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  • £34.95

    Song of the Night Sky - Christopher Bond

    Cornet Solo with Brass BandOrpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea.And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster.The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in.His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies.Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.

    Estimated delivery 12-14 days
  • £34.95

    Song of the Night Sky - Christopher Bond

    Orpheus is known as the most talented music player of the ancient times. It is said that god Apollo was his father, from whom took his extreme talent in music, and the Muse Calliope was his mother. Tragedy struck when his wife, Eurydice stepped on a viper which in turn bit her, injecting its fatal venom. Nothing could stop his cries of anguish and sheer pain and sorrow upon realizing his beautiful Eurydice was dead. Orpheus decided to go into the Underworld to get his wife back. Apollo, his father, would talk to Hades, the god of the Underworld to accept him and hear his plea. And so Orpheus set off into the Underworld and was warned that for no reason must he look back while his wife was still in the dark, for that would undo everything he hoped for. As Orpheus was reaching the exit of the Underworld, he could hear the footfalls of his wife approaching him. As his was approaching the exit, his heart was beating faster and faster. The moment he stepped on the world of the living, he turned his head to hug his wife. Unfortunately, he got only a glimpse of Eurydice before she was once again drawn back into the underworld. When Orpheus turned his head, Eurydice was still in the dark, she hadn't seen the sun and, was drowned back to the dark world of the dead. Waves of anguish and despair swept over him and shuddering with grief he approached the Underworld again but this time, he was denied entry, the gates were standing shut and god Hermes, sent by Zeus, wouldn't let him in. His songs were no more joyful but extremely sad. His only comfort was to lay on a huge rock and feel the caress of the breeze, his only vision were the open skies. Song of the Night Sky was recorded by Tom Hutchinson and the Cory Band in June 2015, featuring on his debut solo album.

    Estimated delivery 5-7 days
  • £133.60

    Myte - Myth - Torstein Aagaard-Nilsen

    Commissioned by Radoy Brass for their 20 years anniversary. This version was first performed by Manger Skulemusikklag in 2005. The Work is devided into Five Scenes: 1. Sverdet (The Sword) 3:45 2. Advarsel - fra en vis mann (Warning - from a Wise Man) 2:30 3. Dragen (The Dragon) 3:00 4. Advarsel II - fra syngende fugler (Warning II - from singing birds) 1:35 5. Gull - forbannelsen (Gold - The Curse) 2:50 Total durata 13:30 This work is based on five scenes from the tale about "Sigurd Favnesbane" (Sigurd the dragonslayer). Moods and atmospheres in the piece represent my way of retelling the old myth. 1. The Sword The dwarf blacksmith Regin is hammering and sharpening the edges of the magical sword Gram. After three attempts the sword is finally sharp enough to kill a dragon. 2. Warning - from a Wise man Richard Wagners opera Sigfried is based on the same story. In the opera the hero get warned by a wise man. He tells the secret of how to survive an attack of the dragon by hiding in a hole in the pathway and then kill the dragon with the sword as the dragon passes on its way to the river to drink water. 3. Dragon The Dragon (Favne) guards a fantastic treasure, but he is also the brother of the blacksmith Regin. Favne get killed and his blood flows slowly while he laments (trombone/bass trombone). 4. Warning II - from singing birds While frying the heart, Sigurd burns his thumb and put it into his mouth to cool it down. Then he swallow a drop of fresh magic dragon blood which transfers the ability to understand the birdlanguage. The birds sing warnings to Sigurd telling him that Regin will betray him and later kill him. Sigurd then kills Regin instead. 5. Gold - the Curse Sigurd takes the gold treasure and escapes on the horseback of Grane. But his robbery of the gold lead him into trouble: The gold is banned and a curse will hit everyone who takes it... Myth is a programmatic work where the story is quite clearly illustrated throughout the piece: In the first movement you can hear the blacksmith working with hammer on ambolt while the heat is intense from the glows. The dwarf has got his own theme i lower brass (bar 4-5). The hero Sigurd has his own identifying chord (2 bars before F). The chord is also a symbol of the sword. In the second movement the warning from the wise man is expressed in the lyric bass line. The airblow in instruments illustrate the dragon Favne on his way out of his cave, and later the blood flows slowly. The dragon takes his last deep breath after a painful duet in trombones. The birds sing their motifs (lightly, but not cheerful though), until Sigurd cuts the head off Regin and it hits the ground.The last movement describes the atmosphere and state of mind as the curse infects the obsessed thief.

