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  • £24.95

    Finale from Cello Concerto (Tenor Horn Solo) - Joseph Haydn - Owen Farr

    Originally composed for Haydn's long-time friend and cellist Joseph Weigl, the work was presumed lost until 1961 when a copy of the manuscript was discovered.This arrangement for tenor horn shows off both the lyrical and nimble qualities of the instrument. Scored in a concerto grosso style, with soloist accompanied by a "concertino" quintet comprising of two cornets, baritone, trombone and Eb bass, the whole band joins for the tutti sections.

    Estimated delivery 5-7 days
  • £46.20

    Finale from Orpheus in the Underworld - Jacques Offenbach

    This series is for Brass Bands with a reduced number of playersThis series is without Repiano, 2nd Horn in Eb and 2nd TromboneParts included for:1 Eb Soprano Cornet5 Solo Bb Cornet3 2nd Bb Cornet2 3rd Bb Cornet1 Bb Flugel Horn1 Solo Eb Horn2 1st Eb Horn1 1st Bb Baritone2 2nd Bb Baritone (2nd Bb Trombone)1 1st Bb Trombone1 Bass Trombone2 Bb Euphonium2 Eb Bass2 Bb Bass1 Timpani2 Percussion/Drum SetOptional parts also included for:1 1st Trombone BC1 2nd Trombone BC1 Bass Trombone TC

    Estimated delivery 12-14 days
  • £64.95

    Concerto for Tenor Horn - Gareth Wood - -

    Gareth Wood's Concerto for Tenor Horn was commissioned by the Welsh Amateur Music Federation with additional funding from the Arts Council of Wales and the PRS Foundation. The work was written for Owen Farr and the National Youth Brass Band of Wales.It is in a traditional three movement form demonstrating the agility and lyricism of the tenor horn. The soloist begins alone with a singing melody in 5/4 time, and is soon joined by the Eb tuba and solo cornet. The rest of the band later emerge, leading the music into a strident Allegro. After a short tutti the soloist takes charge and a dialogue of melodic and rhythmic ideas follows. After a brief return to the opening theme the movement closes with a flourish. The second movement is a true Adagio. A profound beginning, almost hymn like, leads into a gentle melody which builds into a large tutti for band. A rhythmic section follows, rhapsodic in nature ending in a return to the melody used at the very beginning of the concerto. After another short tutti section the movement gently fades away. The finale is a combination of technical fireworks and an almost latin melody, both soloist and band finishing with great aplomb!Gareth Wood's Concerto for Tenor Horn received its world premiere by Owen Farr and the National Youth Brass Band of Wales under the direction of Dr. Robert Childs during their Summer Course of 2006 at Bangor University's Pritchard-Jones Concert Hall, North Wales.

    Estimated delivery 5-7 days
  • £34.95

    Enter the Galaxies - Paul Lovatt-Cooper - -

    Enter the Galaxies paints a musical picture of the experiences and excitement space exploration has to offer. The music begins with a 'space-like' whirlwind of triplets and semiquavers from the cornets and glockenspiel which accompanies a fanfare from the 'middle' of the band. This quickly leads into a presto section introducing the lyrical principal horn as the soloist. The horn is followed by the euphonium as the flowing melody lines are passed around, juxtaposed by a virtuosic counter-line from the principal cornet.The journey into the unknown is taken up a gear as the music modulates through a variety of keys before featuring the back row cornets playing the central melodic motif. From this point the music grows in intensity before the euphonium and soprano cornet 'lift off' into the finale with glissandi to concert Cs.Following a brief coda, the music comes to a climactic end using the melodic intervals heard throughout the piece with an augmented 5th resolving to the dominant 5th and finally onto a brilliant F major chord to close.Enter the Galaxies is dedicated to Cory Band and received its premi?re in November 2008 at The Sage, Gateshead, as part of the band's winning programme at the Brass in Concert Chamionships. The piece has subsequently been featured as the title track to a CD to celebrate the 125th anniversary of the Cory Band.

