Results
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£78.20Dual - Andrew Pearce
Dual (for euphoniums and band) was commissioned by Robbert Vos and Anteun Hoesen of Altena Brass, the Netherlands. Pearce strived to write a fun, melodic and challenging piece that showed off the vast range and virtuosity of these fine players. The octatonic scale forms the harmonic basis for much of the piece, which is a musical competition or race between our mighty Euphonium soloists! Rapidly ascending and descending atonal lines create constant drama for both soloists and band, culminating in a more expressive and tonal ending.
Estimated dispatch 5-14 working days
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£73.60Rock Pool! - Dean Jones
This play-on-words title is a suite in 3 movements. Movement 1, called Pool Party has an element of funk before the more laid back and reflective Beach-side middle section. The final movement is a 60s rock 'n roll throwback (with a few modern touches!) called Surfs Up!, so enjoy the ride!
Estimated dispatch 5-14 working days
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£73.60Drie Opwekkingsliederen - Henk Ummels
Revival songs are sung more frequently these days in Christian churches in the Netherlands. The cheerful nature of these songs come into their own with use of a good catchy melody, everyday language, and often accompanied by a band with wind players, instead of an organ. In this collection: Together In the Name of Jesus, Thank You For This New Morning, and Praise Him. Arranged for a flexible setting, these are also well suited to a full orchestra.
Estimated dispatch 5-14 working days
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£54.99Smile! - Timothy Travis
Undoubtedly, a smile will come to your face whenever you listen to 'Smile', for this little piece is guaranteed to bring mirth and good cheer to each and everyone. What is more, your bandsmen will almost literally lick their lips over this sure-fire favourite to be, containg swinging solos for cornet and euphonium (cued in tenorhorn).
Estimated dispatch 5-14 working days
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£80.00St. Magnus - Kenneth Downie
Dedicated to Alastair Massey, an inspirational music teacher. Commissioned by the Scottish Brass Band Association for the 2004 European Brass Band Championships in Glasgow. This music is a set of variations on the tune known as St Magnus, which is attributed to Jeremiah Clarke. Most people will associate it with Thomas Kelly's hymn which begins: "The Head that once was crowned with thorns is crowned with glory now". The tune is very simple, consisting of just two, four-bar phrases. Neither is there much in the way of rhythmic variety, every note being a crotchet with the exception of two quavers, and the last note in each phrase. Within such a simple structure, however, lies considerable strength. THEME The listener is given the opportunity of hearing it twice, in full, at the beginning, starting with one player but soon taken up by the full ensemble. It returns in the middle of the music and is stated again near the end. This has been done quite deliberately in the hope that there will be an appreciation of what material is being developed, by the listener as well as by those with access to the score, who are able to see the visual connections. VARIATION 1 This takes the rhythm of the last part of the theme and also uses the shape of the opening as a recurring figure. The mood is whimsical and skittish, with short, teasing rhythmic figures tossed around the band, and quick interplay with percussion, at a fast tempo. An energetic flourish finishes this variation before the Andante espress. VARIATION 2 This commences with chords related to the opening of Variation 1. The cantabile on solo comets establishes a new, lyrical mood and there is scope for expressive playing in a series of short solo passages. The theme works its way unobtrusively into the texture before a reprise of the solo cornet melody and some more lyrical interchanges between Eb bass, euphonium, flugel horn and comets. The variation ends serenely with clear references to the last phrase of the theme. VARIATION 3 The first idea to dominate is clearly linked to the shape of the theme's first phrase. There is a frenetic feel to much of this variation, with considerable energy and instability created by extensive use of cross-rhythms. A thinning-out of the score marks a clear change to development of the start of the second phrase of the theme. This proves to be short-lived however, and the opening material returns leading to a restatement of the theme, "Maestoso," after which a euphonium cadenza links to Variation 4. VARIATION 4 Here we have some solos for euphonium, cornet, trombone and Eb bass set against a background of horns and baritones presenting a pensive statement of the theme's opening. VARIATION 5 This commences Allegro, with lively work for cornet and euphonium spreading to the whole band before attention focuses on the beginning of the second phrase of the theme which is initially presented in diminution, then in regular rhythm, then in inversion. An increase in tempo coupled with a decrease in volume, requires dexterity and control, with several metrical challenges thrown in for good measure. The same fragment of phrase becomes an ostinato which generates a frenzied climax, punctuated by short, dramatic silence, before the opening figure returns and the music gradually winds down. The tubular bells herald the final return of the theme, in augmentation, marking the start of the Finale. FINALE This features the running semiquavers of the previous variation sounding in counterpoint. A fast, furious coda speeds the work to a conclusion while references to the opening of the theme are still trying to break into the texture of the music. Kenneth Downie
Estimated dispatch 5-14 working days
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£59.99
All Cried Out - Peter Kleine Schaars
At the beginning of the 1980s Alison Moyet was discovered by Vince Clarke, who - in search of greater independence - had left the successful band Depeche Mode. The soulful singing style of Moyet and the electronic, innovative pop that Clarke made melded well together in the group Yazoo with hits such as Only You and Don't Go. However, after a number of years Moyet went her own way and forged a solo career, during which she demonstrated a somewhat more traditional sound. She recorded several covers (such as The First Time I Ever Saw Your Face and That Ole Devil Called Love) but she also wrote fine songs herself, such as Love Resurrection and, of course, the expressive song AllCried Out. This arrangement by Peter Kleine Schaars does justice to the atmosphere of the original song.
Estimated dispatch 5-14 working days
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£60.99
Celebration March - Bertrand Moren
This stately march was composed to mark any celebration and more specifically the anniversary of the foundation of a band. The main theme is a wonderful legato melody which is interrupted several times with flowing arpeggios. Following a regal trio melody the main theme returns with a triumphal feel. A great new march for use at any celebration.
Estimated dispatch 5-14 working days
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£60.99Euphonium Ragtime - AndrĂ© Waignein
Pieces that showcase the euphonium are few and far between. Andr Waignein decided to change this and set out to compose a piece specifically for the euphonium.What makes this composition even more unusual is that he wrote the piece in the style of a ragtime. Euphonium Ragtime provides an exciting and entertaining solo opportunity your audiences will love!
Estimated dispatch 5-14 working days
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£94.99Dublin Pictures - Marc Jeanbourquin
Ireland is a multi-faceted country that has developed a popular and distinctive musical culture. The first movement of Dublin Pictures reflects Irish festivals where there is dancing and traditional beer flowing.More tranquil in its feel, the second movement illustrates the landscape that can be seen from the Ha'penny Bridge, a bridge that crosses the River Liffey in Dublin. This movement highlights the wide range of the orchestra's sound colours as the musicians' voices combine with the wind and percussion to accompany the soloist. The lively and joyful rhythms of the last movement take the listener to Temple Bar, the famoustourist quarter of the city, well known for its vibrant nightlife.The music's energy and virtuosic motifs are in contrast to the previous movement and provide a spirited and festive finale.Marc Jeanbourquin wrote this piece in three movements for Azimuts Brass in 2011. He then arranged it for Concert, Fanfare or Brass Band.
Estimated dispatch 5-14 working days
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£59.99Jesu, Joy of Man's Desiring - Johann Sebastian Bach - Philip Sparke
Bach's appointment as the Cantor at Leipzig's Thomaskirche in 1723 required him to produce a new cantata for every Sunday service. Jesu, Joy of Man's Desiring is taken from his Cantata No.147 and is unusually elaborate, treated more like an aria than a chorale. It is perhaps the best-loved cantata movement from Bach's entire output and is a certain crowd pleaser for your concert programme.
Estimated dispatch 5-14 working days
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