    Estimated delivery 10-14 days

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  • £132.00

    Myte - Torstein Aagaard-Nilsen

    Commissioned by Radoy Brass for their 20 years anniversary.This version was first performed by Manger Skulemusikklag in 2005.The Work is devided into Five Scenes:1. Sverdet (The Sword) 3:452. Advarsel - fra en vis mann (Warning - from a Wise Man) 2:303. Dragen (The Dragon) 3:004. Advarsel II - fra syngende fugler (Warning II - from singing birds) 1:355. Gull - forbannelsen (Gold - The Curse) 2:50Total durata 13:30This work is based on five scenes from the tale about "Sigurd Favnesbane" (Sigurd the dragonslayer). Moods and atmospheres in the piece represent my way of retelling the old myth.1. The SwordThe dwarf blacksmith Regin is hammering and sharpening the edges of the magical sword Gram. After three attempts the sword is finally sharp enough to kill a dragon. 2. Warning - from a Wise manRichard Wagners opera Sigfried is based on the same story. In the opera the hero get warned by a wise man. He tells the secret of how to survive an attack of the dragon by hiding in a hole in the pathway and then kill the dragon with the sword as the dragon passes on its way to the river to drink water.3. DragonThe Dragon (Favne) guards a fantastic treasure, but he is also the brother of the blacksmith Regin. Favne get killed and his blood flows slowly while he laments (trombone/bass trombone).4. Warning II - from singing birdsWhile frying the heart, Sigurd burns his thumb and put it into his mouth to cool it down. Then he swallow a drop of fresh magic dragon blood which transfers the ability to understand the birdlanguage. The birds sing warnings to Sigurd telling him that Regin will betray him and later kill him. Sigurd then kills Regin instead.5. Gold - the CurseSigurd takes the gold treasure and escapes on the horseback of Grane. But his robbery of the gold lead him into trouble: The gold is banned and a curse will hit everyone whotakes it...Myth is a programmatic work where the story is quite clearly illustrated throughout the piece:In the first movement you can hear the blacksmith working with hammer on ambolt while the heat is intense from the glows. The dwarf has got his own theme i lower brass (bar 4-5). The hero Sigurd has his own identifying chord (2 bars before F). The chord is also a symbol of the sword.In the second movement the warning from the wise man is expressed in the lyric bass line.The airblow in instruments illustrate the dragon Favne on his way out of his cave, and later the blood flows slowly. The dragon takes his last deep breath after a painful duet in trombones. The birds sing their motifs (lightly, but not cheerful though), until Sigurd cuts the head off Regin and it hits the ground.The last movement describes the atmosphere andstate of mind as the curse infects the obsessed thief.

    Estimated delivery 12-14 days
  • £49.95

    Ruslan & Ludmilla - Mikhail Glinka - Robert Childs

    Glinka's Ruslan & Ludmilla was first performed on December 9, 1842, in St.Petersburg.Once a popular and influential composer, Mikhail Glinka (1804-1857) is primarily remembered today for two operas: A Life for the Tsar (1836) and Ruslan and Ludmilla (1842). The latter, based on the work that brought poet Alexander Pushkin his first success in 1820, seems both a perfect operatic subject and an impossibility.A complicated fairy tale of love overcoming all obstacles, it features a flying dwarf who gets his power from his beard, a fight with a giant disembodied head, a rescue foiled, a slain hero resurrected, and a happy ending with the lovers reunited!Glinka worked intermittently on the Opera for five years and left the composition of the overture to the last minute. Despite the inventiveness of the music and its many memorable melodies, the Opera Ruslan and Ludmilla was a failure. Nevertheless the Overture is a firm favourite and here we have an expertly crafted arrangement for brass band from the pen of Dr Robert Childs.

    Estimated delivery 3-5 days
  • £83.00

    Introduction & Punk - Torstein Aagaard-Nilsen

    Torstein Aagaard-Nilsen's (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir. In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual. Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony. The first part of Aagaard-Nielsen's composition (Introduction) is a texture based mainly on one short theme. This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around your head. In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third). This motif is alternated with very powerful percussion beats and later on shrill harmonies. De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos, eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien. Midden zeventiger jaren ontstaat er een stroming binnen de jongerencultuur, die provocatie, wantrouwen tegen de grote ideologieen en de autonomie van het individu centraal stelt. Punk is speels, agressief, veelal humoristisch en anti-alles, wat onvermijdelijk leidt tot zelfspot. Het eerste deel (Introduction) is een weefsel, gebaseerd op voornamelijk een kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten, waar de ijzige wind je om de oren suist. Tijdens de 'heftige' Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken. Dit alles zorgt voor een bombastisch geheel. Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.

