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  • £30.00

    My Little Welsh Home - Traditional

    A beautiful arrangement by Tim Paton of a Welsh song by W S Gwynne Williams. Created in memory of his mother, Tim has produced a wonderful version for brass band and has also included an optional vocal solo or unison choir line.Comments from the arranger:I have arranged [My Little Welsh Home] in memory of my mother. [She] was born, Doreen Davies, on 27th November 1918, in Haverfordwest, Pembrokeshire, a small town in South West Wales. She had a beautiful voice, and met my father, Bill Paton, during World War II, whilst she was singing in a troop concert at the County Theatre in her home town, and my father was the MC.Throughout her life, my mother and father entertained, and she was singing right up until the final months of her life. She spent many years in Weston-super-Mare, Somerset, a seaside town in South West England, and it was here that she passed away on 20th September 2004. During the last several months of her life, she often referred to the song My Little Welsh Home:Here are the words.I am dreaming of the mountains of my homeOf the mountains where in childhood I would roamI have dwelt 'neath southern skiesWhere the summer never diesBut my heart is in the mountains of my homeI can see the little homestead on the hillI can hear the magic music of the RhyllThere is nothing to compareWith the love that once was thereIn the lonely little homestead on the hillI can see the quiet churchyard down belowWhere the mountain breezes wander to and froAnd when God my soul will keepIt is there I want to sleepWith those dear old folks that loved me long agoLooking at the words, I can see why it meant so much to her. Haverfordwest is at the foot of the Preseli Mountains, and her home and church were at the top of a hill. My mothers' ashes were taken back to her own little Welsh home, and laid to rest in the grounds of the church where she had been Christened, Confirmed and Married.Look and Listen (Score-reading digital sound-sample):

    In Stock: Estimated dispatch 3-5 working days
  • £30.00

    National Express

    I first heard of the song National Express, which was in the British Top Ten in 1998, when my son Jon mentioned it last year. It was written and sung by Neil Hannon, with his group "The Divine Comedy". Jon said that it would sound good played by a brass band. Tim Benson, solo trombone with Stannington Brass Band, also mentioned it on the internet forum, themouthpiece.com I spoke with Tim, and agreed to do a brass band arrangement with a special feature for solo trombone. In this arrangement, the solo trombone adds extra colour to a band arrangement which is a mixture of big band and country style. The trombone part is well within the capabilities of a good player. There is a comic element to this song, and the cornets and flugel contain an eight bar spoken part, which, if included, would enhance it's entertainment value.Tim Benson took the music to rehearsal at Stannington Brass Band and it instantly became a hit with the band who left whistling the melody. The piece not only retains the fun of the original, but it cleverly uses the band, and a bit of additional vocals from the cornet section. "Tim Benson and the Stannington Brass Band would like to thank Tim Paton for the arrangement." (Tim Benson)."National Express" is on Stannington Brass Band's latest CD, "AND ALL THAT BRASS", available from [email protected]."Pontins was brilliant... one of the highlights of my weekend was playing/performing National Express... absolutely belting arrangement Tim... I love it!" Message from Fiona, who performed with themouthpiece.com scratch band at the Pontins Brass Band Championships in Prestatyn.

    In Stock: Estimated dispatch 3-5 working days
  • £70.00

    General Series Band Journal August 2016 Numbers 2158 - 2161

    No. 2158 Prelude - My God and King! (Paul Sharman)Based on the hymn tune 'Luckington', this music is a paean of praise to the Lord of all creation.No. 2159 A Christmas overture (Kevin Larsson)An exciting collection of well-known Christmas carols, originally written as a concert opener.No. 2160 March - A voice from above (Eiliv Herikstad)This march refers to a number of Christmas carols. It starts with four bars of 'Hark! the herald angels sing' followed by fragments of 'Joy to the world!' before James R. Murray's 'Den himmelske lovsang' is presented in full. 'Come children, come quickly' requires legato playing from the lower band.No. 2161 In God we trust (Ralph Pearce)Although the title derives from the United States of America's much-neglected motto, the music is a journey through to total trust in God and our Lord Jesus Christ. The tunes featured are 'In thee, O Lord, do I put my trust' leading to 'Trust in God'. Increasingly calm music leads to the more recent song 'In Christ alone, I placed my trust'. The music ends with a brief reference to 'In Thee, O Lord, do I put my trust' now in a mood of calm assurance.

