Results
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£22.50
A Pastoral Symphony (Brass Band - Score only) - Redhead, Robert
This symphony for brass band seeks to explore the thought that 'the greatest need of any congregation is its pastor's personal holiness'. The first movement challenges the pastor 'to serve the present age', the tunes 'Majesty' and 'Lathbury' are used. The second movement expresses a priority to 'Seek...first the Kingdom of God'. The short third movement presents the question 'Except I am moved with compassion, how dwellest they Spirit in me?' before the triumphant finale reflects the desire of every Christian that his life and work will always be for the glory of God with the presentation of 'In my life Lord, be glorified'.
Estimated dispatch 7-14 working days
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£69.99
Five Festive Fanfares (Brass Band - Score and Parts) - Sparke, Philip
This collection will provide fanfares for any occasion: concert opener, presentation ceremony or celebrations of all kinds. The variety of styles and durations (from ten seconds to two minutes) will ensure you will always find the right fanfare for the right moment.
Estimated dispatch 7-14 working days
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£43.99
The Last Spring (Brass Band - Score and Parts) - Grieg, Edvard - Curnow, James
Edvard Grieg is probably the best known of all Norwegian composers. He was one of the most important figures during the nationalistic romantic period and his music always contained the essence of this beautiful Scandinavian country. The Last Spring comes from Two Elegiac Melodies for String Orchestra and this version for brass band retains all the beauty and solemnity of the original. Evoke the peaceful atmosphere of Grieg's native land with this beautiful haunting work.Duration: 4.30
Estimated dispatch 7-14 working days
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£60.99
Laudatio (Brass Band - Score and Parts)
This piece was commissioned by a brass band from the Jura in Switzerland to thank its resigning conductor for his loyalty and work. The first and last sections of this composition develop a joyful and highly energetic theme which expresses the complete commitment required of a conductor in order to get the best out of the musicians. The central passage mirrors an atmosphere full of nostalgia. After so many years of intense and relentless work, it is always difficult for a keen conductor to retire. 06:15
Estimated dispatch 7-14 working days
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£30.00
Voi Che Sapete (from The Marriage of Figaro) (Euphonium Solo with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip
Mozart's opera, The Marriage of Figaro, was based on what was a rather scandalous play by Pierre Beaumarchais, because the drama involves an incompetent nobleman being upstaged by a crafty, quick-witted servant named Figaro, in their quest for the same woman. The action takes place in just one day and offers a series of awkward and humorous situations, complete with a vibrant dialogue between the all the main characters. Voi Che Sapete?is performed by Cherubino, who is about to be sent off to the army because the Count finds him a nuisance. When Cherubino appears before the Countess and Susanna to tell them of his fate, this aria is sung at the request of Susanna for a love song. Cherubino is characterized as a young adolescent who is in love with every woman he meets, and because his voice is yet unbroken, he is always played by a female singer.?Duration: 2:30
Estimated dispatch 7-14 working days
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£30.00
Voi Che Sapete (from The Marriage of Figaro) (Vocal Solo (Soprano) with Brass Band - Score and Parts) - Mozart, Wolfgang Amadeus - Littlemore, Phillip
Mozart's opera, The Marriage of Figaro, was based on what was a rather scandalous play by Pierre Beaumarchais, because the drama involves an incompetent nobleman being upstaged by a crafty, quick-witted servant named Figaro, in their quest for the same woman. The action takes place in just one day and offers a series of awkward and humorous situations, complete with a vibrant dialogue between the all the main characters. Voi Che Sapete?is performed by Cherubino, who is about to be sent off to the army because the Count finds him a nuisance. When Cherubino appears before the Countess and Susanna to tell them of his fate, this aria is sung at the request of Susanna for a love song. Cherubino is characterized as a young adolescent who is in love with every woman he meets, and because his voice is yet unbroken, he is always played by a female singer.?Duration: 2:30
Estimated dispatch 7-14 working days
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£30.00
Abrazo - Lucy Pankhurst
Lucy Pankhurst wrote this piece in response to an open request from Jim Hayes, when he asked for new solos to perform. Abrazo was then selected to feature on his solo CD Dial M for Midnight.The title Abrazo translates as 'embrace', but is also the term given to the dancing frame of the Tango; where the partners change stance by pulling and pushing the frame, yet always remaining in physical contact with each other. This technique is suggested in the music by the soloist breaking away from the band with virtuoso interjections, before being 'embraced' again by the full band.When the cornet soloist eventually breaks completely free in the cadenza passage, the music becomes much more agitated and moves away from the original Tango, transforming briefly into a Flamenco to finish with a flourish.
In Stock: Estimated dispatch 3-5 working days
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£30.00
Arrival of the Queen of Sheba
Always a favourite for wedding processions but equally well received as a classical element in a concert programme.Lucy Pankhurst has carefully scored the piece for brass band, offering a welcome addition to any band's library.
In Stock: Estimated dispatch 3-5 working days
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£25.00
First Attempt (brass band) - Tim Paton
This concert march, composed by Tim Paton for brass band, has taken inspiration from the inimitable style of the 'march king', Kenneth J Alford.It's an upbeat, cheerful march which has stood the test of time - it was premiered back in 1970 on the Rozel Bandstand by the Weston-Super-Mare Silver Band!Marches have always been a favourable choice in brass band concert programmes, so here's a great opportunity to bring a new offering to the table which helps lift spirits through its catchy pulse and creativity.Also available as a version for brass ensemble.
In Stock: Estimated dispatch 3-5 working days
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The Giddy Goat - Traditional Swiss - Daniel von Siebenthal
The Giddy Goat is a silly folk song that everyone knows in Switzerland. It is about a white goat that does not want to get milked, so she kicks the milker. Thinking that this is because the goat is white, the owner decides that he will buy a brown one instead. From there on, people make up their own verses in which the goat is often replaced with past loves, enemies, and anyone or anything worthy of ridicule. Daniel, the arranger, lives in Gstaad in the Saanen district and the "Saanen goat" is a breed of white goat known throughout the world. As a farm boy, he did his share of goat milking and received the occasional hoof under his chin for his trouble. So, this piece is a tribute to a local breed that became world-famous, especially in America where the tune also meets its counterpart Billy Grogan's Goat (a similar silly song). The Giddy Goat should always be played as a "silly song" reflecting the goat's nature; capricious and cantankerous. The low bass line is important in Swiss folk music and should approximate to a plucked string-bass whose strings are dampened, to give it a pulsating feel. For those who would like to yodel we include the following Swiss tongue twister:- Holeduli duliduli, holeduli duli duli duuli, Holeduli duliduli, holeduli duli duli duu