Results
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£30.00Alloy - Chris Wilcox
Alloy was originally commissioned in 2009 by Redbridge Music Service as a performance goal for beginner brass instrumentalists who had received free tuition in schools across the borough. The aim of the piece was to provide an inspirational opportunity for beginner players to perform alongside intermediate and advanced level instrumentalists. Alloy is an 8-minute work for metallic instruments, which is reflected in its title. It is a fusion piece with elements from traditional Indian Raga, Drum & Bass grooves, Jazz, Rock and African rhythms alongside the more 'classical' melodic brass styles. What culminates is a vibrant and exciting contemporary work.
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£30.00Flanfayre - Stephen Deazley
I was asked by Music for Youth to write a flexibly scored fanfare for the school proms at the Royal Albert Hall and at their National Festival in Birmingham in 2013. At its first performance at the National Festival, over 200 young brass players performed Flanfayre in Birmingham Town Hall, directed by Roger Argente, members of Superbrass and myself. The score is a progressive romp through some increasingly dance-like grooves, borrowing some of its swing from South America, from marches and big band, moving from a really quite straight opening to a "let-go" moment at the end. It is more like a flan full of different flavours, than a fanfare, hence the title. I set myself a challenge to write 100 bars but ended up with 102, which, after the introduction, can be broken down into 10 easily discernible sections each with their own mini-musical narrative. If you have time feel free to teach the audience the clapping groove. I also modelled the slow moving melody of the final section on the following words; "nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a nice big cheesy, nothing beats a cheesy flan". Feel free to incorporate these too, and perform only under the strict instruction that you have fun ! - Programme Note copyright of Stephen Deazley
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£30.00Gull Dances - Terry Johns
The composer, who lives and works at the edge of the Forth estuary in Edinburgh has been inspired here by the intriguing "tap" dance that the gulls perform on the grass at certain times to encourage worms to break the surface. The middle movements describe the birds' "dancing" in flight, with a waltz and a slow soaring melody. The piece was written for the COOP Glasgow Brass Band on the occasion of their winning the Scottish brass band championship in 2009 and was broadcast on BBC Scotland's "Classics Unwrapped" in November of that year.
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£30.00No Other Option - Jock McKenzie
I seem to have taught a number of students in recent years who have either embarked on medical careers or are studying to do so. Whether it be our beleaguered NHS in general or the working conditions of Junior Doctors in particular, sentiments naturally run high. I was asked & inspired to write a piece for some of these 'medical musicians' to perform in situations of protest or industrial action; situations in which they felt there was "No OtherOption" than to make their feelings known through their chosen path of protest. There is a deliberate irony in the fact that this piece is written in the style of an upbeat and good-humoured folk reel.
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£29.99Nimrod from The Enigma Variations By Edward Elgar arr. Joseph Knight
This arrangement has been taken from the original Enigma Variations and adapted for brass band. It has been arranged so that any band can perform it regardless of section. It is time signatured in both 6/4 and 3/2 to aid the band in it's learning. It is offered with full parts and score.
Estimated dispatch 5-9 working days
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£29.99Thou Comfortedst Me - Tenor Horn Solo Joseph Knight
This Tenor Horn Solo was composed a number of years ago and was inspired by the phrase "Thou Comfortedst Me" from Isaiah 12. The piece is written in concert Bb with a slow introduction. The standard is high for the soloist, who needs to be able to achieve a comfortable written top D to effectively perform it. It lasts for approximately three and a half minutes and would make a superb solo for any standard concert.
Estimated dispatch 5-9 working days
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£30.00Abrazo - Lucy Pankhurst
Lucy Pankhurst wrote this piece in response to an open request from Jim Hayes, when he asked for new solos to perform. Abrazo was then selected to feature on his solo CD Dial M for Midnight.The title Abrazo translates as 'embrace', but is also the term given to the dancing frame of the Tango; where the partners change stance by pulling and pushing the frame, yet always remaining in physical contact with each other. This technique is suggested in the music by the soloist breaking away from the band with virtuoso interjections, before being 'embraced' again by the full band.When the cornet soloist eventually breaks completely free in the cadenza passage, the music becomes much more agitated and moves away from the original Tango, transforming briefly into a Flamenco to finish with a flourish.
