Results
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£45.00Andromeda - Dan Price
Following the popularity of Dan's concert opener Starburst , this sequel provides yet another exciting addition to the concert repertoire, equally at home as a finale or as a concert opener. The work is dedicated to Samantha Harrison and Elland Youth Band, who gave the premiere performance as part of their 2019 European Youth Brass Band programme in Montreaux, Switzerland. Listen: Duration: 00:04:00 Grade: 3/3.5
Estimated dispatch 5-7 working days
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£55.00Escape the Kraken!
This evocative music portrays an underwater escape from the clutches of the legendary, multi-tentacled sea creature, the Kraken. From the mysteriousness of the seabed, the awakening of the beast, an exciting chase ensues as you evade capture. The work is full of excitement and energy, balancing myth alongside a cinematic sound world. Originally composed in 2017 for Jaren Hornmusikkforenig , Escape the Kraken! was the finale of the concept programme Twenty-Thousand Leagues Beneath the Sea . The work is published here in its 2019 revision, as performed at the Brass In Concert championships by the Flowers Band in their award-winning programme Captain Nemo's Forgotten Journal. Duration: 00:04:45 Grade: 5 / 5.5
Estimated dispatch 5-7 working days
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£25.00Shindig
Commissioned by Adrian Smith for the the Blackley Band's 2018 performance at the French Open Championships, Shindig is an approachable concert item for lower-section bands. This quirky work takes the form of an Irish reel, providing the opportunity for each instrumental family within the ensemble to 'take to the floor.' Duration : 00:03:00 Grade : 2.5 / 3
Estimated dispatch 5-7 working days
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Shine - Mark Owen, Gary Barlow, Stephen Robson, Jason Orange & Howard Donald - Steve Yorke
Take That at their very best
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£60.02The Glory of Colour (Brass Band) Ivan G. Andrews
This work by Ivan Andrews was inspired by the large Baptistry window of the new Coventry Cathedral and will be suitable both as a contest or concert work. The window was conceIved and designed by Basil Spence and was intended to be a worldwide experience. When installed it was claimed to be "the single largest window in stained glass that hitherto had ever been contemplated and brought into existance." The stained glass design was done by artist John Piper and when completed was described by Bishop Bardsley as a "triumphant expression of faith, a faith encapsulated in the 'glory of colour'".* Hence the title for the piece. The composer writes: 'When thinking of this music the traditional tune now often called Monks Gate kept coming to me. The words often sung to this tune were penned by John Bunyan and each stansa ends with the words "To be a pilgrim". The Cathedral in Coventry, although a Christian Church, is designed to bring all faiths together in Unity - there is a "Unity Chapel" opposite the Baptistry window so the concept of pilgrimage seemed perfectly apt to me. The music is therefore designed to reflect many colours as there are many expressions of faith. Single fragments of the Monks Gate tune are used as a basis for what might be deemed 'variations'. The tune is heard in full towards the end of the piece and then the music rises to a climax of bright brilliant white light. The colours of the window are darker on the outer edges but they all circulate towards the brilliant white at the centre - representing the source of all faith.' To view a rolling score video of the work please visit https://www.youtube.com/watch?v=zPN_EhhMDAE Duration: Approx. 11.30 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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£33.76Libera Me from 'Requiem' (Brass Band) Faure arr. Rob Bushnell
Composed between 1887 and 1890, Gabriel Faure's Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM's Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Faure himself said "My Requiem wasn't written for anything - for pleasure, if I may call it that!" It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Faure called "un petit Requiem") was first performed on 16 January 1888, with Faure conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer's own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Faure once said of the work, "Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest." Upon interview, he also said, "It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different."This arrangement is for the British-style brass band, with alternative parts for horns in F and bass-clef lower brass. The tenor solo is featured on the euphonium. A recording of the original composition can be found here: www.youtube.com/watch?v=fXwFNoBHCf0 Duration: 4.20 minutes approx. Difficulty Level: 4th Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani
In Stock: Estimated dispatch 1-3 working days
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£33.76Bagatelle No.25 in A Minor - Fur Elise (Brass Band) Beethoven arr. Olaf Ritman
