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  • £40.00

    London Eye - Nigel Hess

    London Eye is an incredibly large rotating wheel situated on the South Bank of the River Thames. This movement depicts a 'flight' on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of that view. This piece is the second movement of Nigel Hess's New London Pictures which represents elements of London in the 21st Century.Brass Band Grades 4/5: Premier Youth and 2nd SectionDuration: 4 minutes.

    In stock: Estimated dispatch 1-3 days
  • £125.00

    New London Pictures - Nigel Hess

    New London Pictures represents elements of London in the 21st Century. The Millennium Bridge describes the pedestrian's journey across this wonderful new landmark bridge over the Thames, starting at the imposing Tate Modern, crossing the busy river, and onwards to St. Paul's Cathedral with its bells ringing out over the great city. London Eye is an incredibly large ferris wheel situated on the South Bank of the River Thames. This movement depicts a 'flight' on this riverside wheel, at the top of which the panoramic view of London is breath-taking and the expanse of the music is a suitable depiction of the view. As with all modern cities, London is over-crowded with motor vehicles. London is the first major city in Europe to adopt a Congestion Charge, and this piece (with its stop and go traffic lights) is both racy and comical. Here are Londoners attempting to go about their business in the face of overwhelming odds.....Brass Band Grades 4/5: Premier Youth and 2nd SectionDuration: 15 minutes

    In stock: Estimated dispatch 1-3 days
  • £36.00

    Rise

    Rise was commissioned by Lions Youth Brass for the 2016 National Youth Brass Band Championships and is an original Brass Band work based upon the Christian Hymn Jesus Christ Is Risen Today , widely known as the Easter Hymn. Originally written in the fourteenth Century as a Bohemian Latin Hymn, it...

    In stock: Estimated dispatch 1-3 days
  • £27.00

    Ground Bass

    Ground Bass is based on the ostinato from J.S. Bach's 'Passacaglia and Fugue in C Minor (BWV 582)' originally written for Organ solo in the early 18th Century. It has been transcribed and reworked numerous times by a number of composers from different periods in time ever since its composition. This...

    In stock: Estimated dispatch 1-3 days
  • £80.00

    Carols of Old - Geert Jan Kroon

    Carols of Old is a rhapsody on two christmas carols: Lo, how a Rose and the Coventry Carol . Both carols seem to originate from the sixteenth century, hence the title. The carols are exposed in their original form as well as transformed in a rhapsodic manner.

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  • £19.95

    Corrido - Jonathan Bates

    Corrido music is a popular narrative song from Mexico most commonly in poetry form or as a ballad. Various themes are . featured in Mexican corridos, and corrido lyrics are often old legends and ballads about a famed criminal or hero in the rural . frontier areas of Mexico. The songs are often about oppression, history, daily life for peasants, and other socially relevant . topics. It is still a popular form today in Mexico and was widely popular during the Mexican Revolutions of the 20th century. .

    In stock: Estimated dispatch 1-3 days
  • £29.99 £29.99
    Buy from Marcato Brass

    Galanthia | Turpin arr. William Hill

    A bright bold and upbeat march - another great crowd please. The best known composition of the prolific William Turpin who lived in London at the turn of the 19th Century. Instrumentation: Soprano, Solo, Repiano, 2nd and 3rd Cornets Flugelhorn Solo, 1st and 2nd Tenor Horns 1st and 2nd Baritone 1st, 2nd and Bass Trombone Euphonium Eb and Bb Basses Snare Drum

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  • £19.99 £19.99
    Buy from Marcato Brass

    The Day Thou Gavest Lord, Is Ended | Ellerton arr. Alwyn Green

    This beautiful hymn, masterfully arranged by Alwyn Green for 10 piece Brass Ensemble is thought to have been the work of Cheshire vicar John Ellerton who is said to have written it in 1870.It was used by Queen Victoria as the hymn for her Diamond Jubilee in 1897, but it was also sung a century later when Britain handed over the control of Hong Kong to China, closing a final chapter in the colonial story.It has been described as having a 'beautifully managed geographical progression and structure'.This arrangement has all the serenity and dignity of the original work.Instrumentation1st Trumpet (1)2nd Trumpet (1)3rd Trumpet (1)Flugelhorn (1)Horn in F (1)1st Trombone (1)2nd Trombone (1)Bass Trombone (1)Euphonium (4th Trombone) (1)Tuba (1)Percussion Parts (2):Timpani (1)Cymbal (1)ISMN: 979-0-708127-10-9

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  • £25.00

    Nancy's Fancy - Brass Band

    An old English Dance given a 21st century make over

    Estimated dispatch 3-5 working days
  • £20.00

    Canzona XIII

    DescriptionCanzona XIII, also known as Canzon Septimi Octavi Toni a 12, was first published in 1597 as part of a collection entitled 'Symphoniae Sacrae' - this collection was a mixture of instrumental and choral pieces, and also included the famous Sonata Pian'e Forte, probably his best known work.Gabrieli was born in Venice sometime between 1554 and 1557 and studied with the renowned Dutch composer Orlando di Lassus. He also studied with his uncle, Andrea Gabrieli, and eventually succeeded him as the organist and composer at St Mark's Basilica in Venice. Already renowned as a musical centre, Venice became a magnet for composers wishing to study with Gabrieli after 'Symphoniae Sacrae' was published.Like many of his works, this Canzona was written to take advantage of the unique layout of St Mark's, which had galleries on three sides where the musicians could be placed to create novel spatial effects - utterly new and exciting for sixteenth century listeners. Canzona XIII has three different antiphonal 'choirs' and in this arrangement the band is split into three groups to reflect Gabrieli's innovative idea. Ideally the three groups should be clearly separated so the the antiphonal effect comes across clearly, although this will of course depend on the performance space. On no account should the band remain in its normal seated formation!As Gabrieli didn't have any percussionists (and percussion was widely thought inappropriate for music performed in church anyway) there are no percussion parts in this music.This arrangement was first performed by the Coppull and Standish Band conducted by Andrew Baker in 2009.You can follow a preview of the score while listening to an audio export of the music below!

    Estimated dispatch 7-14 working days