In Stock: Estimated dispatch 3-5 working days
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£75.00As Above, So Below - Jay Capperauld
An original composition for brass band and brass quintet by Jay Capperauld was commissioned by John Wallace and The Wallace Collection with the support of the PRS Foundation's Beyond Borders. This major work enjoyed its world premiere at The Cumnock Tryst on 30 September 2017 at Cumnock Old Church, performed by The Wallace Collection and Dalmellington Band, conducted by Martyn Brabbins.If you would like to perform this work, please don't hesitate considering The Wallace Collection to provide the brass quintet elements - if you would like to discuss potential performances, please contact us on [email protected] NotesBased on the Hermetic maxim "As Above, So Below", the phrase comes from the cryptic text of The Emerald Tablet, which was purportedly written by a mysterious character who is thought of as an amalgamation of Greek and Egyptian Gods, Hermes Trismegistus. The text first appears in Arabic between the 6th and 8th Centuries and is intended to outline the primitive and hidden sources that constitute the basis of all matter in the universe. The phrase "As Above, So Below" implies an essential "oneness" of all matter and a correlation between the physical elements and supernatural entities that make up our surroundings. The philosophies expressed within The Emerald Tablet have become a founding principle of Alchemy, Occultism, Witchcraft, Theosophy and various other ancient gnostic systems of belief, and this work attempts to explore these forms of so-called "secret knowledge" in a ritualistic trance-like Adagio steeped in the esoteric.The Brass Band is placed at the centre of the stage while the solo Brass Quintet are spread antiphonally around the concert hall and are placed above both the Brass Band and the audience in an attempt to create a direct dialogue between the Above and the Below. Therefore, the piece endeavours to explore the meaning behind the text of The Emerald Tablet as well as the phrase 'As Above, So Below' in a music context while giving particular attention to the 'SOLVE' (Latin for 'Separate' which correlates to the Above) and 'COAGLUA' (Latin for 'Join Together' which relates to the Below) that is depicted in the image of the Baphomet by the French occultist author, Eliphas Levi, which is a visual representation of the phrase 'As Above, So Below'.Additional Note of InterestIt was not until the work was complete that the role of the main melody became clear when an unexpected and inadvertent correlation between this melody and that of the Latin Dies Irae presented itself. The plainchant nature of As Above, So Below's melody became a defining feature of the piece and when compared to the melody of the Dies Irae (a similar melody reminiscent of that contained within As Above, So Below), some interesting and unsettling implications unveiled themselves.The findings of a comparison can be interpreted as follows:Both melodies adhere naturally to the plainchant idiom, which in itself strongly relates to a supernatural (or quasi-religious) element in both cases.Both melodies originate in the key of D; the Dies Irae resides in the Dorian Mode on D while the As Above, So Below melody inhabits the D Octatonic Scale.Both melodies can be divided into three distinct phrases, although the melody to As Above, So Below can be divided into three phrases in a number of ambiguous ways.The most striking and unnerving connection is that, by pure chance, the Latin text to the Dies Irae fits perfectly under both melodies giving an entirely specific context to how the melodies are perceived.By understanding the As Above, So Below melody as an alternative to that of the Dies Irae and by interpreting it in the same context, the connotations of the Dies Irae's otherworldliness, and the suggestion of a dialogue with the supernatural and death adds a richer dimension to the As Above, So Below melody which in turn solidifies the esoteric concept of this work.In conclusion, this unanticipated and purely accidental relationship between both melodies is worthy of note more so from an emotional and contextual perspective rather than from any analytical evaluation concerning the music itself - it is the circumstance of the so-called "secret knowledge" that has presented itself within the inner workings of As Above, So Below.
In Stock: Estimated dispatch 3-5 working days
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£75.00De Profundis - john wallace, Tony George
An original composition for massed brass bands and brass quintet devised by John Wallace, Tony George and Svend McEwan-Brown. A cross-genre production work, including scene setting, lighting and the spoken word reciting associated poems, De Profundis was given its world premiere at the East Neuk Festival on 1 July 2017 at The Bowhouse, performed by The Wallace Collection, Tullis Russell Mills Band and friends.If you would like to perform this work, The Wallace Collection are able to provide production consultancy and supply the brass quintet elements of the production - if you would like to discuss potential performances, please contact them direct on [email protected] NotesDe Profundis is a large scale brass band performance piece created by John Wallace and Tony George, based upon an original idea by Svend McEwan-Brown. It was developed in sessions with members of the Tullis Russell Mills Band, commissioned and premiered at East Neuk Festival 2017 at The Bowhouse, St Monans, on 1st July 2017.It was supported by Creative Scotland, Fife Council, Toby and Kate Anstruther, Shields and Carol Henderson, Donald and Louise MacDonald.This project remembers and celebrates the lives and music of miners. It is designed to give brass bands a performance piece that uses elements of improvisation and participation, to offer the players a stimulating and inspiring experience beyondthe normal run of brass band repertoire.All the music is drawn from two settings of the psalm 'Out of the Deep" (De Profundis).Look and Listen (courtesy of Tullis Russell Mills Band and The Wallace Collection at 2017 East Neuk Festival):More InformationMore details about the De Profundis project is available on a dedicated web-page on The Wallace Collection website.
In Stock: Estimated dispatch 3-5 working days
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£30.00Hot Gospel - Various
Tim Paton has creatively arranged for brass band this selection of familiar hymns/religious songs to create a 5-movement, gospel-styled work. With features for soloists across the band and a great mix of styles including swing, traditional jazz, blues, and calypso, this makes for a versatile concert feature either as a complete piece piece (9 minutes); using the alternative optional cuts (4.5 minutes); or simply by cherry-picking the individual movements in order to spotlight the different styles/melodies/soloists of your choice.With solo features in each section, the piece includes:The Church's One Foundation - Swing version with Tenor Horn soloNearer My God To Thee - Traditional jazz style with Cornet soloThe Old Rugged Cross - Bluesy with Flugel soloHow Great Thou Art - Calypso with Euphonium soloJust A Closer Walk With Thee - Finale with jazzy Trombone soloTim comments:The community gospel choir sound has become very popular in recent years. "Hot Gospel" is my attempt to capture this charismatic experience in a medley of well known sacred music. Each of the five songs chosen follows a similar pattern - a verse for full band followed by a solo, and all solos are intended to sound like improvisation.I've included Optional Cuts which would reduce the play length from c. 9 minutes, down to approximately 4.5 mintues, should your concert programming not allow for the full version. The optional cuts simply side-step the solo section of each song.However you wish to perform Hot Gospel, it will definitely bring variety to programme choice.Also available for wind/concert band.
In Stock: Estimated dispatch 3-5 working days