    Estimated dispatch 7-14 working days
  • £50.00

    Triumph Series Band Journal November 2015 Numbers 1267 - 1270

    No. 1267 March - Following Jesus (Ian Clarke)For more than two thousand years, countless Christians, the world over, have chosen to follow Jesus and try to live by his teachings. The words associated with the three tunes used in this march follow that theme: Sagina (T.B. 498), I will follow thee, my Saviour (T.B. 378) and There's joy in following (T.B.C.S. 206).No. 1268 Cornet Solo - Keep that smile! (Kenneth Ketteringham)This light-hearted, waltz-like solo features an old Army song written by Bandmaster George Marshall and Staff-Captain A.R. Wiggins.No. 1269 Hymn Tune Arrangement - Rockingham (Erik Silfverberg)A four-verse setting of the hymn tune, Rockingham, associated with the song 'When I survey the wondrous cross' by Isaac Watts.No. 1270 Lifted High! (Dean Jones)A bright, joyful arrangement of the song, 'Lord, I lift your name on high' in a Caribbean style.

    Estimated dispatch 7-14 working days
  • £44.95

    Wall of Sound

    This piece was commissioned by Dr Nicholas Childs and Philip Biggs for the National Children's Band of Great Britain.As the commission was for a youth band, I wanted to compose a piece of music that alluded to the styles and genres of music that are abundant in the current popular music market. However, the National Children's Band isn't just any old youth band; they are some of the finest young musicians in Great Britain. So the challenge was to compose a piece that included many popular music styles whilst providing enough of a test to keep the music technically interesting to work on and perform.The driving force behind the whole piece is the percussion section and in particular, the drum kit which is constant throughout. From the start the music is rhythmic and repetitive, similar to many dance tracks. The music begins to slowly unfold and build in texture and at bar 24 the syncopated main theme appears. This theme reappears throughout the piece along with various other motifs and solo lines. The music uses the styles, rock, pop, latin, funk and dance within the score and has a real fun factor about it.There are lots of opportunities for soloists to play and it is marked in the score where to stand and soloists can come out to the front of the stage. I really enjoyed working on this piece and I'm sure performers and audience members will enjoy it too.Paul Lovatt-Cooper

    Estimated dispatch 7-14 working days
  • £9.95

    Euphonium's Extraordinary European Tour - Solo Euphonium (Bass Clef) - LM171

    COMPOSER: Alexandra LehmannEuphonium's Extraordinary European TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.Furthermore, I wanted to offer an experience of travelling in Europe through music.There is a wealth of historical, and traditional European monophonic music.Hence, the Tour is based around the 14th-15th centuries whenEuphoniumencounters different musical cultures.The Tour is dedicated to my father, mother, brother, and sister;Jean-Pierre, Francoise, Fabrice, and Mahaut Lehmann;with whom I was fortunate to travel in my youth.CONTENTS1. Ostentatious OvertureEuphoniumis at the French palace of Versailles with all itspomp, splendour, and magnificence.2. Mystical MinnesangerEuphoniumhas travelled to the Holy Roman Empire, where he isperforming an ode to a Germanic Knight.3. Andalusian NightsThe Caliphate of Cordoba was a mixing-pot of Islamicand Judaic music. What is fascinating is that many of the ideas aroundperformance; modes at certain times of the day, improvisation into metred,faster sections; go back to the Indian subcontinent and even furtherback into Ancient Greece.Euphonium is chanting for theCaliphate on a warm summer's evening.4. Tarantella of the TagliatelleI don't know if the Medici family ate tagliatelle,but if they did, this joyful and lively tarantella is whatEuphonium would have played.5. Terrifying TropakA complete change of mood.Euphonium is playing for a swashbucklingperformance of Ukrainian Cossacks, with leaps, stamps, and twirls.6. Sami Herding SongIn the Arctic Norwegian north,Euphonium is with the Sami calling theirherd of reindeers with vocalisations that echo in the icy distance.7. Highland FlingEuphoniumis in Scotland taking part in the Highland Games.Female dancers perform athletic jumps.8. Royal Festive FanfareEuphoniumfinishes his European Tour at Windsor Castle, England.Like the natural trumpet (played at the time), the lower range is based on the first notes of the harmonic scale and announce the entry of the royal family.

