Results
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£48.95William Tell Overture
The overture to Rossini's opera William Tell, arranged for 10 piece brass ensemble and percussion by Corsin Tuor.
Estimated dispatch 7-14 working days
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£16.50William Tell Overture (Score Only)
The overture to Rossini's opera William Tell, arranged for 10 piece brass ensemble and percussion by Corsin Tuor.
Estimated dispatch 7-14 working days
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£12.95Concerto for Trumpet (Cornet Solo)
Though not a concerto in the classical sense this is, nonetheless, a popular vehicle for trumpet (or cornet) soloists to show off their jazz credentials!It does not outstay its welcome and gives players in the ensemble a chance to play some hand-held percussion too. Great fun all round.
Estimated dispatch 7-14 working days
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£40.00
Battlestar Galactica - Phillips, S - Phillips, L
This superb arrangement contains the rarely heard 'Prologue' music which gives a sense of exotic with its use of bell-like percussion and sinuous flugel solo; this is followed by the now famous 'Galactica Theme' which is both heroic and noble in its use of fanfares and militaristic rhythms.
In Stock: Estimated dispatch 1-3 working days
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£60.00
Samba de Haps - Taylor, M - Harper, P
This up tempo Latin-jazz inspired number featured on Stan Kenton's album Kenton '76.Philip Harper has arranged this virtuosic showpiece for brass band, which requires skill, dexterity and precision from all instruments. It includes a feature for flugel horn and fully integrated percussion, including two mallet parts.As performed by Cory Band, at Brass in Concert, this will blow your audiences away!Duration: 3 mins 30 secsDifficulty: ChampionshipUsed by kind permission of World of Brass - full performances available at wobplay.com
In Stock: Estimated dispatch 1-3 working days
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£36.00
Samba de Haps (Score) - Taylor, M - Harper, P
This up tempo Latin-jazz inspired number featured on Stan Kenton's album Kenton '76.Philip Harper has arranged this virtuosic showpiece for brass band, which requires skill, dexterity and precision from all instruments. It includes a feature for flugel horn and fully integrated percussion, including two mallet parts.As performed by Cory Band, at Brass in Concert, this will blow your audiences away!Duration: 3 mins 30 secsDifficulty: ChampionshipUsed by kind permission of World of Brass - full performances available at wobplay.com
In Stock: Estimated dispatch 1-3 working days
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£50.00
Voodoo Ray - Simpson, G - Newton, R
"Voodoo Ray," written and produced by Gerald Simpson is a landmark 1988 acid-house anthem. Its hypnotic groove combines a drifting melody, minimal percussion and looped vocal fragments - including the memorable "voodoo ray ray ray" chant - creating an entrancing, otherworldly soundscape.
In Stock: Estimated dispatch 1-3 working days
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£45.00Toccata (from Symphony No.8) (Brass Band - Score and Parts) - Vaughan Williams, Ralph - Littlemore, Phillip
Ralph Vaughan Williams' Symphony in D minor (his eighth) was composed in 1956, when he was in his 84th year. It is noticeably different from its predecessors in its diminutive scale and comparatively short length. However, the symphony is scored for an unusually large percussion ensemble including vibraphone, xylophone, tubular bells, glockenspiel, tuned gongs and celeste. In the Toccata, the fourth and final movement, Vaughan Williams uses the enlarged percussion forces extensively - the eight symphony is therefore in some ways a highly imaginative work, perhaps even an experimental one.. This brass band transcription tries to remain as true to the original percussion writing as possible, but with the omission of the tuned gongs and celeste--for obvious practical performance reasons. Duration: 5:00
Estimated dispatch 7-14 working days
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£42.95WATCHING THE WHEAT (Flugel Horn Solo with Brass Band) - Davoren, Tom
Instrumentation: Score; Flugelhorn; Solo E flat Horn; 1st E flat Horn; 2nd E flat Horn; 1 st B flat Baritone; 2nd B flat Baritone; 1st B flat Trombone; 2nd B flat Trombone; Bass Trombone; B flat Euphonium; E flat Bass; B flat Bass; Timpani; Percussion 1; Percussion 2; Percussion 3. Cornets are tacet throughout.
Estimated dispatch 7-14 working days
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£95.00King Lear (Brass Band - Score and Parts) - Bantock, Granville - Hindmarsh, Paul
Sir Granville Bantock (1868 - 1946) composed the second of his five major brass band work for Callender's Cableworks Band, completing the commission on 30 November 1932. Based in the Thames-side district of Belvedere near Erith, the band was active between 1898 and 1961. The works band of the Callender Cable & Construction Co. Ltd, it was at the peak of its popularity during the 1930s and was a frequent broadcaster on the radio. The band employed an in-house arranger and played saxophones in its lighter material. King Lear was one of the band's major commissions and was not published in Bantock's lifetime. The manuscript score and parts were thought to be lost for decades, but were found in the library of the Haydock Band (Lancashire), which had inherited part of Callender's library of manuscripts material and bespoke arrangements after it has been transferred to nearby Prescott Cables Band after Callender's Cable Works closed.King Lear is a substantial work, in essence a dramatic tone poem in the romantic Tchaikovskian manner, presenting a series of character portraits of the foolish old king and his three daughters, Goneril, Regan and Cordelia. The music is dramatic and lyrical by turns, with the most generous lyrical episode revealing perhaps the warm-hearted Cordelia. An expansive melody that flows from this is brought back towards the end as the main climax of the work.In 2001, Bantock's score was recorded by the University of Salford Brass Band, conducted by Dr. Roy Newsome. The original is serviceable, but in comparison with the orchestral version he made in 1936 (part of which was recorded on a Paxton 78 rpm) and later brass band scores, performing editions of which were prepared by others, it lacks colour and range typical of Bantock's orchestral work. Above all it lacks percussion, which can be heard on the recorded extract. With the kind permission of the Bantock Estate, I have prepared a performing edition for publication that incorporates percussion, derived from the orchestral recording and added editorially in similar manner elsewhere. I have revoiced some of the low- lying instrumental parts to present the material in more comfortable ranges. Editorial interventions more elaborate than revoicing the original text have been identified as cue notes.- Paul HindmarshDuration: 15.00
Estimated dispatch 7-14 working days
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