Results
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£86.00
The Promised Land (Bra) - Max Stannard
The Promised Land was written in response to a request by Jonathan Parton to create a piece for Lancaster University Brass Band which would allow the band to show off a range of soloists. The piece was recorded by County Brass a Lancaster. There are solos for Flugel Horn, Tenor Horn, Trombone, Euphonium, E flat Bass and Solo Cornet. The piece then builds to a rousing conclusion involving the full band. The melody which inspired this piece is an American folk song called, I'm Bound for the Promised Land.
Estimated dispatch 7-14 working days
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£30.00Flow Gently Sweet Afton - Junior Brass Band Sheet Music Full Score & Parts - LM331
COMPOSER:Alexander HumeWORDS : Robert BurnsARRANGER: Helen Douthwaite-TeasdaleJunior Brass Band Sheet Music Full Score & PartsISMN : 979-0-57000-331-0Scored forSolo Cornet2nd Cornet3rd Cornet1st Tenor Horn2nd Tenor HornBaritoneTromboneBass TromboneEuphoniumBass in EbBass in BbTimpaniPercussionDrum SetLM331 - ISMN : 9790570003310
In Stock: Estimated dispatch 3-5 working days
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£24.95Lloyd (Brass Band - Score and Parts) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£12.50
Lloyd (Brass Band - Score only) - Howard, Cuthbert - Coles, Bramwell
The first presentation of the theme can be used for the purpose of accompanying congregational singing. At Section A the second presentation of the tune appears in the key of the dominant, the melody being given throughout to Solo Horn, with First Horn, First Trombone, Soprano and Flugel reinforcing the melody in the various phrases. Incidentally, see that the players do not break these phrases; it should be possible to take the four bars in one breath quite easily. Take due care of the light and shade which should be delicately applied. In the last bar the music gathers strength as we pass back into the original key for the last verse; pay particular attention to the part allotted to Second Baritone and Euphonium which needs to be slightly stressed. For the last appearance of the tune at Section B the full Band is used, apart from the third phrase which is given solo by Solo Comet with a light accompaniment above a bass pedal. Notice the rit. operating from the end of the eleventh bar and also the short swell effect on the fourth beat of the fourteenth bar.
Estimated dispatch 7-14 working days
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£290.99Hymn of the Highlands (Complete Edition) (Brass Band - Score and Parts) - Sparke, Philip
Hymn of the Highlands was commissioned by David King and the Yorkshire Building Society Band for first performance at the 2002 European Brass Band Championships Gala Concert in Brussels. The complete suite lasts approximately 35 minutes however it is possible that pieces of different lengths can be constructed to feature particular soloists or fit different programming constraints.Includes:Ardross Castle, Duration: 7:00Summer Isles (Euphonium solo), Duration: 4:00Flowerdale (Soprano Cornet solo), Duration: 4:30Strathcarron (Sword Dance), Duration: 5:30Lairg Muir (Cornet solo), Duration: 4:30Alladale (Flugel Horn, Horn and Baritone trio), Duration: 4:15Dundonnell (Finale), Duration: 5:45Duration: 35:00
Estimated dispatch 7-14 working days
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£56.00Ave Verum, KV.618 (Brass Quartet with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Smith, Sandy
For Brass Quartet (Flugel Horn, Eb Horn, Baritone and Euphonium) with Brass Band
Estimated dispatch 7-14 working days
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£60.00Fantasie Concertante (Score only) - Philip Wilby
This exciting new concerto is a welcome addition to the repertoire of french and tenor horn players alike. Like the 18th-Century Serenade form there are five movements, arranged symmetrically around a slow movement - Soliloquy - which separates movements entitled Burlesque (two) and Valse Caprice (three) respectively. The first and last movements share common material of a more symphonic stature, and the concerto ends with a brisk fugato. The solo horn is (in the band version) accompanied by a quintet of solo players (two cornets, euphonium, trombone, and tuba) who provide the lion's share of the counterpoint and contrast with the main body of musicians who provide musical punctuation in the more sonorous tutti sections. The first movement, Don Quixote's Dream, contains references to Cervantes' famous hero, the Spanish nature of his stories, and the ambling gait of his horseback adventures.
Estimated dispatch 7-9 working days
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£74.00Fantasie Concertante (Parts only) - Philip Wilby
This exciting new concerto is a welcome addition to the repertoire of french and tenor horn players alike. Like the 18th-Century Serenade form there are five movements, arranged symmetrically around a slow movement - Soliloquy - which separates movements entitled Burlesque (two) and Valse Caprice (three) respectively. The first and last movements share common material of a more symphonic stature, and the concerto ends with a brisk fugato. The solo horn is (in the band version) accompanied by a quintet of solo players (two cornets, euphonium, trombone, and tuba) who provide the lion's share of the counterpoint and contrast with the main body of musicians who provide musical punctuation in the more sonorous tutti sections. The first movement, Don Quixote's Dream, contains references to Cervantes' famous hero, the Spanish nature of his stories, and the ambling gait of his horseback adventures.
Estimated dispatch 7-9 working days
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£19.99Dear Friends
ABOUT THIS PIECE: Introduce a heartfelt and reflective moment to your next programme with this beautiful arrangement of Dear Friends, originally performed by Freddie Mercury and Queen. Written by Mercury and featured on their 1974 album Sheer Heart Attack, this gentle ballad stands out for its simplicity and emotional sincerity, offering a tender message of gratitude and friendship. This arrangement, crafted for a sextet with band accompaniment, preserves the intimacy of the original. It provides a brief, but soulful showcase for smaller ensemble playing within the band, supported by a sensitive muted accompaniment (this piece can also be played as a simple sextet without the band accompaniment). ENSEMBLE: Sextet (recommended cornet, horn, baritone, trombone, euphonium and Eb bass) with Band accompaniment WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 1 LISTEN: Click here DURATION: 1-minute 10 secondsEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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£39.99Come What May
ABOUT THIS PIECE: Add a touch of romance and drama to your next programme with this beautiful arrangement of Come What May from Moulin Rouge. Written by David Baerwald and Kevin Gilbert, this emotional ballad became the standout love song of the 2001 film, performed by Nicole Kidman and Ewan McGregor. Its heartfelt lyrics and sweeping melody have made it a timeless classic, celebrated by audiences around the world. This arrangement brings the song's emotional depth and cinematic grandeur to the brass band stage, with solo opportunities for tenor horn, cornet and euphonium. With its soaring themes and tender undertones, Come What May is a fantastic showcase of the band's ability to convey both power and sensitivity. ENSEMBLE: Standard British Brass Band WHEN YOU BUY THIS PRODUCT, YOU GET: High-quality printed score and parts LEVEL: 2 LISTEN: Click here DURATION: 5 minutesEXAMPLE SCORE: Click here LEVEL GUIDE: Level 1- Accessible to all Level 2 - c. UK third section and higher Level 3 - c. UK second section and higher Level 4 - c. UK first section and higher Level 5 - c. UK championship section level
Estimated dispatch 5-7 working days
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