    In Stock: Estimated dispatch 3-5 working days
  • £9.95

    Euphonium's Extraordinary European Tour - Solo Euphonium (Treble Clef) - LM168

    COMPOSER: Alexandra LehmannEuphonium's Extraordinary European TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.Furthermore, I wanted to offer an experience of travelling in Europe through music.There is a wealth of historical, and traditional European monophonic music.Hence, the Tour is based around the 14th-15th centuries whenEuphoniumencounters different musical cultures.The Tour is dedicated to my father, mother, brother, and sister;Jean-Pierre, Francoise, Fabrice, and Mahaut Lehmann;with whom I was fortunate to travel in my youth.CONTENTS1. Ostentatious OvertureEuphoniumis at the French palace of Versailles with all itspomp, splendour, and magnificence.2. Mystical MinnesangerEuphoniumhas travelled to the Holy Roman Empire, where he isperforming an ode to a Germanic Knight.3. Andalusian NightsThe Caliphate of Cordoba was a mixing-pot of Islamicand Judaic music. What is fascinating is that many of the ideas aroundperformance; modes at certain times of the day, improvisation into metred,faster sections; go back to the Indian subcontinent and even furtherback into Ancient Greece.Euphonium is chanting for theCaliphate on a warm summer's evening.4. Tarantella of the TagliatelleI don't know if the Medici family ate tagliatelle,but if they did, this joyful and lively tarantella is whatEuphonium would have played.5. Terrifying TropakA complete change of mood.Euphonium is playing for a swashbucklingperformance of Ukrainian Cossacks, with leaps, stamps, and twirls.6. Sami Herding SongIn the Arctic Norwegian north,Euphonium is with the Sami calling theirherd of reindeers with vocalisations that echo in the icy distance.7. Highland FlingEuphoniumis in Scotland taking part in the Highland Games.Female dancers perform athletic jumps.8. Royal Festive FanfareEuphoniumfinishes his European Tour at Windsor Castle, England.Like the natural trumpet (played at the time), the lower range is based on the first notes of the harmonic scale and announce the entry of the royal family.

    In Stock: Estimated dispatch 3-5 working days
  • £9.95

    Trumpet's Extraordinary European Tour - Solo Trumpet - LM186

    COMPOSER: Alexandra LehmannTrumpet's Extraordinary European TourThe year 2020 will be infamously recorded as a time when musicians had to lead a solitary life, which is incompatible with musical activity.Furthermore, I wanted to offer an experience of travelling in Europe through music.There is a wealth of historical, and traditional European monophonic music.Hence, the Tour is based around the 14th-15th centuries whenEuphoniumencounters different musical cultures.The Tour is dedicated to my father, mother, brother, and sister;Jean-Pierre, Francoise, Fabrice, and Mahaut Lehmann;with whom I was fortunate to travel in my youth.CONTENTS1. Ostentatious OvertureTrumpet is at the French palace of Versailles with all itspomp, splendour, and magnificence.2. Mystical MinnesangerTrumpethas travelled to the Holy Roman Empire, where he isperforming an ode to a Germanic Knight.3. Andalusian NightsThe Caliphate of Cordoba was a mixing-pot of Islamicand Judaic music. What is fascinating is that many of the ideas aroundperformance; modes at certain times of the day, improvisation into metred,faster sections; go back to the Indian subcontinent and even furtherback into Ancient Greece.Trumpetis chanting for theCaliphate on a warm summer's evening.4. Tarantella of the TagliatelleI don't know if the Medici family ate tagliatelle,but if they did, this joyful and lively tarantella is whatTrumpet would have played.5. Terrifying TropakA complete change of mood.Trumpet is playing for a swashbucklingperformance of Ukrainian Cossacks, with leaps, stamps, and twirls.6. Sami Herding SongIn the Arctic Norwegian north,Trumpet is with the Sami calling theirherd of reindeers with vocalisations that echo in the icy distance.7. Highland FlingTrumpetis in Scotland taking part in the Highland Games.Female dancers perform athletic jumps.8. Royal Festive FanfareTrumpetfinishes his European Tour at Windsor Castle, England.Like the natural trumpet (played at the time), the lower range is based on the first notes of the harmonic scale and announce the entry of the royal family.