    Estimated delivery 10-14 days

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  • £29.95

    PILGRIM WAY, The (Brass Band Set) - Eric Ball

    Attempting to recreate the atmosphere of mediaeval pilgrims, this suite comprises three separate, yet linked movements. I. Based on John Bunyan's poem 'He Who Would Valiant Be', the music reminds us of the words 'No foes shall stay his might, though he with giants fight, he will make good his right to be a pilgrim'. II. A transcription of the composer's own setting of 'God be in my head'. III. The original themes in this movement express feelings of joy and excitement of present day pilgrims journeying on the Christian path.

    Estimated delivery 12-14 days
  • £25.00 £25.00
    Buy from Wobbleco Music

    Diamonds - Jerry Lordan - Len Jenkins

    In November 1962, ex-Shadows members Jet Harris and Tony Meehan decided to work as a duo and went to No 1 with a Jerry Lordan composition, "Diamonds". Harris, a bass player, took an ordinary Fender guitar and detuned every string a whole tone to enable him to hit notes which were lower than an ordinary guitar. However, it was apparently difficult to work with on stage since once the strings were slackened they would go out of tune very easily. The duo went on to have a second Top 10 hit with "Scarlett O'Hara" which is also available from Wobbleco Music in an arrangement for brass band. Both arrangements seek to capture the characteristic style of 60's rock music and retain the signature drum solos for which they are rightly remembered. But in addition, both pieces also appeal to a younger generation who may not have heard the originals. Our young kit drummer in Woburn Sands 'A' Band commented "...the (drum) part has the slightest shuffle feel to it, which improves the groove of the song, and to replicate the vintage snare-drum sound, I have heard that you can place a towel or a cloth over the head of the drum. I think it would work well...(otherwise) the drum part stays relatively simple and repetitive"...Chance to re-create the sound of the 60's.....Go for it!

  • £128.00

    Diamond Concerto - Philip Sparke

    Diamond Concerto was commissioned by Musikverein Morschied from Germany - Dr. Eric Grandjean, conductor - for a special concert featuring Steven Mead as guest soloist. Together they gave the world premiere on 28th April 2012 in the town theatre of Idar-Oberstein.The commission is a highlight in the 30-year friendship between composer and soloist, which has included many mutual CD projects and concerts and, now, a concerto. Sparke had Steven Mead's special euphonium sound in his head throughout the composition process and made free use of the variety of styles which the world-renowned virtuoso has made his own during his highly successful solo career.The village of Morschied lies to the west of Frankfurt am Main in the area known as the German Road of Precious Stones, which is famous for its thriving gem industry. Because of this it was decided to give the commission a local connection by choosing the title, Diamond Concerto. Each of the three movements is named after a famous diamond:1 EARTH STARis rather stern in mood, opening with a free fantasy for the soloist over a static chord from the band. This leads to an Allegro Moderato in minor mode where small motives are gradually repeated and developed by both band and soloist.2 OCEAN DREAMuses a varied quote from the composer's Music for Battle Creek, including a melting slow melody that was originally written with Steven Mead in mind.3 BLUE HEARTwas written, at Steven Mead's suggestion, in bebop style and takes the form of a jazz waltz. The quasi-improvisatory central section features a call-and-response passage for the soloist and upper woodwinds.Soloist: Difficulty 6Diamond Concerto is available for euphonium and piano (AMP 374-401) as well as for euphonium and concert band (AMP 354-010).

    Estimated delivery 10-14 days

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  • £48.00

    God Put a Smile Upon Your Face

    'God Put a Smile Upon Your Face' was written by all members of the band Coldplay for their second studio album 'A Rush of Blood to the Head'. Coldplay vocalist Chris Martin said: "The song came out of playing live and wanting to have something with a bit more bounce". The chart was originally released in 2003 to critical aclaim. In 2007 Mark Ronson covered the song on his album 'Version' - it is this version this arrangement is based upon. The following arrangement was devised as a concert opener - written as such to allow different sections of the band to make their way to the stage one at a time. The suggested stage entry directions for this arrangement are: Percussion > Basses > Trombones > Horns & Baritones > Cornets & Euphonium. Kit and percussion parts are written as a guide - please feel free to add and subtract as the MD sees fit. DUE TO COPYRIGHT LAW THIS WORK IS NOT AVAILABLE IN AUSTRALIA OR NEW ZEALAND

    In stock: Estimated delivery 1-2 days