Perhaps the most well-known piano piece by Ludwig van Beethoven, Bagatelle No. 25 in A Minor (written around 1810) is better known under its subtitle 'Fur Elise'. Even to this day it is still unknown who Elise was, with at least four theories claiming to tell the story. It might have been one of Beethoven's students or Therese Malfatti, a young lady who got much attention from him. The theory is that Beethoven's autograph Ludwig Nohl could not decipher his handwriting and might have read Elise instead of Therese. Nevertheless the piece has become extremely popular over the last two centuries and is often the very first real classical piece a beginner pianist goes to. Many classical pieces have been transcribed in contemporary fashion for brass bands in recent times, with Toccata in D Minor by J.S. Bach arranged by Ray Farr being the most popular and more recently Vivaldi's first part of Winter from The Four Seasons arranged by Philip Harper. This arrangement of Fur Elise fits in this series perfectly and seeks to bring a smile to its listeners. The last two bars are a direct tribute to Ray Farr's aforementioned arrangement of Toccata. To view a video of the Amsterdam Staff Band performing the work please visit https://www.youtube.com/watch?v=sdLI7U-aplw Duration: 3.15 minutes approx. Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£30.00Beaufort Fanfare (Brass Band) Friedrich Gattermann
Beaufort Fanfare, by German composer Friedrich Gattermann, is a dynamic and vibrant musical work inspired by the Beaufort scale, a system for estimating wind speeds. Originally composed for brass ensemble and percussion, it was created to showcase Orchestral Tools' Beaufort Brass sample library, recorded at the iconic AIR Studios in London. Here it has been set for brass band. A central element of Beaufort Fanfare is its exploration of musical density. The piece begins with a single motif and gradually builds in complexity and richness, reflecting the increasing strength of the wind. As it progresses, the music intensifies, with the development of density playing a crucial role in conveying the evolving character of the elements. Through intricate brass harmonies and rhythmic drive, Beaufort Fanfare captures both the awe-inspiring beauty and raw power of nature. More than just an auditory experience, this composition takes the listener on a journey through the elements, celebrating the force of wind in all its forms. To view a rolling score video of the work please visit www.youtube.com/watch?v=vdiIIERMSDY Duration: 2.15 minutes approx. Difficulty Level: 1st Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet 1-3 Bb Solo Cornet 2-4 Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-3
In Stock: Estimated dispatch 1-3 working days
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£33.76A Century of Art (Brass Band) Robbert Vos
A Century of Art was composed for Brass Band Kunst naar Kracht from the town of De Goorn (The Netherlands) for its 100th anniversary in 2022. A version for Fanfare Orchestra was commissioned by the Fanfare Project Orchestra in 2023. The title of the work refers to Brass Band Kunst naar Kracht's 100-year existence and the array of art that has been created in that time. A Century of is a flashy and virtuosic opening work where melodic lines are combined with other surprising compositional elements. You can hear, among some references to some famous brass band test pieces, a quote from Lohengrin by Richard Strauss. A transcription of Lohengrin was used at the 1922 British Open in England, one of the most famous brass band competitions in the world, the same year as Brass Band Kunst naar Kracht was founded. To view a performance by Fanfare 'Project Orkest' of the work please visit www.youtube.com/watch?v=D6zuoaxf_kg (please note this is the Fanfare Band version, although it is essentially the same). Duration: 4.00 minutes Difficulty Level: 2nd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-4
In Stock: Estimated dispatch 1-3 working days
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£30.00March from 'The Love for Three Oranges (Brass Band) Prokofiev arr. Wilkinson
This thrilling brass band arrangement of the March from 'The Love for Three Oranges' by Prokofiev has been skillfully arranged by Keith M. Wilkinson. This setting captures the essence of the original orchestral work, while showcasing the power and brilliance of the brass band. In 1918, Sergei Prokofiev undertook his first visit to the United States. A number of concerts of his works were held in Chicago, which were received very favourably. As a result, the director of the Chicago Opera Association, Cleofonte Campanini, commissioned Prokofiev to write an opera. It just so happened that, during his trip, he had written a draft of a libretto, based on the Italian play by Gozzi, L'amore delle tre melarance, adding some additional surrealism to the text. Given Prokofiev's poor English, and Americans unlikely to accept an opera in Russian, French was his final choice. The result, L'amour des trois oranges (or The Love for Three Oranges), which premiered at the Auditorium Theatre in Chicago on 30 December 1921, conducted by Prokofiev himself. The March from this opera is probably the most familiar part and has been used by CBS in the radio-drama series The FBI in Peace and War. It was also used in films such as The Brink's Job and Prokofiev quoted it in the second act of his ballet Cinderella. To view a rolling score video of the work please visit www.youtube.com/watch?v=I136sf8hxlU Duration: Approx. 2.10 minutes Difficulty Level: 3rd Section + PDF download includes parts and score. Sheet music available from www.brassband.co.uk Instrumentation: Soprano Cornet Eb Solo Cornet Bb Repiano Cornet Bb 2nd Cornet Bb 3rd Cornet Bb Flugel Horn Bb Solo Horn Eb 1st Horn Eb 2nd Horn Eb 1st Baritone Bb 2nd Baritone Bb 1st Trombone Bb 2nd Trombone Bb Bass Trombone Euphonium Bb Bass Eb Bass BbTimpani Percussion 1-2
In Stock: Estimated dispatch 1-3 working days
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