famous Norwegian composer, Edvard Grieg (1843-1907), wanted a local band in his area and donated money for instruments so the band could establish in 1904.The march quotes some of Grieg's most famous works: Piano Concerto in A-minor, Triumphal March as well as his own signature interval.

    Estimated dispatch 5-14 working days
  • £59.99

    Welcome to the Jungle - Paul Murtha

    Named the greatest hard rock song of all time by VH1, Guns N' Roses' signature hit was introduced back in 1987 and remains as popular and recognizable today as ever. Featuring plenty of musical variety and excitement, this version will challenge young players but is guaranteed to inspire them to practice!

    Estimated dispatch 5-14 working days

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  • £60.99

    Jazzimut - Marc Jeanbourquin

    In 2009, one year after its formation, the Swiss brass ensemble Azimuts Brass commissioned its conductor, Marc Jeanbourquin, to write them a signature tune. He composed Jazzimut, which features a festive introduction followed by a lyrical theme. After a few bars of rock rhythm, Jazzimut goes disco and finishes with a recapitulation of the introduction as a fanfare. Now available for concert band this is an entertaining piece from start to finish!

    Estimated dispatch 5-14 working days

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  • £65.00

    Second Suite in F - Brass Band Sheet Music Full Score & Parts - LM602 - Gustav Holst

    COMPOSER: Gustav HolstTRANSCRIBED : Daniel S. AugustineA brand transcription from Holst's manuscript score for brass band.A very authentic version from the original for Military Band.Can be used as a testpiece in your next own choice contestSuitable for Section 3 bands upwardsSecond Suite in FOp. 28, No. 2 (1922)1. MarchThe "March" of the Second Suite begins with a simple five note motif between the low and high instruments of the band. The first folk tune is heard in the form of a traditional British brass band march using the morris-dance tune "Glorishears". After a brief climax, the second strain begins with a euphonium solo playing the second folk tune in the suite "Swansea Town". The theme is repeated by the full band before the trio. For the trio, Holst modulates to the unconventional subdominant minor of Bb minor and changes the time signature to 6/8, thereby changing the meter. Usually one would modulate to subdominant major in traditional march form. While Sousa, reputably the "king of marches", would sometimes change time signatures for the trio (most notably in "El Capitan"), it was not commonplace. The third theme, called "Claudy Banks",[2] is heard in a low woodwind soli, as is standard march orchestration. Then the first two tunes are repeated da capo.2. Song without Words "I'll Love My Love"Holst places the fourth folk song, "I'll Love My Love" in stark contrast to the first movement. The movement begins with a chord and moves into a solo over a flowing accompaniment. The solo is then repeated, forming an arc of intensity. The climax of the piece is a fermata, followed by a cornet pick-up into the final measures of the piece.3. Song of the BlacksmithAgain, Holst contrasts the slow second movement to the rather upbeat third movement which features the folk song "A Blacksmith Courted Me". There are many time signature changes (4/4 to 3/4) making the movement increasingly difficult because the accompaniment has a pick up on the up-beats of each measure. The band joins in on the melody around the body of the piece and are accompanied with the sound of a blacksmith forging metal with an anvil called for in the score. The final major chord has a glorious, heavenly sound, which opens way to the final movement.This chord works so effectively perhaps because it is unexpected.4. Fantasia on the "Dargason"This movement is not based on any folk songs, but rather has two tunes from Playford's Dancing Master of 1651. The finale of the suite opens with a solo based on the folk tune "Dargason", a 16th-century English dance tune included in the first edition of The Dancing Master. The fantasia continues through several variations encompassing the full capabilities of the band. The final folk tune, "Greensleeves", is cleverly woven into the fantasia by the use of hemiolas, with Dargason being in 6/8 and Greensleeves being in 3/4. At the climax of the movement, the two competing themes are placed in competing sections.As the movement dies down, a duet forms a call back to the beginning of the suite with the competition of low and high registers.The name 'dargason' may perhaps come from an Irish legend that tells of a monster resembling a large bear (although much of the description of the creature has been lost over time), the Dargason tormented the Irish countryside. During the Irish uprising of the late 18th century, the dargason is supposed to have attacked a British camp killing many soldiers. This tale aside, 'dargason' is more likely derived from an Old English word for dwarf or fairy, and the tune has been considered English (or Welsh) since at least the 16th century. It is also known as 'Sedony' (or Sedany) or 'Welsh Sedony'.

    In Stock: Estimated dispatch 3-5 working days
  • £24.99

    Loddon - MARCH Joseph Knight

    This march was written for the Loddon brass band as their signature march. This commission was undertaken in 2007 and is an example of a standard contest march. One of the main inspirations for this composition was the reading of the role of lost servicemen and women during the remembrance day service. The phrase was later used "Loddon the brave" which has been used in the rhythm of the main theme of the piece.

    Estimated dispatch 5-9 working days
  • £33.62

    Both Sides, Now (Brass Band) Joni Mitchell arr. Andrew Wainwright

    Joni Mitchell's Both Sides, Now is a timeless reflection on the shifting landscapes of life, love, and self-understanding. First released in 1969, this iconic song has become a signature of Mitchell's extraordinary songwriting, capturing the delicate interplay between youthful innocence and hard-earned wisdom. With its poignant lyrics and haunting melody, Both Sides, Now continues to resonate across generations. This evocative brass band arrangement by Andrew Wainwright was commissioned by the Fountain City Brass Band for its 2023 tour of England, including a performance at the prestigious Brass in Concert Championships. Featuring prominent solos for baritone and flugel horn, the arrangement makes full use of their lyrical warmth and tonal richness. BrookWright is delighted to be able to now make this arrangement available to brass bands. To view an excerpt of Fountain City Brass Band performing the work please visit www.youtube.com/watch?v=OYaoF_b9wHo Duration: approx. 3.30 minutes Difficulty Level: 4th Section + This PDF download includes parts and score. Sheet music available at www.brassband.co.uk (UK) or www.cimarronmusic.com (USA) Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Timpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £33.62

    Verleih Uns Frieden (Brass Band) Mendelssohn arr. Edward Mylechreest

    Felix Mendelssohn's stunning Choral Cantata has here been adapted to the brass band by Edward Mylechreest. A setting of Martin Luther's sacred words, this short piece is a staple of the choral canon and is widely regarded as a choral masterpiece. The hymn tune melody repeats three times throughout the piece (first from the trombones, then the horns, followed by a full band chorale), each time an emploring prayer and statement of the text. This arrangement can also be used for accompaniment to the original Chorale, remaining in the original Eb major key signature. Knowledge of the original piece will be of great benefit to the performer and conductor alike. Sheet music available from: UK - www.brassband.co.uk USA - www.solidbrassmusic.com Difficulty Level: 4th Section + Instrumentation: Soprano Cornet Eb Solo Cornet Bb 1st Cornet Bb 2nd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass Bb Percussion Tacet

    In Stock: Estimated dispatch 1-3 working days

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  • £59.99

    Bring Me Sunshine - Christopher Bond

    Bring Me Sunshine was written in 1966 by composer Arthur Kent with lyrics by Sylvia Dee. It was first recorded by The Mills Brothers in 1968 on their album, My Shy Violet. In the UK, the song is synonymous with the popular comedy duo Morecambe & Wise, after it was adopted as their signature tune in their second series for the BBC in 1969. This arrangement, for brass band, is suitable for bands of third section standard and higher.

    Estimated dispatch 10-14 working days