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£174.99The Turing Test - Simon Dobson
Alan Turing is considered the father of modern computational science and much, if not all, of our modern computer technology and the connectivity that we now take for granted is born of the work of this one great, but troubled man. His famous test was designed to prove whether artificial intelligence (AI) could successfully imitate human thought. The single movement of The Turing Test is essentially non-programmatic, but it does seek to show something of the emotion and colour of Turing's life in its different sections. The composer employs bi-tonality and complex rhythms to show opposing worlds colliding. At the end of each test, we must decide: has true AI beenborn?
Estimated dispatch 5-14 working days
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£54.45The Pilgrim - Josiah Walters
Josiah describes his composition'The Pilgrim' as a journey of development and emotion, encompassing three key stages of emotional state: from the opening sounds which are full of anticipation and uncertainty, through to a passage of disillusionment and frustration, then moving on to a concluding stage which reintroduces the positive elements of the opening optimism, yet closing quietly, symbolizing an inner peace and contentment at the end of the musical journey.The composer's emotive approach to the creation of the work embraces a wealth of passion, anguish and enlightenment. Through his use of imaginative melody, themes and harmonic texture, Josiah has represented a collection of powerful emotions. Essentially non-programmatic, the piece opens in a contemplative manner, building with enthusiasm, and first introducing the use of bells and bell effects as a musical metaphor which is used throughout the piece to signify the journey's destination.As the sentiment continues, the music evolves in to an Allegro Furioso section, opening up a strong sense of frustration. At this section's climax, the symbolic use of the bells is reintroduced to create an over-tone of hope and purpose, although this does not last long as they fade into the Misterioso Molto Rubato section.As the melodies and harmonies develop onwards, 'The Pilgrim' evolves into a more reflective phase, reintroducing the sounds and motifs of the more strident opening.This closing section symbolizes the realisation that everything needed was already available to The Pilgrim, but travelling the journey, confronting and overcoming all of the challenges was the only route of discovery - peacefulness prevails, bringing the work to a close with a sense of contentment and enlightenment.'The Pilgrim', highly emotive in its creation, offers a wealth of musical imagery.Even to the uninformed listener, this fascinating, powerful and beautiful work stirs and stimulates a variety of emotional reactions - offering each listener an opportunity to apply the music to their own journey, their own personal pilgrimage.
In Stock: Estimated dispatch 3-5 working days
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£30.00The Sword and the Star
DescriptionThe Sword and the Star was written in 2006 for the Middleton Band at the request of their Musical Director, Carl Whiteoak. The inspiration for the work was the band's badge, which features a medieval archer. The town of Middeton's historical link with the symbol of the Archer came from the English victory at the Battle of Flodden in September 1513, where bowmen from Middleton and Heywood under the command of Sir Richard Assheton played a vital part in crushing the invading Scottish army. Sir Richard captured one of the Scottish commanders and presented the prisoner's sword to the St Leonard's church in Middleton in recognition of the town's contribution. As long time Lords of the Manor, the Assheton family crest was for centuries featured in the coat of arms of Middleton council, and when Middleton became part of the Metropolitan Borough of Rochdale the black star from the Assheton crest was used to represent Middleton in the new borough's coat of arms. Hence the title The Sword and the Star, for a piece which attempts to give an impression of the town as it was then and as it is now.The music is in three short sections - a fanfare, a lament and a bright scherzo - and simply aims to contrast the medieval hamlet of Middleton with the bustling urban centre it has now become. The central lament features a Scottish song called "The Flowers of the Forest", written to mourn the loss of so many of Scotland's young men on the field of Flodden; the song returns in a much more positive form at the end of the piece.
Estimated dispatch 7-14 working days
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£65.00Rise of the Phoenix (Brass Band - Score and Parts)
As the title suggests, the phoenix was a fabulous mythical bird, who every morning at dawn, sang a song so enchanting that even the sun God, Apollo, would stop and listen. The bird would live for a hundred years, and at the end of its life, would build a pyre, set it on fire and be consumed by the flames. After three days, the phoenix would be reborn from the ashes, to sing once more.This work was commissioned by Clifton and Lightcliffe Band and reflects the difficulties and rebirth of the band to make music once more.Suitable for second section bands and above.
Estimated dispatch 7-14 working days
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£27.50Rise of the Phoenix Score Only)
As the title suggests, the phoenix was a fabulous mythical bird, who every morning at dawn, sang a song so enchanting that even the sun God, Apollo, would stop and listen. The bird would live for a hundred years, and at the end of its life, would build a pyre, set it on fire and be consumed by the flames. After three days, the phoenix would be reborn from the ashes, to sing once more.This work was commissioned by Clifton and Lightcliffe Band and reflects the difficulties and rebirth of the band to make music once more.Suitable for second section bands and above.