    Estimated delivery 5-7 days
  • £64.95

    EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score and Parts) - Sparke, Philip

    This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium’s range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

    Estimated delivery 12-14 days
  • £34.95

    EUPHONIUM CONCERTO No.1 (Sparke) (Brass Band - Score only) - Sparke, Philip

    This concerto has its origins in a concerto for horn and brass band, commissioned by the River City Brass Band (Pittsburgh) in 1992.It was composed at the request of British euphonium virtuoso, Steven Mead, and first performed by him with the Breeze Brass Band in Osaka, Japan, in 1995.In conventional three-movement form, performed without a break, the concerto covers the panoply of the euphonium’s range and character. The first movement is marked Moderato e energico and is rhythmically energetic in style with many meter changes and much syncopation. Only in the central section does the soloist relax in cantabile mood.The second movement opens with tuned percussion taking centre stage, laying for the foundations for a long cantilena from the soloist in resigned mood, but with a touch of optimism. After a central climax for the band, this melody returns, with soloists from the band answering in counterpoint. The finale is a 6/8 romp in caccia style (betraying its origins as a piece for horn). Again, the central section is more legato in mood, though the band keeps the eighth-note figures present throughout. The movement ends in a bravura display from the soloist.

    Estimated delivery 12-14 days
  • £48.00 £48.00
    Buy from Superbrass

    Tientos y Danzas

    “Tientos y Danzas” is a suite in four movements and was written especially for Superbrass. It is not literally descriptive, but conjures up a breezy, festive atmosphere. The title “Tientos” stems from the fact that a lot of the brass writing is reminiscent of virtuosic Renaissance keyboard finger-work (a “Tiento” is the Spanish equivalent of a toccata). Only later did we discover that the word is also the name of a style of flamenco dancing, which links nicely with Danzas (dances). The first movement is an extended fanfare, with military rhythms on the tenor drums and dramatic cornet and horn calls. Next comes a witty waltz featuring the horn. The music builds in complexity; the main horn theme returns before a playful coda. The following Andante makes effective use of the mutes, both in the haunting opening “pyramid” chords, and in the elaborate, recurrent cornet duets; the two cornets have the last word. After a couple of false starts, the finale sets off at a cracking pace, with dislocated accents creating an irregular rhythmic pulse. There are opportunities for every instrument to shine (metaphorically) and the music gets even faster for a thrilling conclusion.Duration: 10:30 minutesPercussion: 3 Players playing tenor drum, side drum, tambourine, suspended cymbal, triangle, 2 tom-toms and castanetsGrade 5: Difficult Championship and 1st Section Bands

  • £15.00 £15.00
    Buy from IMAS Music

    Quintessence (Brass Quintet) - Andrew Stevenson

    Quintessence was originally written for the Quintessence Recorder Quintet in 2012, but was rescored for brass quintet shortly after. The piece is in 5 small, continuous movements:The first movement is a flowing opening with each instrument joining one at a time. The basis of the first movement is made up of mini motifs that feature elsewhere in the piece too. The second movement is a lilting fugue in a baroque style. The main melody gets transferred from player to player throughout the movement, and should be the main focal point whenever it occurs.The third movement is a gentle hymn-like passage, with the horn carrying most of the melody through the movement. The movement builds to a climatic key change before calming down once more to a soft close.The fourth movement is based on another motivic statement. This light hearted movement is tricky in places but should always feel energetic and delicate.The fifth movement is a combination of ideas from the previous movements all culminating into an exciting finale.

  • £30.00

    Triptych (on a theme by Handel) - Peter Meechan

    Triptych (on a Theme by Handel) was commissioned by horn soloist Lesley Howie for a premiere performance at the Bridgewater Hall, Manchester. In three broad sections, the work is a modern take on the traditional 'theme and variations' concept, used in many brass band solos.The three sections of the piece are:fanfare and theme - a fanfare sounded by the soloist at the opening is taken on by the band, leading to a setting of Handel's Sarabande (from his 6th Suite for keyboard) and a recapitulation of the fanfareslow song - a simple melody, becoming more elaborate throughout the sectionfinale – a quasi-tango featuring some fiendish technique from the soloistTriptych (on a Theme by Handel) is dedicated to Lesley Howie.

    Estimated delivery 12-14 days

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  • £34.95

    Fabric in Brass - Michael Golding - -

    Fabric in Brass was commissioned by National Australia Brass for the Federation of Australasian Brass Bands and its Chairman Rick Casagrande, to celebrate the Federation's 1st Anniversary and its quest to nurture the unity of the Australasian Brass Band movement.The title of the piece is derived from the initials of the Federation of Australian Brass Bands and the name of its chairman Rick Casegrande; the word 'Fabric' also representative of a structured whole, bound together by many interwoven threads.The piece begins with a majestic fanfare, followed by the entry of a lively theme, which is then passed around the various sections of the band. A lyrical central section features Solo Horn and Euphonium, and builds to a moving climax, before the recapitulation of the main theme leads to a rousing finale!The first performance was given by National Australia Brass directed by Professor David King, on the 24th October 2009, in Twin Towns, Gold Coast, Australia.

    Estimated delivery 5-7 days