    In Stock: Estimated dispatch 3-5 working days
  • £41.45

    Verklarte Nacht (Brass Band) Arnold Schoenberg arr. Rob Bushnell

    Composed in just three weeks in 1899, Verklarte Nacht (Transfigured Night) is a string sextet in one movement by Arnold Schoenberg. Whilst known better for tone rows, his dodecaphonic music and the Second Viennese School, Schoenberg was a master of harmony (writing a number of books on the subject) and, in his early life, was inspired by the music of Brahms and Wagner. This is his best-known tonal work. Its description as a tone poem is not surprising given it takes its inspiration from Richard Dehmel's poem of the same name, as well as Schoenberg's strong feelings towards his future wife, Mathilde Zemlinsky, sister of his teacher, Alexander von Zemlinsky. The work is said to have five sections, one for each of the stanzas in the poem. The poem, from 1896, describes a man and woman walking through a dark forest on a moonlit night. The woman shares a secret with him, that she is pregnant but not with his child. The man reflects upon this before warmly accepting (and forgiving) the news. The work premiered on 18 March 1902 in the Vienna Musikverein by the Rose Quartet. As was normal at the time, Schoenberg produced a string orchestra version that was premiered on 29 November 1916 in Prague, conducted by Zemlinsky, which was later revised in 1943 to better support the soloists, also adding more articulation and tempo markings. Whilst the piece was controversial at the time, both musically and due to the poem's "inappropriate" subject matter, Richard Dehmel himself was impressed, writing "I had intended to follow the motives of my text in your composition, but soon forgot to do so, I was so enthralled by the music." This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. To view a recording of the original composition please visit www.youtube.com/watch?v=vqODySSxYpc. Difficulty Level: 2nd Section + Duration: approx. 6.40 minutes Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3

    In Stock: Estimated dispatch 1-3 working days
  • £55.00

    Triumph Series Brass Band Journal, Numbers 1359 - 1362, March 2024

    1359: Festival March - Coastal Celebration (Sam Creamer)Coastal Celebration was commissioned in 2019 by Nambour Salvation Army Band for the Corps' 125th anniversary celebrations. Nambour was the birthplace of The Salvation Army's work on the Beautiful Sunshine Coast in Queensland, Australia. Firring with this theme are subtle tributes to iconic Sunshine Coast landmarks, referenced with small phrases of popular secular melodies intertwined with the main tunes What a faithful God (S.A.S.B. 378) and All through the years (S.A.S.B. 826).1360: He's always been faithful (Craig Woodland)This meditative selection is an arrangement of the song by American singer and record producer Sara, Groves, He's always been faithful. The words express the joy and thankfulness in having a relationship with Jesus and knowing his presence in life. The melody and motifs of the traditional hymn, Great is thy faithfulness (S.A.S.B. 26), are heard throughout.1361: Christ's living water (Dean Jones)Christ's sacrificial love has been beautifully portrayed through the imagery of water in many songs, none more so that the skilfully crafted words we find in the chorus of I know a fount (S.A.S.B. 197), written by Oliver Cooke. To enhance the sentiments expressed, the pure sounds derived from Handel's Water Music fit perfectly in terms of music and imagery.1362: March - Fear Not! (Avelan Ntsiete)The Salvation Army continues to proclaim its music ministry in all corners of the world and, with this item under review, we introduce a new composer, originally from Congo Brazzaville, Central Africa. Avelan Ntsiete is currently a Bandsman at the Lilas Corps in Paris but has previously served in the Congo Brazzaville Territorial Band. This march, in traditional format, was written for an evangelistic campaign in Kindamba, where civil war has brought upheaval to the area and uncertainty for the local Salvationists. The composer was part of a small brass group which travelled for over 24 hours by truck and on foot to reach Kindamba and bring encouragement to the Salvationists within that community.

    Estimated dispatch 7-14 working days