Results
-
Deadwood Stage - Sammy Fain - Len Jenkins
This very well-known piece forms a large part of the musical backdrop to the film 'Calamity Jane', and is offered here in a relatively uncomplicated arrangement which features three trombones as soloists and as a trio. There is a cadenza involving all three near the close. This is another good choice for that Entertainment Contest...
-
Merry Christmas Polka - Sonny Burke - Len Jenkins
"Sonny" Burke was an American arranger, composer, Big Band leader and producer who during the 1940s and 1950s worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. In 1955, along with Peggy Lee, he wrote the songs to Disney's Lady and the Tramp.Later he became musical director of Warner Bros. Records / Reprise Records and was responsible for many of Frank Sinatra's albums, and produced Sinatra's recording of "My Way". He was also the bandleader for recordings of leading singers such as Bing Crosby and The Andrews Sisters a highly successful close harmony singing group of the swing and boogie-woogie eras, and it was with them that Merry Christmas Polka became famous.
-
£40.00
Elephant Patrol - Harper, P
A real feel-good concert item to put a smile on your audience's faces. The music is in the style of a patrol, starting quietly in the distance, reaching its peak in the middle and then fading to close and depicts a majestic line of elephants passing by. Featuring the bass section!Check out Cory Band's video3rd section +Duration 4 mins
In Stock: Estimated dispatch 1-3 working days
-
£40.00
Liebestod - Wagner, R - Harper, P
Philip Harper has arranged the closing moments of the famous 'Love Death' from Wagner's opera Tristan and Isolde which builds to an immense climax before subsiding into tranquility and calm to close.Championship sectionDuration 4 mins 30 secs
In Stock: Estimated dispatch 1-3 working days
-
£26.50
Two Festive Fanfares - Barry, D
Two Festive Fanfares by Darrol Barry is a lively brass band composition designed to open or close festive concerts with flair.
In Stock: Estimated dispatch 1-3 working days
-
£77.00General Series Brass Band Journal, Numbers 2265 - 2268, April 2026
2265: Holy God, we praise your name (Micael Dikantsa)This bolero introduces composer Micael Dikantsa of the Amriswil Corps, Switzerland, and is based on the hymn Holy God, We Praise Your Name (Grosser Gott, wir loben dich). Set in the traditional slow, dramatic bolero style, the work builds steadily from a distinctive percussion figure as the melody passes through different instrumental groups. With its growing intensity and rich scoring, this piece offers an engaging and atmospheric addition to concert programmes.2266: Tell the story (Barrie Gott)This work continues the Swing series that began nearly 40 years ago with Light'Walk. After a bold introduction, the melody unfolds through unison and close'harmony writing, leading to a Flugel Horn solo with scope for improvisation. The well'known hymn I Love to Tell the Story is heard in a New Orleans style before a modulation launches an energetic shout chorus and lively coda. Smooth, relaxed swing style is key throughout.2267: The old rugged cross (Erik Leidzn)This arrangement by Erik Leidzn is an early and lesser'known setting of a well'loved hymn, rediscovered during research into his work. Edited from a rare score found in the USA East Music Department archives, it demonstrates Leidzn's economical and effective style, creating a practical and expressive arrangement at a time when concise, serviceable hymn settings were greatly needed.2268: Heaven came down! (Michael Cooper)Inspired by William Booth's famous challenge to use contemporary styles for sacred purpose, this piece blends high'energy jazz'fusion big'band writing with a joyful gospel hymn. Driven by rhythm, syncopation and precision, the music proclaims its message of transformation and spiritual joy with vitality, clarity and infectious swing.
