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  • £134.99

    Alienus - Thomas Doss

    "Alienus" - a word that means more than just extraterrestrial. It speaks of the foreign, the unfamiliar, the strange. Of that which comes from beyond - and yet stirs questions deep within us.In this work, it may represent many things: an alien, an unknown being, a stranger - or a human soul we cannot understand. My fantasy for brass band, tells the story of an encounter: humans come upon a sleeping, enigmatic creature. They gaze upon it in wonder - and in fear. Hesitantly, they draw near, driven by curiosity. Their inquisitive nature drives them to explore it, gradually crossing the invisible boundaries of reverence and humility - until the creature awakens. What follows remains untold. Each listener is invited to imagine their own story - or simply to be carried away by the music. The sound world of the piece draws from ancient roots: the hymn Wachet auf, ruft uns die Stimme ("Sleepers Wake, a Voice is Calling"), written in 1599 by Philipp Nicolai and later immortalized by Johann Sebastian Bach in his famous cantata. In the finale, the chorale resounds in its full glory - performed simultaneously in two different time signatures, evoking the echo of a vast, sacred space.

    Estimated dispatch 5-14 working days

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  • £129.99

    Genetic Code - Thomas Doss

    The source of inspiration for this composition was the so-called 'genetic code'. Something which is universal, as almost all organisms on our planet use the same code for their genetic information and therefore speak the same 'language', as it were. The fact that plants, animals, and humans are all subject to the universality of this code fascinates the composer time and time again. Thus, he has chosen a musical motif for this phenomenon, which has been woven through the various musical passages of this work like a genetic thread.Genetic Code was commissioned by the Swiss Brass Band Association to celebrate the 50th anniversary of the Swiss Brass Band Championships, in 2025, and to be the compulsory piece in the Excellence Division that same year.

    Estimated dispatch 5-14 working days

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  • £49.99

    Fairytale of New York - Sean O'Loughlin

    Recorded by the Celtic punk band The Pogues and featuring singer Kirsty MacColl, Fairytale of New York was released in 1987 and has remained an enduring and popular holiday favorite ever since. Comprised of two main sections, the opening is melancholy and lyrical, followed by the second part in a driving and energetic Irish-flavored groove. Sure to be a distinctive and appealing addition to any holiday concert.

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  • £59.99

    A Lyrical Duet - Bert Appermont

    This attractive composition focuses on the lyrical qualities of two solo instruments: tenor horn and baritone. An expressive theme is initially performed by the baritone; then the tenor horn takes over this melody. A rich dialogue arises, in which the soloists make music in sweet harmony, and then in a 'call-and-response game'. In the B section, the lyricism becomes more virtuosic, and a more playful character comes to light. There is then a gradual build-up to a grand tutti in which the opening theme resounds again. The work ends in a reverie, echoing the dreamy beginning.A Lyrical Duet was commissioned by tenor horn artist, conductor, and teacher Tim De Maeseneer, and is dedicated to him and Katrina Marzella. The work can be heard on Tim's solo CD, Beyond the Paradox, a project that was created in collaboration with Brass Band Willebroek and its conductor Frans Violet.

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  • £64.99

    Lord of the Lake - Thierry Deleruyelle

    Lord of the Lake is a work in three separate movements which tells the legend of the "Sea of Flines". Stephane Coquet, the conductor of the Flines-lez-Raches concert band, wanted to celebrate the 140th anniversary of his band by commissioning this work. The piece can be performed either on its own, or with a narrator who intervenes between each movement, telling this legend where children and their parents thwart the cruelty of a lord holed up in his castle.

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  • £60.99

    Klezmeriana - Jan de Haan

    The instrumental music of the Yiddish-speaking Jews, especially those of Eastern Europe, is known as klezmer. This terminology was originally used in Jewish cultural life as the name of a musician who played at weddings. At Jewish weddings, which usually last several days, klezmer musicians played not only dance music but also ceremonial music - for example during the wedding ceremony, and also music that was listened to during the wedding feast. Originally, there was no special term for this style of music. It was simply referred to as 'Jewish wedding music'. In the 1970s, the music - which is actually a fusion of different influences - enjoyed a resurgence in popularity and came to be known as klezmer. This music contains not only the sounds of the Balkans, but also influences of oriental and gypsy music too. Jan de Haan used no original klezmer melodies for Klezmeriana, but composed a series of sound-alike in an instrumentation for brass band.