Estimated dispatch 7-14 working days
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£59.95Judd: The Long Cloud of Witnesses
This music was written for the Amsterdam Staff Band's 50th Anniversary. The idea for using this theme in appreciation of the pioneers of the band who had gone before came to me during the thanksgiving service for my own mother's life. She was a life-long Salvationist, and the large crowd that gathered for her thanksgiving in Winchester gave such an inspiring rendition of this hymn at the end of the service that it moved me to write the music. In the closing pages of the score I have tried to suggest that final parade when those who loved the Lord join the 'long cloud of witnesses' in procession to their eternal home. - Kenneth Downie
Estimated dispatch 7-14 working days
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£56.00At the End of the Day (Bb Duet or Bb and Eb Duet with Brass Band - Score and Parts) - Fernie, Alan
Duet for Cornet and Euphonium, or Cornet and Eb HornSlightly reduced Brass Band instrumentation (no rep cornet, no 2nd horn, no 2nd trombone part)
Estimated dispatch 7-14 working days
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£24.50
Wedding Music (Selections For A Wedding) - Various - Gavin Somerset
With more and more brass bands performing at weddings, having the correct music is essential for the couple's perfect day. With most of the traditional wedding music coming from large overtures & operas etc, this unique pack of music has been specially designed to minimise fuss (all 4 pieces are printed on just one sheet per part) and have just the "famous" bits included. Specially arranged by Gavin Somerset so that the pieces included can be performed from anything ranging from a full brass band to a brass quintet group and with repeats that can be cut or performed to tailor to each event. The pieces areaABRIDAL CHORUS (from Lohengrin) By Richard Wagner"Here comes the bride"aA is the standard march played for the bride's entrance at many formal weddings. The wedding between Elsa and Lohengrin however was almost an immidiate failure!PACHELBEL'S CANON By Johann PachelbelFormally known as the Canon & Gigue in D and originally composed for a string quartet, the Canon part of the composition has become a favorite at weddings, either as an alternative to the Bridal Chorus (above) or used during the signing of the register. The convention in the Baroque era would have been to play a piece of this type in the moderate to fast tempo, however at weddings it has become fashionable to play the work at a slow tempo.WEDDING MARCH (from "A Midsummer Night's Dream") By Felix MendelsshonPopularized by Princess Victoria's wedding to Prince Frederick William of Prussia and coupled with the Bridal Chorus for the entry of the bride, this Wedding March is often for the recessional at the end. Prelude to "Te Deum" By Charpentier Another item now popular in its use during weddings for its bright fanfares. Many composers have written music to the "Te Deum" text (Te Deum being an early Christian hymn of praise, used still regularly in the R.C Church). The prelude by Charpentier is by far one of the most famous
In Stock: Estimated dispatch 1-3 working days
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£29.50A Partridge In A Pear Tree - Gavin Somerset
The perfect Christmas concert finale!!! The Twelve Days of Christmas is known for being one of the most tedious pieces for any band to play - now the band get their own back! As the M.D starts to conduct the "Twelve Days Of Christmas", the band has other ideas. Throughout the piece, well-known carols are blasted out from all corners of the stage. This item is ideally suited for each band to add their own choreography. As the M.D fights to keep the front row playing all twelve days, the trombones stand to blast out Jingle Bells, the horns decide to join in and the back row then show their retaliation by giving a round of "Once In Royal David's City" - and the fun goes on. Eventually the M.D & front row finally loose their battle and give in at the end to a rousing line of "We Wish you a Merry Christmas". Fanfares, Jazz Waltz's and Christmas bedlam leave your audience in stitches and wanting more!!
In Stock: Estimated dispatch 1-3 working days
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£29.50We Three Kings - Traditional - Gavin Somerset
This traditional item has certainly been arranged with the "wow" factor. Starting gently with a solo from the horn before being joined by the rest of the band, after which it's a cocktail of surprises. A Jazz waltz theme ensures the audience enjoy every toe-tapping minute of the piece whilst your players ravish the solos and counter melodies (there's even a solo for the Eb Bass!) Bells ring out and the feel good factor from this arrangement will leave your audiences stunned as the key change at the end is sure to make the hairs on your neck rise! A must for all Christmas programs. For Christmas 2020, we have made backing tracks of this title for you to download. These can be used either for personal playback use, or to create a virtual performance of the piece with your full band. To download the backing track, please RIGHT CLICK HERE & Save As .
In Stock: Estimated dispatch 1-3 working days
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