Estimated dispatch 7-14 working days
-
£38.95Unity Series Band Journal - Numbers 546 - 549, October 2025
546: Tell that story! (Martin Cordner)A joyful and engaging arrangement combining the songs Blessd assurance and Tell me the stories of Jesus, celebrating the personal testimony of faith in Christ.547: This love I know (Dale Pittock)A reflective and harmonically rich setting of the classic hymn Jesus loves me! This I know, capturing the enduring message of Christ's love through close textures and lyrical phrasing.548: There's no one like Jesus (Douglas Engle)Inspired by mission experiences in Malawi, this energetic piece reflects global worship traditions with rhythmic vibrancy and a clear declaration of Christ's uniqueness.549: Thank you, Lord (Andrew Mackereth)Based on a beloved gospel chorus, this expressive tribute conveys heartfelt gratitude and testimony, supported by warm harmonies and a simple, sincere melodic line.
Estimated dispatch 7-14 working days
-
£40.00A Song for Bram (Brass Band - Score and Parts)
A Song for Bram is a short work, originally composed piano and brass band, and is dedicated to the memory of Bramwell Tovey, a close friend and colleague of the composer, and a conductor, composer, pianist and musician of huge talent, who sadly passed away before his time in the summer of 2022. In this short piece the composer has tried to imagine what kind of tune Bram would have improvised at the piano, something he frequently engaged in. No doubt it would have been a mixture of bluesy jazz, hymn tune, and love song, and this is how the solo piano takes off. In the middle section of a what is a simple tertiary structure, introduced are quotes from two hymn tunes Bram particularly loved, never having forgotten his Salvation Army roots. Bram's 'Song' returns, this time on a plaintive flugelhorn horn, and which reaches a climax with the full band before receding, literally, into the distance.....(to a new life beyond?).Duration: 6.00
Estimated dispatch 7-14 working days
-
£45.00A Song for Bram (Piano Solo with Brass Band - Score and Parts)
A Song for Bram is a short work, originally composed piano and brass band, and is dedicated to the memory of Bramwell Tovey, a close friend and colleague of the composer, and a conductor, composer, pianist and musician of huge talent, who sadly passed away before his time in the summer of 2022. In this short piece the composer has tried to imagine what kind of tune Bram would have improvised at the piano, something he frequently engaged in. No doubt it would have been a mixture of bluesy jazz, hymn tune, and love song, and this is how the solo piano takes off. In the middle section of a what is a simple tertiary structure, introduced are quotes from two hymn tunes Bram particularly loved, never having forgotten his Salvation Army roots. Bram's 'Song' returns, this time on a plaintive flugelhorn horn, and which reaches a climax with the full band before receding, literally, into the distance.....(to a new life beyond?).Duration: 6.00
Estimated dispatch 7-14 working days
-
£45.00Two Herefordshire Carols (Brass Band - Score and Parts)
The two traditional tunes that comprise this straightforward setting were sung to Ralph Vaughan Williams (1872-1958) by Mrs. Esther Smith of Dilwyn, near Hereford, during one of the great composer's folk song collecting tours of England in the early years of the twentieth century. They were included in Twelve Traditional Carols from Herefordshire, edited by E.M. Leather and Vaughan Williams. The words to which Mrs. Smith sung the first tune were probably drawn from eighteenth century evangelical sources. The editors replaced these with six of the 16 verses of a traditional seventeenth century carol text, Joseph and Mary.The second melody, which appears as the centre piece of this arrangement, was sung to a carol that tells of a farmer who ploughed on Christmas Day. It is in fact a translation of a German traditional carol Gelobet seist du Jesu Christ that was published in Goodly Psalmes and Spiritualle Songes (1546) translated by Miles Coverdale. Vaughan Williams used the title Coverdale's Carol.The brass band settings follow the settings made by Vaughan Williams in 1920 for the Oxford Book of Carols. Since his simple harmonic approach is similar in both settings, three verses of his haunting version of Coverdale's Carol have been folded inside four verses of the slightly more animated treatment of Joseph and Mary. The harmonisations of Vaughan Williams have been given some brass band colour, with some verses taken by soloists from the ensemble. The accompaniment figuration that embellishes the second verse of Joseph and Mary has been used to open and close this arrangement and to bind the verses together.- Paul HindmarshDuration: 5.00
Estimated dispatch 7-14 working days
View Music