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  • £105.20

    Our Last Summer - Benny Andersson - Bjørn Morten Kjærnes

    An exciting arrangement where almost all players have a bit of the melody line. There are many opportunities to give individual musicians soloistic challenges. Any bandmember should find something interesting in this piece. It will be possible to add vocals to the arrangement. A lovely melody with great expressions.Our Last Summer" is a song by the Swedish pop group ABBA from their seventh studio album, "Super Trouper," released in 1980. The song is indeed featured in the musical "Mamma Mia!", a little bit shortened and with small changes in the lyrics. The musical premiered in London's West End in 1999 and is a duet performed by the characters Harry Bright and Donna Sheridan, reflecting on their past romance during a summer spent in Paris.The song is primarily sung by Bjorn Ulvaeus, with backing vocals provided by Agnetha Faltskog and Anni-Frid Lyngstad, the female members of ABBA. Their harmonies contribute to the song's nostalgic and wistful atmosphere. The lyrics vividly describe the memories of the summer spent together, including scenes of walking along the Seine River in Paris and listening to French songs. The song also touches on the passage of time and the realization that the summer romance has ended.While not released as an official single in most countries, "Our Last Summer" still received considerable airplay and became a fan favorite. It charted in some European countries and has remained popular among ABBA fans over the years.

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  • £119.50

    Me and Mrs. Jones - Kenneth Gamble - David Hveem

    Me and Mrs. Jones was written by Kenny Gamble, Leon Huff and Cary Gilbert in 1972, and was first recorded by Billy Paul on the album 360 Degrees of Billy Paul. The song is about a man who has an affair with Mrs. Jones, and how the two secretly meet every day in the same cafe, even though they may know it's not quite right: "We got a thing going on/we both know that it's wrong/but it's much too strong/to let it go now." Paul has stated that he was sure the song was going to be a hit even before it was released, as "it's a song everyone can relate to", but already from the start the lyrics were considered somewhat controversial and the song were banned from several radio stations. Nevertheless, it became one of the best-selling singles of 1972 and Paul received a Grammy for Best Male R&B Vocal Performance.Well known is also Michael Buble's version of the song, released on the album Call Me Irresponsible in 2007. It is his version that has been the inspiration for this arrangement, which brings out even more of the jazz elements Buble has found in the song. The arrangement is quite demanding for the ensemble, and requires great rhythmic precision in particular.

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  • £53.50

    On a Roll - Oliver Waespi

    The title of this piece reflects its upbeat, forward-driven character. It starts out with a soul groove, carrying a prominent theme which invites players and listeners to dance. The slower middle section features a blues with optional solo parts. After the return of the soul beat, the piece concludes with a striking reaffirmation of the initial theme. On a Roll may be performed as an effective opener or as an upbeat rhythm item during a concert or contest. On a Roll was commissioned by the Zurcher Blasmusikverband for the Zurcher Kantonalmusikfest 2024 in Urdorf/Schlieren, Switzerland.

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  • £154.99

    A Road Less Travelled By - Philip Sparke

    A Road Less Travelled By was commissioned by Palangos Orkestras for the Championship Section of the 2020 European Brass Band Championships held in Palanga, Lithuania. The title alludes to a poem by American author, Robert Frost, which appeared in his 1916 collection, Mountain Intervals. In common with most of the composer's larger works, the piece is not programmatic, but purely abstract. The choice of title shares Sparke's view of how composers can often develop. There can be no 'destination' in a composer's career, but rather a continuing journey to an unknown place. Set in three movements, which play without a break, A Road Less Travelled By opens with a Moto Perpetuo firmly rooted in classical language, form and syntax. A continuous river of semiquavers, veering from melody to accompaniment and back again, adds drive, energy and motion. The second movement, Nocturne, is in the form of a free fantasia; solos for vibraphone, flugel horn and euphonium set the stage for a central cornet solo, quietly echoed by the full band. A triumphal climax is reached before the movement dissolves into a Scherzo Finale. A brief coda based on earlier material drives the piece to a close.

    Estimated dispatch 5-14 working days

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